Chapter 5 Greek Art (1) Name:___________________________ Matching a. main chamber of a temple holding a cult statue b. fifth century Athenian statesman c. half man half horse d. god of wine e. grooved member of Doric Frieze alternating with metopes f. black figure vase painter g. triangular space formed by roof and cornice h. warrior goddess‚ protectress of Athens i. slight convex curve of a column j. lowest division of the entablature of a temple k. architects of the Parthenon
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Period Lion Gate‚ Citadel at Mycenae‚ c.a. 1500-1300 B.C.E. Funerary Mask (gold)‚ possibly of Agamemnon‚ c.a. 1500 Greek: Archaic Period Funerary Krater with “Geometric” Decoration‚ c.a. 750 B.C.E. Calf-Bearer‚ ca. 575-550 B.C.E. Achilles and Ajax Playing Dice‚ black-figured amphora‚ c.a. 530 B.C.E. Death of Sarpedon‚ red-figure krater‚ ca. 515 B.C.E. Greek: Classical Period Kritios Boy‚ c.a. 480 Doryphorus (Spear-Bearer)‚ by Polycleitus‚ 450-440 B.C.E Zeus‚ c.a. 460 B.C.E. Aphrodite
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THESIS STATEMENT: In my paper I will focus on issues including the significant background of the Euphronius Vase‚ the reconstruction of the Greek vase itself‚ and Euphronios choosing a myth popular in Athens for half a century and transforming it in his own supreme style‚ which shed significant light on the complex history and ethnical issues related to this work of art. I will argue that a known literary model can be helpful in elucidating the details of a painted scene and a Corinthian fragment
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Museum Paper I went to the Cantor Center for Visual Arts on Stanford Campus on 2/28/13. I saw a lot of sculptures and vases there. They are very beautiful and interested. The most interested one I think was Kleophon Painter‚ “Volute Krater”‚ ca. 430 BCE‚ Greece‚ red-figure terra cotta vase‚ size 26’ ¾” * 19’ *19’. Hazel D. Hansen Fund‚ 12‚ 1972 Cantor Arts Center at Stanford University. This vase is located in the Iris & B Gerald Cantor Center from the classical period between 479-323 BCE
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you have studied." This essay focuses on the opportunities and challenges that Greek vase painters may have encountered when painting scenes of conflict on their vases. Also included in this essay are examples of these vases. The Euphronios Calyx Krater‚ a red-figure vase painted by Euphronios (Paris G103‚ 510-500BCE) depicts Herakles fighting the Lybian giant Antaios. This scene has provided Euphronios with the opportunity to show Emotional realism. Pain and despair can be clearly seen on the faces
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Art‚ Sculptures‚ Painted Vases‚ Bone and Ivory carving. Ancient History Topic – Sparta to the Battle of Leuctra Part A – Source Analysis Name of source – Pyrichios Date - After the 6th century Description – A carving of 4 men on a stone‚ appear to be that the men are dancing or stretching whilst being nude on the event of which the stone has carved to show its love of art. What Evidence does this source provide about the past? – This art work shows the culture of Ancient Sparta that entertainment
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their empire – including art. City states joined forces‚ democracy was established‚ and skills lost during times of turmoil (reading‚ writing‚ painting‚ sculpting‚ architecture) were not only rediscovered‚ but reinvented. From the eastern inspired geometrics of earliest Greece‚ to stylize humanism in the Archaic‚ the mathematical perfection of the Classical periods‚ and the flowery realism of the Hellenistic - Greek art remains the standard by which all future art will be judged. This article will mainly
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Differences and Similarities between Egyptian Art and Greek Art Egyptian art and Greek art are two types of art that have adorned the early human civilization. At the same time they show differences between them in terms of their styles and characteristics. The characteristics of the Greek art are certainly different from those of the Egyptian art. It is essential to know that Egyptian artists followed the implementation of certain stylistic laws in their art‚ especially
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(80) Mask of Agamemnon (80) Epictetus cup (117) Ajax and Achilles Playing Dice (117) Calf-Bearer (118) Contest of Two Warriors (76) Zeus-Poseidon (120) Death of Sarpedon (81) pendant of Athena (127) Geometric Krater (116) Aphrodite of Knidos (121) Bust of Pericles (87) the Parthenon (122-126) Foot Race amphora (90) Song of Seikelos (121) Dipylon kouros (118) Berlin painter- Kitharode (129) Kroisos (119) Kritios
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for art‚ architecture‚ music‚ theater‚ philosophy‚ literature and politics. Geometric Period (1000 BCE – 700BCE) Funerary krater: In year 1050 there is evidence of the development of a specific Greek style. This specific style is found first on the vases/ceramic wares. The decoration on the surface is a narrative of a funeral procession. The figures are very simplified; depicted into very simple geometric shapes; torso and hips are triangular. We see a body lying in state (prothesis)
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