modern problems at that time‚ such as‚ the two world wars and how they affected people‚ both positively and negatively. They also made good points that helped to improve the conditions Britain was facing at that time. The use of innovative forms of narrative is one of the aspects that made these stories modern. Some of the writers that made use of this aspect are‚ James Joyce and Virginia Woolf. These writers define what we understand as modernism in fiction. They defined as ability to stimulate thinking
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After watching Amelie‚ the audience should instantly notice that there were times when the plot would deviate and did not directly follow the classical Hollywood narrative format. For example‚ after Amelie found the lost photo album of her eventual lover Nino Quincampoix‚ the viewer would then be drawn to solving the mystery of why a certain random character continued to appear in the photo album instead of focusing
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ALICE MUNRO’S THE ALBANIAN VIRGIN IN OPEN SECRETS EXEMPLIES HER CHARACTERISTIC APPROACH To try to trace Alice Munro’s narrative techniques to any particular development in the short story The Albanian Virgin would be difficult. This could be because it is simply written from careful observations as are many of her other short stories. In her short stories‚ it is as though she tries to transform a common‚ ordinary world into something that is unsettling and mysterious as was seen in Vandals
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(in Lahiri and/or Chehade); the role of trauma in the immigrant narratives (in Lahiri and/or Chehade); the place of literature in the immigrant narrative (in Lahiri; Ashoke’s obsession with Nikolai Gogol); intersections between Gogol’s The Overcoat and Lahiri’s The Namesake (common themes‚ the question of “finding oneself‚” finding one’s subjectivity); the construction of the immigrant‚ racial “Other” in the immigrant narratives (in Lahiri and/or Chehade); the problem of naming in Lahiri’s
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the narrative‚ procedural‚ behavioral‚ and expository discourse types‚ The Velveteen Rabbit is undeniably a narrative discourse in surface and notional structure. The plot or notional structure of the story provides insights into what one would imagine is a toy’s ultimate dream of being loved and becoming real. The story begins with the phrase‚ "There was once a velveteen rabbit‚ and in the beginning he was really splendid." This sentence is an example of a formulaic aperture. This narrative discourse
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and situations. -More than biography and autobiography‚ a social and historical study‚ or even a sequence of narratives. Feathers from a Thousand Li Away - The story of the swan introduces the tone of regret which underlies the several stories of dispossession and failure of belonging both culturally and in relationships. -Irony to the title too - there is little joy in these narratives and much depends on fate which is more than not unlucky in its effects on humans - The old woman’s desire to
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1.4 Werlich’s textual typology……………………………………….….... 1.5 Biber’s text type………………………………………………………. Chapter 2.Text Forms………………………………………………………….... 2.1 The descriptive text form…………………………………………….... 2.2 The narrative text form………………………………………………… 2.3 The expository text form………………………………………...…….. 2.4 The argumentative text form…………………………………………… 2.5 The instructive text form …………………………………………….… Chapter 3.The directive-instructive text-type………………………………
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TYPE OF TEXT: Prose Fiction TITLE: The Story of Tom Brennan AUTHOR: J C Burke COURSE: Standard MODULE: Module C: Texts and Society Module C: Texts and Society This module requires students to explore and analyse texts used in a specific situation. It assists students’ understanding of the ways that texts communicate information‚ ideas‚ bodies of knowledge‚ attitudes and belief systems in ways particular to specific areas of society. Electives in this module are designed around a specific
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COM 3703 MEDIA STUDIES: MEDIA CONTENT AND MEDIA AUDIENCES SEMESTER 2‚ 2013 PORTFOLIO TABLE OF CONTENTS PAGE 1. INTRODUCTION 3 2. COMMUNICATION AND MEDIA SEMIOTICS 3 3. TEXTUAL ANALYSIS 3 4. NARRATIVE ANALYSIS 5 5. MEDIA AND VISUAL LITERACY 7 6. MEDIA‚LANGUAGE AND DISCOURSE 8 7. CONCLUSION 10 8. SOURCES CONSULTED 10 9. SELF ASSESSMENT 10 10. ADDEDUM A 11. ADDENDUM B 12. ADDENDUM C 13. ADDENDUM D 14. ADDENDUM E 1. INTRODUCTION
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Julie Selbo has described the importance of narrative to the screenwriter‚ film executives and the audience. However‚ if a genre does not follow the expected formula this can be stimulating for the audience. Though for the change to be interesting‚ the audience first needs to know the conventions of the genre that have been transformed. Mixing genres gives the screenwriter the opportunity to vary the narrative in‚ for example‚ surprising or novel ways. There is also the choice for the screenwriter
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