St. Louis City Museum I know it’s impossible to turn back time‚ but don’t you wish that you could relive your childhood? Last week‚ during my visit to the St. Louis City Museum‚ I got a chance to do just that. Today‚ in this speech‚ I’ll take you on a short tour of the City Museum. As I walk you through this tour of the museum‚ I’ll focus on three things: the building style‚ the different attractions‚ and my overall experience at the City Museum. Let’s start with the building style‚ or architecture
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and from work and in the home. Computers are now considered the most effective‚ accurate and comprehensive means of an acquiring knowledge on any topic. From our computer we can take an aerial tour Disneyland. We can get information from the British Museum Library or from the Library of Congress in America. With the proper equipment we can sit at our computer and communicate with someone anywhere in the world. With the help of our computers we can send e-mail‚ receive electronic newsletters even chat
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On November 12‚ 2015 I visited the gallery Lyric Modern created by an exceptional artist named Hal Marcus at El Paso Museum of Art. My first thoughts of visiting a museum were “boring”‚ “unexcited” and I just imagined myself going one work of art to another and describing it as if it was the textbook. As soon as I stepped into the museum my whole perspective changed‚ and at the end of the visit I had a different mindset. Lyric Modern was an outstanding exhibition‚ I did not only describe each composition
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James Gleason ART 203: Art History I Instructor: Patricia McDonald April 5‚ 2017 ART 203 Museum Report Museum #1: Detroit Institute of Arts (www.dia.org‚ Detroit‚ Michigan) Museum #2: Ashmolean Museum of Art and Archaeology – University of Oxford (www.ashmolean.org‚ Oxford‚ England) Museum #3: Museo Universitario Arte Contemporaneo (MUAC) (http://muac.unam.mx/‚ Mexico City‚ Mexico) Artwork: The Detroit Institute of Arts contains over 60‚ 000 works of art including art from Africa‚ Oceana‚ the
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Over the summer I was lucky enough to visit the United States Holocaust Memorial Museum in Washington‚ D.C. Although it’s hard to believe‚ the most impactful object I saw in the museum was an old‚ barely visible footprint! Obviously‚ there were numerous important artifacts I saw that day‚ but that footprint helped teach me the importance of always offering as much help as one can give. About midway through the museum‚ a timeworn train car was arranged as a doorway to the next exhibit. Despite the
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Walter C. Gwin Sr. HUMN-B21 Elgin Marbles I will take the position that the Elgin Marbles should remain in the British museum. Ancient artifacts are a means of understanding a culture’s value system‚ their beliefs and their worldview. It is important that these artifacts be preserved as much as possible. The Parthenon is “the greatest of all Greek temples. It was built in the old Doric order‚ even though it was built in the middle of the classical age when the Ionic style was coming into vogue”
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and Britain‚ a Parliamentary committee was selected to debate the legality of Elgin’s ownership. The British government decided to purchase the sculptures from Lord Elgin at half his investment and exclaimed they would be better cared for by their museum than returning back to Greece. My view on the proper location of the “Parthenon Marbles” is that of Greece. From the very beginning‚ the removal of the marble sculptures have had a
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SALAR JUNG MUSEUM -HISTORY The Salar Jung Museum was established in 1951. The major portion of the collection of the museum was acquired by Mir Yousuf Ali Khan‚ popularly known as Salar Jung III. In the absence of any direct descendants of Salar Jung III‚ the Government of India appointed a Committee to administer the Salar Jung Estate. Later on with the idea of perpetuating his name‚ the Salar
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The short answer to the above-entitled question is no‚ the Museum of Tolerance is not tolerant. The long answer‚ since everything has both long and short answers these days‚ is the Museum tries to be as tolerant as it can‚ but as my guide commented "humanity is simply incapable of not being prejudiced." Instead of spending the following pages explaining why this exhibit is less tolerant then that exhibit‚ I would like to break this paper up into two parts: the first a discussion on the tolerance
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Between 1980 and 1990 he expanded in inventory of images and icons to include heads‚ portraits‚ masks and the urban and suburban imagery. Arkley returned from a trip from Europe where he had searched for inspiration. Upon walking home‚ he noticed the pattern of his front gate‚ he then ran around to all his neighbours gates using them as inspiration in his later artworks. Arkley’s inspiration was taken from the patterns‚ colours and forms (gates‚ doors etc.) found in Australian suburbia. Strong visual
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