social values and ideals. Modernism: * Emergence of capitalism (democracy+feudalism) * Industrial revolution * Scientific thoughts (facts) vs religious beliefs(faith) * Mixing of cultures and classes which brought with it whole new ways of looking at the world and perceiving reality “Cant repeat the past? Why of course you can”: Gatsby wanted to relive the past and attempt to restructure it until it was perfection rather than accept what his past actually had been and for that matter
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COMPARISON ESSAY: The Lord of the Flies vs. Sympathy of the devil Did you ever asked yourself who or what is the devil? What it represents in human Society and whether it exists in any form or not. The book "The Lord of the Flies" by William Golding is compared to the song " Sympathy for the Devil " by Mick Jagger in this essay‚ to show that the devil is in everybody where and how he appears in front of us‚ that the devil is deadly and whether we can resist him when he faces us. In "The Lord
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Nick Carraway’s Honesty vs. Jordan Baker’s Dishonesty During the twentieth century the Jazz Age was a period that temporarily bloomed in the 1920`s. Essentially‚ the Jazz Age was a time period of economic prosperity‚ where the economic prosperity was increasing‚ though in contrast‚ the moral values of individuals were decreasing. In the literary classic novel‚ The Great Gatsby‚ F. Scott Fitzgerald uses his characters to explore this morality. This is clearly apparent through the character Nick Carraway
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war between the Allies and Germans. They were ambitious to succeed and win the war. In the end they all had tragic and horrific deaths‚ but which three of these men deserve your sympathy the most? I sympathized the most with Paul‚ Albert‚ and Detering. Paul Baumer was the character that I felt deserved the most sympathy because he had it tough in the war from finding out that his mother had cancer‚ being alone‚ and losing all of his friends. For example‚ Paul had said‚ “I am the last of the seven
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you have more sympathy‚ Aeneas or Turnus? Give reasons based on your reading of the whole text. [8] Throughout Book 12‚ Virgil clearly flicks from the perspective of Turnus to Aeneas several times in order to change with whom we have more sympathy. Overall‚ Virgil is very successful at doing this and we‚ as the reader‚ find ourselves changing our opinions of the heroic characters Aeneas and Turnus over the course of Book 12. Virgil uses a few techniques in order to extract sympathy for Aeneas
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we beat on‚ boats against the current‚ borne back ceaselessly into the past” The ending line in The Great Gatsby‚ spoken by the narrator Nick Carraway‚ who reflects upon Gatsby’s life‚ likening him unto a boat against the current of the times. Nick’s avid description of the hardships Gatsby faced has more dimension than the utter surface it surmises. Nick’s farewell is infused with Gatsby as a character that further examination pinpoints the underlying meaning that Fitzgerald clearly wrote. Gatsby’s
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intriguing exchange between Nick and Gatsby takes place near the end of Chapter Six: “I wouldn’t ask too much of her‚” Nick says “You can’t repeat the past.” “Can’t repeat the past?” Gatsby cries out. “Why of course you can!” (p. 110). How does the past impinge upon the present in the lives of both Nick and Gatsby? Should we see Gatsby as eccentric in his view that one cannot merely repeat‚ but change‚ the past by starting over? Past and Hope in The Great Gatsby Mason Scisco “So we beat on‚ boats
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asked if he was hustling a game of pool‚ the Deacon replied‚ “No. I’m educating.” The most memorable scene for me is when McNulty sits down and talks to Briana Barksdale about D’Angelo. It is interesting to see how McNulty uses both his actual sympathy for D’Angelo
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means to come from a broken family‚ and Capote’s recount of Smith’s childhood causes the reader to only feel sympathy for Smith. Capote does not portray Smith as a killer‚ whose crime has elevated him to an inhuman status‚ nor as a monster‚ but portrays Smith as normal human being. As a reader‚ discovering Smith’s horrible childhood made me feel something I never thought I would feel: sympathy for a killer. Whereas Capote excelled in making In Cold Blood completely sympathetic‚ some of the
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When Nora makes her climactic decision to abandon her husband‚ Torvald‚ in the closing moments of Henrik Ibsen’s “A Doll’s House‚” there was a minimal amount of reason to be skeptical about her choice. This is due to the fact that she certainly has a plethora of rock-solid reasons that more than justify her controversial mindset. In “A Doll’s House‚” Ibsen shows that Nora’s decision to desert her husband was the right one. First of all‚ Torvald heavily undervalues his wife; she has been nothing
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