"Gay cinema" Essays and Research Papers

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    strengths TGV cinema can take the advantage of strong financial position to make improvement as old fashion‚ traditional or manually operation will result in business being backward in the competitive edge. They should hire more workers to ensure that the system or program work more efficiently. Besides‚ it can do more promotions like offer various special packages. All these can bring their customers` satisfaction level to a higher level by utilize the good financial condition. TGV cinema has TGV

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    century was an exiting time for this business that we call show. The film industry had not restricted itself to Hollywood. The film industry had spread its wings round the world at a fantastic rate. This term paper focuses on the early years of Russian cinema‚ the films that were made‚ and the directors that pushed the boundaries of Russian entertainment. We will trace a path through history; from the beginning of the silent era‚ the introduction of sound‚ and the sound of drums which heralded the beginning

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    100 Years of Indian Cinema

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    narrative of Krishna’s childhood is then unfolded revealing his divine self. At the end the great underwater sequence shows Krishna subjugating the demon snake Kaliya followed by the ritual of aarti and celebration. PIFF 2013 100 Years Of Indian Cinema Sant Tukaram Sant Tukaram 1936-35 mm-130-Marathi-Black And White-India Director: Vishnupant Govind Damle‚ Sheikh Fattelal Cast: Vishnupant Pagnis‚ Gouri‚ Pandit Damle‚ Kusum Bhagwat‚ Bhagwat‚ Master Chhotu‚ B. Nandrekar‚ Shankar Kulkarni‚ Shanta

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    Gay marriage is a heated issue that pulls in various responses from those supporting and those restricting the tight clamp. The problem concerning whether lesbian and gay weddings draws in warmed open deliberation. In the societal setting‚ certain people consider that homosexuality is sinful while gay promoters consider that putting into thought the sexual inclinations of each individual is fundamental. Gay promoters believe that lesbians and gay people must have the same social equality‚ including

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    Portrayal of Muslims in Indian Cinema By Taqdees Babar To Abbass Rashid Butt (Assignment for M.phil) “Cinema is the great interpreter of the past and constantly programs the memory of its audience‚” Abstract: Ever since the partition of the sub-continent in 1947‚ when Britain took apart its Indian domain‚ India and Pakistan have been arch rivals. Bollywood is one of the famous and the strongest industry among the film industries around the world‚ even before the incident of 9/11 happened

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    of the first companies to market to the gay community on mainstream daytime television. Despite the initial backlash; this ad eventually sparked countless other companies jump on the “Gay and Lesbian Advertising Bandwagon”. But what is the motive behind advertising specifically to this community‚ do the businesses take a genuine interest in the gay community or is it strictly for expanding business? Additionally‚ once a business decides to advertise using gay content‚ what is the appropriate way to

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    the largest motion picture theatre exhibitor in Canada. The Toronto-based partnership serves approximately 60 million customers under the following five brands: Cineplex Odeon‚ Galaxy‚ Famous Players (including Coliseum‚ Colossus‚ and SilverCity)‚ Cinema City‚ and Scotiabank Theatres. This portfolio utilizes multi-branding to target a wide scope of quality seeking segments without damaging its premium end brands. Critical Success Factors in the Movie Theatre Industry The core service of exhibition

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    Humanizing Terrorism in Indian Cinema A closer look at Mani Ratnam’s Roja and Dil Se Nationalism‚ as professor Sumita Chakravarty describes it‚ is the “integrity of the nation-state and the imagined belongingness of its citizens (Chakravarty‚ 2000).” This notion of nationalism and nationwide unity has been a recurrent theme in the films explored in the course South Asian Cinema. Many of the films have been interpreted as national

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    The liberation of women in Japanese cinema The purpose of this work is to investigate the social position of women in Japanese cinema from its beginnings to the present. The main aspect is the link between the masculine dominance and the objectification of women‚ combined with Freudian theories of castration anxiety‚ as well as Lacanian ‘mirror stage’. These theories play a crucial role in this work as the representation of power‚ demonstrated through objectification‚ may affect the gender equilibrium

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    STATEMENT TO THE PROBLEM Cinema is meant and believed to entertain‚ to take the viewer to a world that is starkly different from the real one‚ a world which provides escape from the daily grind of life. Cinema is a popular media of mass consumption which plays a key role in moulding opinions‚ constructing images and reinforcing dominant cultural values. Hindi cinema has been a major point of reference for Indian culture in this century. It has shaped and expressed the changing scenarios of modern

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