Atsuki Yamamoto (David) Empathic response on the Whale Rider You are Kahu at the end of the concert when Koro didn’t show up. Write your thoughts. Paka didn’t show up to the concert today. That speech that I gave at the end was for him. I wrote it because I wanted him to know how much I love and admire him‚ but the seat that was reserved for him was empty throughout the whole concert. If only I was a boy‚ Koro would have loved me more than he does. At the beginning of the concert I thought
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The Free Rider Problem The free rider issue has become one of the most serious economic issues today. The free rider is a lazy type person who wants the benefits that others bring in without having to do the work. The free rider typically takes advantage of a public good. Living in a civilized society presents many opportunities for free riding‚ which we have yet to find a way to control. Economists regard the possibility for free riding as a problem for the free market‚ which usually leads
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Whale Rider: Inner Strength and Determination The film Whale Rider opens with a man‚ Porourangi‚ standing next to his wife as she gives birth to twins. Unfortunately‚ the mother and the son do not survive leaving only the girl who is named Paikea. This greatly upsets Koro‚ Porourangi’s father. As the reigning chief of the Maori people‚ he would have taught Porourangi’s first born son in the ways of their ancestors to become the next chief (Wald 2006). After experiencing such a devastating loss
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Throughout history‚ men have been more respected than women The Whale Rider directed by Niki Caro and written by Witi Ihimaera and the story of Antigone by Sophocles reflect this statement. Though written in two different eras and cultures both stories have elements of gender inequality. Both show that women have to to put in more effort for what they want than most men. In both Antigone and Whale Rider‚ the gender roles reveal that women are lesser beings than males. In Antigone‚ Creon‚ the king
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In Witi Ihimaera’s novel "Whale Rider" we follow Rawiri as he goes through his life watching the growth‚ incidents and magic of his niece Kahu. Kahu is destined to be the next chief of the Maori in Whangara‚ New Zealand‚ a tribe that has descended from the legendary "whale rider." However‚ Kahu is‚ as Nanny Flowers says‚ "Hungry for [her grandfather’s] love‚" (Ihimaera 34) and struggles to receive it because she is a girl. The author presents this story through Kahu’s Uncle Rawiri’s point of view
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During the film whale rider‚ we see the characters‚ Paka and Pai. Paka‚ growing up the way he did‚ follows every rule that their tradition has‚ whereas Pai‚ being born into the modern world‚ wants the maori people to think more progressively. At first‚ Paka is blind to Pai’s ability to be the chief‚ he is harsh and strict towards Pai. However his intentions are good and everything he does is out of respect and fear for his culture. Paka’s outdated beliefs of his culture‚ place strict expectations
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Rawiri plays an important role in the novel which helped unfolding the events‚ ranging from minor to significant ones. He relates the events in the ‘Whale Rider’ as the role of the narrator‚ allowing the readers to form judgements and learn about things such as the Maori way of life and the characters through his eyes. He also give us his insights as he highlights themes and issues mentioned‚ like racial discrimination. Besides that‚ he is the one who sees the many signs of Kahu’s destiny as the
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prepare herself to become leader‚ even though her grandfather opposed. However something that sets the Whale Rider plot apart from Bend It Like Beckham was the heavy focus on the Maori culture. The Maori culture has a heavy influence in this story which also leads the Paikea into making the necessary decisions about her leadership. Although there were many contrasts‚ Bend It Like Beckham and Whale Rider shared many similarities between their individual plots. One similarity between plots was that both
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How do the elements of ‘belonging’ and ‘return’ operate in Samson and Delilah and Whale Rider? Samson and Delilah and Whale Rider are two films which deal with the conflict that can occur between tradition and modernity at the hand of colonisation. In both of these films‚ within this conflict‚ the elements of belonging and return are dealt with. Samson‚ Delilah and Paikea all have a yearning to belong to their communities‚ families and culture‚ yet find themselves on the outer for various reasons
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Paikea’s Determination to Become the Chief Whale Rider by Niki Caro is a story about a 12 year old girl who is the true heir to be chief of the tribe but her grandfather‚ following Maori traditions‚ believes that the role of chief is to be the first born son of the chief only. Throughout the movie‚ Paikea is determined to prove that she is the true heir and can be the chief of the tribe. This movie shows how she struggles to get her grandfather’s approval due to his beliefs and the tribe’s tradition
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