of the “other” in society over time. The ‘other’ consistently poses a threat to dominance and a fear of the unknown within society‚ a perception‚ while fundamental unfounded‚ which has not changed over time. Mary Shelley’s Frankenstein and Riddley Scott’s ‘Blade Runner’ both present the problem of otherness‚ not it’s solution‚ as they seek to explore incurable prejudices against anything contrary to established institutions. Where Shelley draws on romanticism in the rejection of the creature
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Assessment Task 2: Module A 1. Our understanding of context shapes the meaning of texts. Discuss with reference to the texts you have studied in Module A. 2. Our understanding of context shapes the meaning of texts. Discuss with reference to the texts you have studied in Module A. A Comparative Study of Texts and Context Through the use of context‚ composers can enrich one’s understanding of texts and explore the deeper intricate nature of the human spirit. Context refers to the set of
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Blade Runner This film pulls no punches in asking the most troubling questions about artificial intelligence and cloning. What is a human? If it looks just like one‚ but we made it‚ can we kill it? This is Deckers job‚ a “Blade Runner” played by Harrison Ford. When Replicants‚ the pseudo clone slaves of human society‚ run amok (or in this case‚ return to earth‚ which they are banned from) it’s the job of a Blade Runner to find and “retire” them. They are spoken about in a very particular language
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Many themes and ideas continue to reoccur among different texts in time. However studying two texts in conjunction allows one to observe how composers manipulate ideas in order to more accurately connect to their context‚ and reflect the concerns and values of the time. Through the comparative study of Mary Shelley’s 1818 gothic novel Frankenstein or The Modern Prometheus and Ridley Scott’s 1981 neo-noir cyberpunk film Blade Runner (Director’s Cut)‚ one can observe how in these two didactic and prescient
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who‚ while subject to their surrounding context‚ effectively explore the elements which constitute humanity and convey similar warnings regarding the future of mankind through the use of representations within varying forms of texts. The novel Frankenstein (F) by Mary Shelly composed in 1818‚ and film Blade Runner (BR) directed by Ridley Scott in 1982‚ embody the above notions. A comparative study of these texts reveals that‚ despite the fact that the context of composition moulded both works‚ the
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essay on the contexts of Blade runner by Ridley Scott‚ and Frankenstein by Mary Shelly. “Frankenstein”- the story of a scientific experiment‚ a human like creature‚ rejected by its creator and reaping revenge. “Blade runner”- A population of genetically designed artificial humans created for the sole purpose of labour on off world colonies‚ escaped to Earth and on the run. After hearing that introduction one would not suspect that these two texts share many similarities in meaning‚ context‚ morals
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historical contexts. The capacity of thematic concepts to transcend time is manifest within Mary Shelley’s 19th century gothic novel Frankenstein (1818) and Ridley Scott’s science fiction film Blade Runner (1992) as both pose similar existentialist discourses regarding the fate of humanity. As a Romanticist‚ Shelley condemns humanity’s intrusive assumption as creator. Similarly‚ Scott responds to Shelley warning by also spurning man’s ruthless ambition. However‚ the film’s 20th century context of capitalist
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How does a comparative study of Blade Runner and Frankenstein bring to the fore ideas about responsibility? “It is easy to dodge our responsibilities‚ but we cannot dodge the consequences of dodging our responsibilities.” – Josiah Charles Stamp The consequences of our actions usually far outweigh the conditions that responsibility places of humanity’s shoulders‚ yet we still manage to neglect the very things that are ingrained in our life. A parents’ embrace‚ nurturing and education is what
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A text embodies and reflects key issues and concerns of the composer’s context‚ whether it be social‚ cultural or historical. Mary Shelley’s Frankenstein (1818) and Ridley Scott’s Blade Runner (1982) are two prime examples of how similar concerns may differ in representation due to varying times and contexts. Both Shelley and Scott strongly explore the essence of humanity alongside science and development‚ cautioning the audience about the concerns of these explorations as a possible path of severance
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Both Mary Shelley’s 1818 gothic novel Frankenstein and Ridley Scott’s 1982 film Blade Runner explore the dehumanising effects of technology. Although the texts differ in context they connect through their exploration of transcendent societal concerns. A key theme explored in both texts is the dangers associated with unrestricted and dehumanising technology. Both texts depict characters corrupted and challenged by the dehumanising effects of technology‚ whilst simultaneously depicting settings and
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