Film Analysis on “ Metropolis” “ Metropolis” directed by Fritz Lang is a science fiction‚ futuristic style film. It is about the socioeconomic differences in the futuristic city of Metropolis‚ between workers and the men who designed and ran the city. Its main character Freder is the son of a man who manages Metropolis and has been privileged to live a very luxurious life until he sees a beautiful women‚ Maria‚ who leads him to beneath the city‚ where all the workers of the city toil. He
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Mouth Watering In all types of film‚ especially with animation‚ the images that are created on screen visually engage the audience to the world of the film‚ yet in order to fully experience all that the film has to offer‚ the visual aspects are only half of the importance. Sound design makes up that other half of the cinematic experience‚ and engages senses other than the visual in order to immerse the audience into the film. In Brad Bird’s animated film Ratatouille (2007)‚ sound designer Randy
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GUIDE TO METHOD OF VISUAL ANALYSIS Three layers of visual analysis can be used to understand a work of material culture in its historical context. A core argument for an interpretation is formed from an analysis of visual language‚ which in turn is derived from a description. Essays comparing two or more monuments minimize description in order to emphasize analysis and interpretation. 1. Description = pure description of the object without value judgments‚ analysis‚ or interpretation. It answers
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Nb2O5 sculptured thin films (STF) are investigated. Films are synthesized via sol- gel route using spin coating technique. The sol is prepared from niobium ethoxide. The films are prepared at different rpm to tailor the thickness. The structures of the films are investigated through XRD measurements. Refractive index‚ extinction coefficient and thickness of the films are determined from Variable Angle Spectroscopic Ellipsometery. The absorbance and transmittance is recorded using UV-Vis spectrophotometer
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from the intimate pose of the couple featured at the top‚ and the interposed war images‚ that this poster advertises a wartime love story. This poster was released in 1940‚ in the United States of America‚ advertising the very successful feature film Gone With the Wind. The movie had been released limitedly in December of 1939 and widely released in January of 1940. At this time‚ America was in the midst of the Great Depression‚ as well as caught up in the exciting‚ devastating news of the recent
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MAGPILI‚ Airish A. 2PHL1 THE NOTION OF FREE WILL IN AUGUSTINE’S IDEA OF POLITICAL THEORY How can the chosen ones work successfully and just in the unjust world? To Augustine‚ the earth was brought to exist by an absolute‚ perfectly good and just God which himself created man. For Augustine‚ the earth is not eternal‚ that the earth in comparison with time has both limit which means has beginning and an end. While man on the other hand is brought to exist to endure eternally‚ compassion is given
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Analysis of the Cinematography of "American Beauty" Cinematography is an art form‚ not just an aspect of a movie. Cinematography affects the mood and tone of a movie as well as the viewers’ feelings while watching a movie. In American Beauty this is demonstrated beautifully through camera techniques‚ lighting‚ and the framing of the shot. Camera techniques include aerial‚ deep focus‚ pan‚ shallow focus‚ slow motion‚ soft focus‚ and the tracking shot. Lighting is more than just shining a light
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How Free is our Liberty? In “The Land of the Free”‚ there are many questions upon the government. Citizens often find themselves lost in politics. One day after another‚ people rant on social media about “fake news”‚ and they whine because they were offended by someone else’s statement. Political leaders are often said to be too political‚ the wealthy are portrayed as greedy hotheads‚ the minorities are represented as irresponsible and effortless‚ and the people who are not engaged are labeled as
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Visual merchandising is developing the floor plans‚ lighting effects‚ display the products to attract the customers toward making the purchase. Visual merchandising techniques were first introduced to the world in 19th century‚ when the big establishments like Marshall Field&Co changed their business from wholesale to retail and goods display became necessary to attract the consumers. It includes showing and promoting the products‚ creating an connection between the display and the viewer‚ getting
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part of me doesn’t want to draw or think about Auschwitz. I can’t visualize it clearly‚ and I can’t BEGIN to imagine what it felt like” (Spiegelman II‚ 46:1). Perhaps Spiegelman uses iconography as a solution to this problem. By making the visual elements of the story and the characters less detailed‚ Spiegelman takes an objective approach to the haunting experience. As Art walks home from his appointment with Pavel‚ he begins to brainstorm his project again‚ no longer distracted by his guilt
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