proved lethal for me. Crowded with a lot of emotions‚ I drew more courage and with enough strength‚ had turned to look at him straight in the eyes. “And you?” I asked‚ fear slowly eating my heart away‚ however‚ he returned my gaze with a serious and yet tender glint in gaze. “Yes.” It was all so simple. How could I not see it before? “I am happy to hear that‚” however‚ I must accept reality for after all‚ it wasn’t possible for us…
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INTRODUCTION A treatise purporting to deal with the Indian Media’s‚ more specifically the Indian cinema’s treatment of women‚ cannot but take into account the background and history of the status of the Indian woman. The images we have of women and the roles that they play in society are not merely a biological or social development but are also a result of the myths‚ legends‚ culture and religion of the society we live in. This is more especially true of Indian culture. Although in the west‚ the
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Think about the last time you met someone new. Were you drawn to them? Did they pique your interest? Did you like them immediately? Now think about how long it took you to form your initial impression of them. Research says it’s likely your first impression was set in less than a second. Take a minute to let that sink in….that means that most of the people you interact with are forming their impression of you before you speak a single word and‚ possibly‚ before you even realize they are sizing
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knock. Quietly closing the door behind her‚ she approaches the table. Six sets of eyes follow her‚ as she wordlessly pours black tea into each china cup she set before them. The woman withdraws into the shadows of a corner in the room‚ away from the gazes of the six figures. After making sure that everyone has taken a sip‚ one of the figures‚ a black-haired man with pale skin‚ in flowing‚ white robes laced in gold stands up. "I am Merita the third‚ the king of Sentra‚ and I welcome you to my humble
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Elliot. However‚ have today‟s audiences conditioned their gendered gaze to allow for the male ballet dancer to dominate the contemporary stage? Or do we still control our social perceptions and cultural associations with out-of-date images of the past? Have popular perceptions about the male ballet dancer changed? Is there a birth of a new male dancer phenomenon? However‚ have today‟s audiences conditioned their gendered gaze to allow for the male ballet dancer to dominate the contemporary stage
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Love at first sight. Ever felt a smile crossing across your face when a face breezes by you? The world seems more beautiful‚ the weather always perfect and your dream girl or guy the most wonderful person on this planet. If you are feeling all these and searching for Valentine’s Day ideas or a person for flower delivery for some time now; then let me tell you my friend‚ you are in love. It can happen to anybody at any place‚ on any day. At first you fall in love or get attracted to the physical
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Introduction This assignment is a reflective account of my first experience when assisting a patient to eat lunch. For the purpose of this assignment I will refer to this patient as Mrs C to maintain confidentiality and comply with the NMC code (2008). It will discuss the importance of non-verbal communication when providing effective nursing care to the elderly. As a framework for this reflection I am going to use the Gibbs (1988) Reflective Cycle which uses 6 stages; description‚ thoughts and
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something deeper than that of a leisurely gathering. I noticed the mixing of the classes immediately according to the dress style‚ which led me to question the time frame of this picture having not known the date it was painted at the time. The gazes on the peoples’ faces‚ their focus‚ their lush surroundings‚ and strangely the only individual in the entire painting that was actually interacting was a woman sitting alone on the left side of the table. She is painted as if she is oblivious to her
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birth. Gazes at faces and copies facial movements. e.g. sticking out tongue‚ opening mouth and widening eyes. Responds when talked to‚ for example‚ moves arms and legs‚ changes facial expression‚ moves body and makes mouth movements. Recognises and is most responsive to main carer’s voice: face brightens‚ activity increases when familiar carer appears. Responds to what carer is paying attention to‚ e.g. following their gaze. Likes cuddles and being held: calms‚ snuggles in‚ smiles‚ gazes at carer’s
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As a phenomenon that interferes with the adequate perception of the empirical sense-data‚ darkness objectifies doubts about the possibility of knowing things. While reading the letter communicating his wife’s decision to leave him‚ Hervey “saw an illimitable darkness […]” (118). The perusal of the letter culminating in a confrontation with darkness is a metaphor of a failure to interpret the visual flow as an orderly text from which all the hints of the non-discursive and hence the ineffable must
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