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    The protagonists of the stories “A Rose for Emily” by William Faulkner’s and “The Metamorphosis” by Franz Kafka’s have a few things in common. Both Mrs. Emily and Gregor experience transformation and in result‚ betrayal by their loved once. For example‚ Gregor transforms into an insect and is unable to return to his normal life. In result‚ his family members are angry. They lock him up in his room and abandon him. Similarly‚ Emily is also rejected by a close person‚ specifically‚ her love interest

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    This paper seeks to compare and contrast the philosophical views of two great philosophers‚ namely Albert Camus and Franz Kafka. The works involved in this argument are Kafka’s The Metamorphosis and Camus’ The Outsider. The chief concern of both writers is to find a kind of solution to the predicament of modern man and his conflict with machines and scientific theories. Death‚ freedom‚ truth and identity are themes to be studies here in the sense of absurdity.   Kafka was born in Prague in 1883.

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    Exploration Notes 1) Discuss and compare the exploration of characterisation in Metamorphosis by Steven Berkoff and (A Doll’s House). Draw your own practical understanding of the skills used including use of language and voice to portray character. In our practical sessions of Modelling Gregor in “Metamorphosis”‚ we thought about how we would physically see Gregor. To do this‚ we had to individually create the shape of Gregor with our bodies. We all started off thinking about it really

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    time of hardship and struggles throughout Europe. In 1915‚ at the onset of World War I‚ Austria-Hungary centered at the heart of this turmoil. This societal angst eventually translated into/became the individual alienation that lies at the center of Franz Kafka’s The Metamorphosis. The protagonist Gregor Samsa’s shocking change into a bug reflects this angst felt by Kafka and his own perception of the world – and his role in it. As a bug‚ he cannot provide for his family any longer‚ and therefore becomes

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    Late ninetieth century and beginning of twentieth is the era of great writers who were ahead of their time and whose works were innovative and fascinating to their national and international audiences. For example‚ Israeli author A.B.Yehoshua and German F.Kafka were ones of first writers who had written their outstanding points about the modern world. First time social issue of loosing of Zionist ideology by young generation that created Israel has evolved from forbidden or hidden unity in the story

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    Cited: Kafka‚ Franz. “The Metamorphosis.” The Norton Anthology of World Literature. Shorter Third Ed. Vol 2. Ed. Martin Puchner. New York: Norton‚ 2013. Print. 1201-1235

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    the three pillars: progress‚ hierarchy of cultures‚ universals. McEvilley believes that the modernist ideals are just a way of creating a false reality‚ a world where no one is suffering and everything is beautiful. In his novel The Metamorphosis‚ Franz Kafka uses the dramatic transformation of his character‚ Gregor‚ to mock the societal construct of the twentieth century. This very act of mockery goes against the three pillars of modernism‚ making this a postmodern work of literature. The whole

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    Mesmerism and Spirituality

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    magnetism marked the beginning of mental therapy as we understand it today. At a time when methods reminiscent of medieval superstitions were being viewed with suspicion. His theories bridged the gap between ancient superstitions and modern psychotherapy. Franz Anton Mesmer (1733-1815) was born on the 23rd of May 1733 at the village of Iznang near Switzerland‚ on the German side of Bodensee (Lake Constance). He was originally intended for the church and studied at Jesuit University of Dillingen‚ Bavaria where

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    When examining The Metamorphosis by Franz Kafka and Death and the Maiden by Ariel Dorfman‚ their titles and storylines bear no apparent connection. In The Metamorphosis‚ Gregor Samsa‚ a quiet‚ travelling salesman is inexplicably transformed into a giant insect. The rest of the novella explores Gregor’s relationships with his parasitic family‚ reflections on life‚ and his perception of himself. Kafka powerfully depicts the extent humans go to‚ to provide for those they love‚ as well as what can happen

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    The Metamorphosis

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    The use of Marxist ideas is very prominent within Kafka’s The Metamorphosis. Kafka represents and highlights socialist ideas within the text by using characterisation and other techniques. Samsa can be seen as a symbol of the alienated worker‚ Gregor’s father as the oppressive Bourgeoisie and finally how the story can be seen as a critique of the industrialised society of the early 20th Century. Looking at Karl Marx’s theories of worker alienation‚ Gregor Samsa highlights the “deadening of the soul”

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