Dutch Golden Age landscape and seascape painting. A period in Dutch history generally spanning the 17th century‚ during and after the later part of the Eighty Years War (1568–1648) for Dutch independence. At that time‚ the Dutch republic was one of Europe’s most prominent states. It strength was manifest not only in politics and economics but also in the arts and sciences at Europe. II. Land‚ sea and sky paintings of the 17 century: Landscape painting was a major genre in the 17th century.
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produce different coloured inks‚ they used ground up minerals. The themes of most paintings were both the Shinto and Buddhist religion. Most Buddhist artworks portray saints‚ demons or sinners suffering in hell. These artworks were a warning to live a good life. A distinctive Japanese style of painting developed during the middle Heian period. Sliding and folding screens in wealthy homes where greatly decorated with paintings of animals or scenes from nature. Numerous picture scrolls told famous Japanese
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Dutch artists each created a respectable body of work in the Renaissance period as well: Pieter Gerritsz and Pieter Claesz. Their works consist of primarily still-life paintings; those commonly placed in monographs include Gerritsz ’ Still Life of the Paston (Yarmouth) Collection and Claesz ’ Still Life with Turkey-Pie. The painting by Gerritsz‚ now found in the Castle Museum in Norwich‚ England‚ portrays an uruly accumulation of both exotic and domestic items gathered by Sir William Paston throughout
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Penitensya‚ 1982 Amihan‚ 1980 Likha ng mga Kilalang Pintor Fernando Amorsolo * Tinikling in Oil - Oil on canvas. Farmers dancing the traditional bamboo dance‚ named after the field birds that jump about with their long legs. This oil painting on canvas depicts a rural scene where a group of people are shown celebrating a fiesta in Antipolo. The main focus is on a pair of dancers in the field surrounded by revelers both young and old. * Harvest - The rice planting means‚ to remember
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Look carefully at Plate 1.3.32‚ Paul Cezanne’s painting Still Life with Plaster Cast‚ c. 1894. How do the form and content of this painting contribute to our understanding of it as a modern work? According to art critic Clive Wilson‚ writing in 1914‚ Cézanne was ‘the Christopher Columbus of a new continent of form (Harrison‚ C‚ 2008‚ p.63). Considered a revolutionist‚ Cézanne helped pave the way for other modern artists and his abstract tendencies contributed to the Cubist Movement. Robert Cumming
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Renaissance Humanism came into being. The works that have been created by artists in the 14th and mid 17th century had reflected the change from religious to more secular ideas that became prevalent throughout this era. More specifically‚ Botecelli’s painting‚ The Birth of Venus‚ had echoed the growing interest in Greek and Roman culture and myths‚ much less the departure from the idea that all human beings are sinners. Another piece of work that had reflected the Humanistic ideas of this time was “Hamlet”
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A. Mau‚ a German scholar‚ established four distinct styles of Roman wall painting at the sites of Pompeii‚ Herculaneum‚ Boscoreal‚ and other smaller sites covered with ash from the volcanic eruption at Mount Vesuvius. The styles begin with one direction‚ shift completely‚ and end on a more combined technique. Style I‚ known as incrustation‚ began approximately during the second century b.c. This style features the strong influence of the Hellenistic Greek period in its surface decoration. At
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Creation of Adam and Sandro Botticelli with The Birth of Venus. After that‚ we are going “to compare and contrast all those art works and how they fit into the context of the time period.” (Figueroa‚ 2008) Renaissance Art: Comparing and Contrasting Paintings Introduction Leonardo Da Vinci‚ Michelangelo Buonarroti and Sandro Botticelli are tantamount with fine art during the Renaissance period. “The Renaissance marked that moment when Western civilization made its transition from the Middle Ages to
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particular art style‚ instead he develop over time his own unique one. Most of the time‚ his variations were gradual and subtle at the top however obvious and easily seen at the bottom. This is like having an olive branch in the midst of a modern painting. He had a great sensitivity to tone‚ color‚ and compositional balance. In his still
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It was painted on oil and canvas. Sargent was an American artist who settled in England. He was considered to be the “leading portrait painter of his generation”. I liked this painting because of its laid back nature. It seemed like these were people of a fairly wealthy family because of the way they are dressed. They are just young adults lounging out on the river having fun on a calm‚ warm‚ sunny‚ Sunday afternoon. The boy in
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