"Gay cinema" Essays and Research Papers

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    American Independent Cinema: Representational Analysis of Women Throughout the years women have had a very hard time making their presence known in the male-dominated film industry. Since the very beginning females have been overlooked in the film and television industries. In the competitive harsh world of cinema women have been represented in numerous ways. They have been traditionally viewed in an over-sexualized manner‚ as objects‚ or as secondary characters supporting a male

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    Joseph Gay-Lussac

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    Joseph Gay-Lussac was a French chemist and physicist‚ born at St. Léonard‚ in the department of Haute Vienne‚ on the 6th of December 1778. He was the elder son of Antoine Gay‚ procureur du roi and judge at Pont-de-Noblac‚ who assumed the name Lussac from a small property he had in the neighborhood of St. Léonard. Young Gay-Lussac received his early education at home under the direction of the abbé Bourdieux and other masters‚ and in 1794 was sent to Paris to prepare for the École Polytechnique‚ into

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    LGBT Consumers: Is the Gay Market Worth the Hype and if so How Best to Reach As a gay man who began the journey of self-identifying as such in 1993‚ I have observed over the past two decades a seismic shift in how the marketplace approaches gay consumers. At first blush‚ given the historical marginalization of homosexuals‚ I ask myself what makes the gay market (the preferred term used by the marketing industry to reference what call LGBT or GLBT representing Lesbian‚ Gay‚ Bisexual and Transgendered)

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    “South Korean cinema both borrows from and rejects Hollywood.” How far is this true in Save the Green Planet? In order to discuss the extent to which Jang Joon-Hwan’s ‘Save The Green Planet!’ (2003) borrows from and Rejects Hollywood‚ it is important to identify exactly what type of film it is and what it is trying to do. Save the Green Planet (STGP) is a very typical South Korean New Wave film. ‘New Waves’ in cinema are basically film movements which involve a series of experimental (and often

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    Hongkongism in Stephen Chiau Sing-chi’s cinema‚ Pastiche and Localism This article aims to show the Hongkongism in Stephen Chiau Sing-chi’s cinema by analyzing how he creates his own sense of humour and whether it has any type. Above all‚ I would like to correct the ’Reductionistic Reading’ which confuses Hongkongese identities with the political insecurities caused by restitution of Hongkong to China in 1997. Of course‚ nostalgic images in some of his movies may recall pre-1997 Hong Kong

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    How did the cinema affect the lives of women and children in 1930’s? Labelled the ‘golden age of Hollywood’ the 1930’s was arguably a decade of turmoil. This led to many people attending the cinema to escape from reality. Among adults‚ women tended to go to the cinema more often than their husbands‚ and this finding was echoed by rowntree‚ who found that 75 per cent of cinema-goers in New York during the late 1930’s were women[1]. With large numbers of children attending these types of pictures

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    cinema

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    NATIONAL ECONOMICS UNIVERSITY International School of Management and Economics ******************************************* RESEARCH REPORT “The trend on seeing movies at the cinema of IBD students Intake 9 Fall at National Economics University” INSTRUCTOR: Phạm Phương Lan STUDENT: Bùi Lê Hiền Trang CLASS: I9A4 Contents ACKNOWLEDGEMENTS Firstly‚ I want to thank Mrs. Lan for having guided and constantly supported me during the

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    Cinema

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    cinema - its uses and abusesNothing is so popular nowadays like cinema. People easily miss meals but they hardly miss the premier show of a film in which their favourite hero or heroine is acting. It has greatly influenced the youths of our country and there is no exaggeration if say that they have become prey to it in a way. Cinema has both the aspects. It is good as well as bad. It is a source of entertainment‚ according to the common concept but we can’t deny the fact that it also diverts the

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    Before Cinema In the late eighteenth century most consumers enjoyed their entertainment in an informal‚ haphazard and often non-commercial way. When making a trip they could suddenly meet a roadside entertainer‚ and their villages were often visited by traveling showmen‚ clowns and troubadours. Seasonal fairs attracted a large variety of musicians‚ magicians‚ dancers‚ fortune-tellers and sword-swallowers. Only a few large cities harbored legitimate theaters‚ strictly regulated by the local and national

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    Cinema

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    Paloma Chamarro Gonzalez. Test 2 The cinema‚ one of the largest industry of entertainment which lures masses of people around the world‚ may be loosing is magical power to gather viewers‚ though‚ favoring economic profit rather than quality. The first text makes reference to the believe that people go to the cinema to make sense of their routine lifes and in doing so movies can have a greater effect on their attitudes or behaviour. While it is true that films themes deal

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