"Gaze" Essays and Research Papers

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    need to bath as regularly as us Americans. So once I reach the top‚ and the doors open‚ it is a mad dash to the doors. The first one out can breathe all the fresh air. Let’s just say I tied for first. A slight welcoming breeze rustles my hair as my gaze wanders from side to side. Everything looks so small from up here. This huge vastness makes me feel but of a tiny existence. Her beauty brings a bit of rosiness to my cheeks. The moon now smiles down on me when only moments ago it was the sun. How

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    Macbeth Justification

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    for power leads her to her own destruction. In this scene‚ Act 5 scene 1‚ Lady Macbeth enters carrying a light unaware of the doctor or the gentlewans presence. I decided to use an old fashion candle as my light and kept my gaze straight ahead in an attempt to capture the gaze of the audience. Throughout this entrance I keep my facial expressions tedious to illustrate her discomfort‚ how she has become detached of this world. I dull my voice to make it seem as if I am in a hypnotic state‚ then as

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    changed. Women have fought relentlessly to attain rights and equality which should be represented within this film. I feel my character was merely a device for Hitchcock to exemplify his themes of voyeurism and women being the subject of the male gaze. As even her name is characterised after her body it highlights the stereotype that women are simply at appease the male counterparts. My part within the film is that of being a doppelganger to Lisa. I highlight the traits of an attractive female

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    She gazes out the window‚ self-consciously adjusting the straps of her shirt. She shivers as a chill creeps out from the weathered window pane and draws a limp cardigan from the overstuffed chair she has perched herself upon. The pounding of the rain slowly begins to abate and diverts into a soft‚ gentle roll of tears from the sky. She clasps the cardigan closer to her body‚ as she mentally counts off the number of ribs she can feel through the heavy‚ wool blend. Haplessly she utters the sigh of

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    aesthetics

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    PARRHESIA NUMBER 1 • 2006 • 1 – 12 Thinking between disciplines: an aesthetics of knowledge1 Jacques Rancière Translated by Jon Roffe What should be understood by the invocation of an ‘aesthetics of knowledge’? It is clearly not a matter of saying that the forms of knowledge must take on an aesthetic dimension. The expression presupposes that such a dimension does not have to be added as a supplementary ornament‚ that it is there in every sense as an immanent given of knowledge. It

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    Routledge. Debord‚ Guy (1967). Society of the Spectacle. Paris: Editions Champ Libre. Denzin‚ Norman K. (1991) Images of Postmodern Society: Social Theory and Contemporary Cinema. London: Sage. Denzin‚ Norman K. (1995). The Cinematic Society: The Voyeur’s Gaze. London: Sage. Ebert‚ Roger (1998). “The Truman Show”. Chicago Sun Times. Http:// www. suntimes.com. Featherstone‚ Mike (1995). Undoing Culture: Globalization‚ Postmodernism and Identity. London: Sage. Friedberg‚ Anne (1993). Window Shopping: Cinema

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    Essay and Short Story

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     live  without  a  Body   Surgeon‚  he  reasoned.  But  the  reasoning  had  become  a  mantra‚  an  ever-­‐crumbling  self-­‐delusion.       Mirrors  lined  the  walls.  Jian’s  gaze  was  consumed  by  a  form  warped  beyond  recognition‚  modified   in  the  unholy  quest  for  perfection‚  that  enigmatic  ideal  of  consummate  selfishness.     He  was

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    Exploration of Caste‚ Class and Gender : "Lived experiences" under scrutiny. One of the approaches taken up by feminism has been to retrieve the"subjective experience"or"lived realities" of women or any marginalised section of society. The cause of marginalisation in most cases is difficult to be identified because it could range from structural (patriarchy) to socio-political (pro-bourgeoisie policies) etc. Most often under the garb of traditions‚ conventions‚ culture etc. ’personal experiences’

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    net-like organisation’ (1980 : 98). To him‚ the Panopticon stands for the ideal architectural model of modern disciplinary power also known as the ‘anatomo-politics of human body’ (Foucault‚ 1990 : 139 ). This subtle power resides in the unverifiable gaze upon the individual which creates a powerful and sophisticated internalized coercion and shapes his behaviour. The Panoptic device stands for a strong psychology of control‚ a ‘power of mind over mind’ as Bentham put it (Foucault‚ 1977 : 206).

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    Starry Night

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    one piece of art work can mean so many different things‚ create so many different feelings or bring back memories for so many diffrent people all at the same time. First I must describe the painting to you to get a sense of the feeling I have when I gaze at Starry Night. The painting appears to takes place in a small town or village at night. There are very few colors used in this painting‚ such as blacks‚ blues‚ yellows and a hint of reds. There is a church that stands out over the town casting a

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