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    Freud‚ S. (1919). The ‘Uncanny’. The Standard Edition of the Complete Psychological Works of Sigmund Freud‚ Volume XVII (1917-1919): An Infantile Neurosis and Other Works‚ 217-256 The ‘Uncanny’ I IT is only rarely that a psycho-analyst feels impelled to investigate the subject of aesthetics‚ even when aesthetics is understood to mean not merely the theory of beauty but the theory of the qualities of feeling. He works in other strata of mental life and has little to do with the subdued emotional

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    THE STORY OF THE FLOOD- the Epic of Gilgamesh ’You know the city Shurrupak‚ it stands on the banks of Euphrates? That city grew old and the gods that were in it were old. There was Anu‚-lord of the firmament‚ their father‚ and warrior Enlil their counsellor‚ Ninurta the helper‚ and Ennugi watcher over canals; and with them also was Ea. In those days the world teemed‚ the people multiplied‚ the world bellowed like a wild bull‚ and the great god was aroused by the clamour. Enlil heard the clamour

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    Case Study 1.) According to the Freudian theory Hank displays both the oral incorporative and the oral aggressive personality type. Hank is therefore fixated at the oral stage‚ in which the primary source of interaction occurs through the mouth. The mouth is vital for eating and derives pleasure from oral stimulation through gratifying activities such as tasting and sucking. Wherein Hank displays this as he sat on his couch eating the pint of Ben and Jerry’s Cherry Garcia ice cream‚ while he contemplated

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    All of the text we have read this semester reflect male dominated cultures‚ yet in all of them‚ women play very important roles. In the text the we’ve read‚ Hamlet‚ Gilgamesh‚ and The Odyssey‚ women played a small role‚ yet there are the driving factors for the actions of many other characters. In Shakespeare’s Hamlet‚ both Gertrude‚ Hamlet’s mother‚ and Ophelia‚ Hamlet’s love‚ affected many of the decisions and actions done by Hamlet. Gertrude influenced Hamlet significantly throughout the

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    courageous‚ strong‚ or wise. One particular anecdote that illustrates the perfect example of such a protagonist is the legendary myth of Gilgamesh‚ which recounts the adventures of Gilgamesh and Enkidu‚ two friends who are equally valiant‚ stalwart‚ and insightful. Although both men are considered idyllic heroes‚ Enkidu seems to be a more favorable character. Unlike Gilgamesh‚ Enkidu possesses a virtuous personality‚ which renders him a greater protagonist. Even when Enkidu lived a savage life‚ he already

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    question. Now‚ if Harry Potter was replaced with the name Gilgamesh‚ how many people do you think would answer yes‚ excluding english and literary experts‚ of course. Harry Potter is a household name‚ while Gilgamesh is less popular‚ but‚ in fact‚ they are a lot like each other. Harry Potter and Gilgamesh are similar characters in numerous way‚ like their struggles and common goals‚ but they also vary in many ways. Harry Potter and Gilgamesh have a lot of similarities. The first one that comes

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    In a lot of ways‚ Gilgamesh is portrayed as a hero in his epic story. Some consider him a “hero” due to his superior stature‚ confidence‚ and physical capabilities. Some do because of his courage and bravery. Although a hero contains many these characteristics‚ and fitting the role of a hero has many meanings‚ Gilgamesh simply does not share the character traits of a “true hero” and does not represent what it means to be one. This can be apparent as he commands his kingdom‚ Uruk‚ in a very controlling

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    quests and deal with adversity in addition to performing civic justice for the people who look up to them. Those three criteria’s determine whether a sidekick is beneficial for heroes like Gilgamesh and Beowulf. Success in quests can often determine a hero’s status in a society. In the Gilgamesh story‚ both Gilgamesh and Enkidu embark on a journey to kill Humbaba‚ the guardian of the Cedar forest that is forbidden to mortals. Together‚ the duo manages to successfully complete the quest as both provide

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    Humanities Seminar 1 17 September 2014 In The Epic of Gilgamesh‚ a partly recollected epic poem about the journey of Uruk’s King‚ Gilgamesh is forced to fuck confront his fear of death‚ question his choices and morality‚ and re-evaluate his own character. Given that he sleeps with newlywed women (Tablet II‚ Column P‚ 161) and kills Humbaba only to show his prowess and leave a legacy (Tablet V‚ Column V‚ 245)‚ I am very hesitant to even call Gilgamesh a hero at the start. Nevertheless he has moments

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    The Epic of Gilgamesh is an ancient piece of literature written around 1900 B.C.E in ancient Mesopotamian. It is considered to be one of the oldest written pieces of literature on earth. The Old Testament was written around 1000 B.C.E and is the foundation for two of the world’s largest religions; Christianity and Islam. Although written many years apart The Epic of Gilgamesh and The Old Testament share similarities. One of the main similarities between The Epic of Gilgamesh and The Old Testament

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