The Chorus delivers these final lines of Euripides’s Medea‚ “…the end men look for cometh not‚ / And a path is there where no man thought; so hath it fallen here.” (Euripides‚ 80) This quotation not only signifies the events‚ which have transpired in the plot of Medea‚ it also shows the recognition of a very curious aspect of Medea: that the protagonist of the play‚ Medea‚ is not the tragic hero. A tragic hero by Aristotelian standards is one who possesses a driving aspect– or hamartia – which
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Gender had different expectations in Umuofia because masculinity was strongly believed. For example‚ men were taught at a young age that he has to be tough and to work hard in order to raise a family in contrast‚ women were taught to cook and to take care of the children. Nwoye and Ezinma were treated differently by their father Okonkwo. Okonkwo wanted Nwoye to be more masculine since Nwoye would rather play with the other kids or listen to his mother’s stories. When Nwoye listened to his father’s
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Meditating on Medea 1. Who is to blame for the tragedies that occur? This is a difficult question‚ because there is more than one character that can be blamed for the tragedies that occurred. First of all there is Jason who could be blamed‚ because he betrayed Medea by marrying the daughter of king Creon. Medea was hoping to spend a happy life with him and she betrayed her family by killing her own brother only to support Jason. Therefore he is somehow responsible for the anger that Medea feels.
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Pedro. However‚ the innocent also becomes guilty when they believe the lie and decide to take action. Almost unnoticed‚ gender is a small part within both plays. Coincidently‚ the remaining characters that remain with Everyman are women including Good Deeds. As for Shakespeare’s play‚ Beatrice is absolutely fiery after Claudio publicly shamed her cousin‚ and curses her own gender: “Is he not approved in the height a villain‚ that hath slandered‚ scorned‚ dishonoured my kinswoman? O that I were a man
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Aristophanes’ Lysistrata is an excellent example of satirical drama in a relatively fantastical comedy. He proceeds to show the absurdity of the Peloponnesian War by staging a battle of the sexes in front of the Acropolis‚ worshipping place of Athena. Tied into all of this is the role of sex and reason and is evident in the development of some characters and the lack of development in others. Although the play is centered on Lysistrata‚ the story is truly propelled by the ideas of sex and reason
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The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles’ Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority‚ while Aristophanes’ Lysistrata reveals that challenging authority in the polis becomes acceptable only when it’s faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the
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Although it is clear women in Homer’s The Odyssey are hierarchically lower than men‚ and have to follow societal norms and the orders of men‚ women also have the power to disrupt and distract Odysseus’ journey home. Men have clear dominance over the lives of women throughout The Odyssey and make choices for them in instances even when they are completely capable. This is evident even with mother-son relationships. Telemachus commands Penelope‚ his own mother to “go back to [her] quarters. Tend to
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the theme of restraint and agency in lysistrata Aristophanes’ Lysistrata is a play full of possibilities and contradictions. It is marked by the fact that the title of the play spells out the lead character of the play‚ a female. Furthermore‚ it portrays the women of Athens as teaming up with the women of Sparta to force their husbands to end the Peloponnesian War. This was fantastical‚ of course in the Athens of 411 BC. The women didn’t have a vote. They had no say in the matters of the state
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fire-breathing bulls that the god Ares had gifted Aeetes. Medea‚ a powerful sorceress‚ gave Jason an ointment to make him immune to fire and iron for a day. The second task was to sow the teeth the King gave Jason. But Medea knew that the teeth would grow into skeleton soldiers‚ so she instructed Jason to throw a stone into their midst‚ which would cause them to attack each other. The final task was to kill the dragon guarding the Fleece. Medea supplied Jason with a potion to make the Dragon fall into
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Antigone‚ by Sophocles and‚ Lysistrata by Aristophanes are both pieces of art studied and fascinated within the time frame they were made and still are to this day. The tragedy‚ Antigone‚ and the comedy‚ Lysistrata‚ both encompass women who go against their customs and laws; but what sets these two so widely apart‚ is the outcome in which each women face in result of their actions. Antigone is told and begins with the assumption that readers know the background and characters within it‚ this is
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