If to discover the origin of the work in a “normal” artwork‚ to grasp its createdness we must investigate the “creative” activity of the artist‚ then in Canning’s “Mavro” (Fig 4-25‚ 2012) and “Black mirror I” (Fig 4-26‚ 2012) we must do the opposite‚ try to understand their unmaking. Under what Heidegger calls purely workly terms (Heidegger 1950‚ 34) and dispelling all notions of context and rhetoric‚ these paintings‚ despite appearances‚ are not really distinct from Canning’s other work‚ they’re
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Edvard Munch’s "The Scream" was painted around the end of the 19th century‚ and is possibly the first Expressionist painting. The Scream was very different from the art of its time. During this time artists tried to paint realistic paintings. Munch was a tortured soul‚ and it certainly showed in this painting. Most of his family had died‚ and he was often plagued by sickness. The Scream was a reflection of what was going on at the time‚ and what was going on in Munch’s own mind It seemed to me that
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Art Appreciation Essay By definition‚ art is the expression or application of human creative skill and imagination‚ typically in a visual form such as painting or sculpture‚ producing works to be appreciated primarily for their beauty or emotional power. In simpler terms‚ art is what we find to be pleasing to our senses. In my opinion‚ art does not have a true definition. Its definition is different for all of us. To me‚ art is a way for one to express themselves. Each piece of art means something
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Historical and Contextual Influences in Art & Design Impressionism and Post Impressionism Impressionism was the most significant art movement of the nineteenth century‚ giving modern artist inspiration in their own work today. The name impressionism itself comes from a painting called ‘Impression Sunrise’ by Claude Monet who had the influence of Japanese art forms. The start of the impressionism was considered to be at 1863. However‚ was not recognise and exhibited till 1874. The main group
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In the Museum of Modern Art‚ many paintings are illustrations of nature portrayed in different ways. Vincent van Gogh’s The Olive Trees and Gustav Klimt’s The Park are clear examples of this. The Olive Trees‚ painted in 1889‚ and The Park‚ painted in about 1910 or earlier‚ are both from the Post-Impressionist movement‚ this explaining why they are painted in a realistic manner. The paintings of Gustav Klimt and Vincent van Gogh both illustrate the trees and nature and are oil on canvas‚ but in
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“Lili devant la fenêtre” (Lili by the Window) (1935) In his career‚ Jean Dubuffet preferred drawings to paintings. Dubuffet was credited with his high ability to depict landscapes and figures‚ portraits of street scenes‚ friends and places he visited in his choice of the subject matter. Indeed‚ he was traditional. Interestingly‚ his drawings Dubuffet deployed a primitive technique of art making‚ characterized by simple‚ childish figures‚ visually dramatic palette. It is these characteristics that
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A clear commonality between all of these works is that each artist looks to older masters for inspiration when creating these masterpieces. In Manet’s earlier painting of ‘The Spanish Singer’ he touches on influences from Velasquez and Goya who were seen as innovators in the Spanish European art world. In ‘Le Bain’ Manet keeps those Spanish influences in mind‚ but also touches upon classical Renaissance inspirations‚ as he wants to have a modern day feel with a hint of classical influences. Caravaggio
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Another aspect of Borduas‚ he sometimes included numbers in the titles of his paintings. At first he “numbered his works simply to create a personal inventory. Later‚ a numbered title corresponds to the date a canvas was painted or to its number in a sequence of paintings.” A second example of a surrealism automatism painting is “8.47 ou Les carquois fléchi” (Fig.2). The gigantic abstract oil canvas had the highest pigment levels‚ with widest choice of color‚ from red yellow and green; however
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Reading Response #3: Alberti on Painting Alberti outlined three rules of vision in Book One that he believed painters should utilize in creating artwork. Those three rules were: the central vanishing point (53)‚ the viewing distance (53)‚ and transversals (53). The central vanishing point is a point in the picture that is opposite the viewer’s eye. Alberti explained in the central vanishing point‚ the lines run perpendicular in the artwork‚ creating a triangular shaped view (54). He defined
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JEAN-ANTOINE WATTEAU AND THE PEOPLE WHO INFLUENCED HIS CAREER JEAN-ANTOINE WATTEAU AND THE PEOPLE WHO INFLUENCED HIS CAREER Who was Jean-Antoine Watteau? Gradually drifting away from the seventeenth century Baroque style‚ French painting of the eighteenth century embraced the Rococo. One of the most influential and acclaimed artists of this era was Jean-Antoine Watteau. Watteau undoubtedly mapped the path of new artistic advancements in France. He was a former costume designer
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