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    When examining The Metamorphosis by Franz Kafka and Death and the Maiden by Ariel Dorfman‚ their titles and storylines bear no apparent connection. In The Metamorphosis‚ Gregor Samsa‚ a quiet‚ travelling salesman is inexplicably transformed into a giant insect. The rest of the novella explores Gregor’s relationships with his parasitic family‚ reflections on life‚ and his perception of himself. Kafka powerfully depicts the extent humans go to‚ to provide for those they love‚ as well as what can happen

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    The Metamorphosis

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    The use of Marxist ideas is very prominent within Kafka’s The Metamorphosis. Kafka represents and highlights socialist ideas within the text by using characterisation and other techniques. Samsa can be seen as a symbol of the alienated worker‚ Gregor’s father as the oppressive Bourgeoisie and finally how the story can be seen as a critique of the industrialised society of the early 20th Century. Looking at Karl Marx’s theories of worker alienation‚ Gregor Samsa highlights the “deadening of the soul”

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    Metamorphosis Analysis

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    Franz Kafka’s The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka’s Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka’s writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations‚ a transformation of time‚ and a

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    is angry at first‚ and then she weeps‚ asking “how he can love her if she is shocking to him”(Hawthorne pg. 1). Aylmer obsesses about the birthmark. For him‚ it symbolizes mortality and sin and comes to tower over Georgiana’s beauty in his mind. Franz Kafka‚ another great gothic novelist‚ wrote one of his most famous pieces of literature‚ “The Metamorphosis”. Gregor Samsa‚ a traveling salesman‚ wakes up in his bed to find himself transformed into a large insect. He looks around his room‚ which appears

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    Franz Rosenzweig was a Jewish theologian‚ philosopher‚ existentialist and translator who changed the way both the Jewish and Christian community thought about existentialism. He is best known for his novel The Star of Redemption (1921)‚ founding the Lehrhaus in Germany‚ and collaborating on the new translation of the Torah to German. Rosenzweig greatly impacted philosophy in the 20th century through his “reflections on human finitude” and “ramified accounts of All that is” (Pollock). Rosenzweig

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    "A Very Old Man with Enormous Wings" by Gabriel Garcia Marquez and "A Hunger Artist" by Franz Kafka "A Very Old Man with Enormous Wings" and "A Hunger Artist" both show a negative and pessimistic outlook on human nature. In Marquez’ story the angel doesn’t seem to fit in with society and the people reject the angel‚ while in Kafka’s story‚ the hunger artist is in society‚ no one really rejects the artist though people don’t seem to appreciate him. The two stories compliment each other greatly

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    The Facts in the case of Mr. Valdemar (Summary) Of course I shall not pretend to consider it any matter for wonder‚ that the extraordinary case of Mr. Valdemar has excited discussion. It would have been a miracle had it not -- especially under the circumstances. Through the desire of all parties concerned‚ to keep the affair from the public‚ at least for the present‚ or until we had farther opportunities for investigation -- through our endeavors to effect this -- a garbled or exaggerated account

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    story “The Lottery” by Shirley Jackson. In this short story Jackson exemplifies the manner in which the meaning of a ritual can be forgotten while aspects of the ritual are still continued by becoming a civic duty to its participants. Conversely‚ Franz Kafka’s short story “The Hunger Artist” expresses the opposite of rituals becoming an individual’s civic duty as shown in Jackson’s story. He illustrates how the meaning of rituals dies when that ritual becomes a commercial spectacle to its audience

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    Cultural Relativism by Mark Glazer | Cultural relativism in anthropology is a key methodological concept which is universally accepted within the discipline. This concept is based on theoretical considerations which are key to the understanding of "scientific" anthropology as they are key to the understanding of the anthropological frame of mind. Cultural relativism is an anthropological approach which posit that all cultures are of equal value and need to be studied from a neutral point of view

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    The hard brush of wind brought me out of my shocked trance‚ i couldn’t believe it‚ but I had to. That ugly truth brought tears to my eyes and suddenly i was a heap of despair and misery on the ground. It was just sitting there‚ mocking me‚ almost foretelling how the night would proceed‚ it would be me in that low cut‚ cleavage showing dress‚ that alone brought my anxiety up to its highest. I was not one for socializing let alone a party filled with the most prestigious people in my field. Not only

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