World literature In translation * The concept of the world literature. * Henrik ibsen : an enemy of the people (public enemy) – ghosts. * Anton Chekhov: ivanov. * Wole soynka: death and the king Horseman. * Brain fried : translation * Gabriel Garcia Marques and the magical realism : a vary old man with enormous wings‚ the handsomest drowned man in the world. * Postcolonial theory Edward said’s : introduction to orientalism. * All critical literature produced and
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Metaphor Analysis | | Metaphors: Doll in a doll’s house In Act 3‚ Nora tells Torvald that both her father and Torvald have treated her like a doll-child‚ with no opinions of her own‚ and have only played with her. Both men‚ she says‚ have committed "a great sin" against her in discouraging her from growing up. Torvald’s pet names for her are often prefaced by "little‚" showing that he sees her as a child. However‚ the responsibility for Nora’s stunted state is not wholly his. In Act 1
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A Doll’s House by Henrik Ibsen Copyright Notice ©1998-2002; ©2002 by Gale Cengage. Gale is a division of Cengage Learning. Gale and Gale Cengage are trademarks used herein under license. For complete copyright information on these eNotes please visit: http://www.enotes.com/dolls-house/copyright eNotes: Table of Contents 1. A Doll’s House: Introduction 2. A Doll’s House: Henrik Ibsen Biography 3. A Doll’s House: Summary 4. A Doll’s House: Summary and Analysis ♦ Summary and Analysis:
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how they are treating each other. Nora is aware how she is being treated by Torvald and she allowed it‚ she chose to save her husbands life. Torvald for sure is aware of how he’s treating Nora and think of her as birdbrained. They created their own ghost in their marriage. It’s pretty obvious that they are lack of communication. Nora said‚ "…..from the very beginning of our acquaintance we have never exchanged a word on any serious subject". They both need to give space with each other to realize their
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202 Supplement Dr. Kelly DeLong Office: 115 Haven-Warren Office phone: 404-880-8171‚ cell 678-977-7353 Office hours: MWF 12-1‚3-4 Email: kdelong@cau.edu Texts: The Norton Anthology of World Literature Vols D-F Sherman Alexie The Lone Ranger and Tonto Fistfight in Heaven Grade Distribution: There will three tests worth thirty points each and an oral presentation worth ten points‚ for a total of one hundred points. The final is the third test. However‚ the final will be split into
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The written assignment is based on one work in translation studied in part 1 of the IB course syllabus. For us‚ that means Medea‚ Blood Wedding‚ or Ghosts. Students produce an analytical‚ literary essay (1‚200-1‚500 words) plus a reflective statement (300-400 words) undertaken during the course and externally assessed by the IB. The process This foundation for this assignment has been completed already. Now we have reached the last part of the process‚ which is choosing a work‚ developing a
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Expressionism was the belief that emerged in Germany in 1910 which was based on the idea of countering materialism and industrialism. The latter was the principle oblique of Human spirit and that most of the expressionist stories generally present the protagonist in search for his/her identity or meant to change the world. Eugene O’Neil is one of the most prominent playwrights ‚ a lot of his plays were a sort of expressionistic styles such as THE HAIRY APE‚ which is a good play that might have seen
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in a situation wherein ‘B causes A’. Bateson in his ‘ecology of the mind’ understood the circularity of the hermeneutic of complexity; while Weick did not in his theory of sense-making. I argue in this article‚ via an examination of a play of Ibsen‚ that circular thinking spiraling towards new insight(s) is much more a possibility of literature (studies) than of social science. Social complexity theory needs (at least partially) I believe to methodologically merge with literary studies
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clever use of dramatic irony to make certain that the audience is made uncomfortable through the thought provoking ideas presented. Though generally playwrights use specific language and the development of their characters to express their opinions‚ Ibsen relies more heavily on subtle details to capably communicate his themes in A Doll’s House. Ibsen’s play was initially used as a vehicle to comment on Norwegian society in the Nineteenth Century. His overarching theme – the difficulty of being a
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Ibsen further constructs the physical disconnection between the protagonists through the transition of clothing especially in the denouement‚ yet there are certain metaphorical ramifications associated with them. The differences in the clothing show the incompatibility of the characters and the fact that both Nora and Torvald wish for different things within their marriage. Firstly‚ the notion of clothing can be associated with inanimate objects such as the Christmas tree. The audience see Nora “dressing
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