The Homeland‚ Aztlan Gloria Anzaldua Gloria Anzaldua’s Borderlands explores the identity of a people caught between two cultures: the Anglo-American culture and that of the indigenous Aztecs of the Southwest United States‚ the mestizo. In the first chapter‚ The Homeland‚ Aztlan‚ she describes how since the conquering of Mexico by Cortez‚ Anglo-Americans have slowly seized their land. The mestizo population was forced further down Mexico through fear of lynchings and the poverty faced. Many had
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In Mary Louise Pratt’s words of “Arts of the Contact Zone”‚ a community is “held together by a homogeneous competence or grammar shared identically and equally among all the members.” (493) What she means by that is we all share the same traits. I am a member of the aviation community of The University of North Dakota. It consists of about 1‚200 students and was started in 1968 by John D. Odegard. The department employs over 30 faculty members and offers the aviation education of your preferred
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Contact zones of the Olympics As Mary Louise Pratt defined in “Arts of the Contact Zone”‚ contact zones are social spaces where cultural interactions happen; including cultural exchange‚ conflicts‚ understanding‚ and sometimes unbalance of power in contact zones. Relating closely to cultural diversity‚ contact zones definitely exist in global events around the world‚ when people from different places gather together and communicate with one another. The Olympics‚ as one of the most influential global
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Grant Schumacher Paper 3 English 110 Final Draft Arts of the Contact Zone: Parody Assignment Pratt defines a contact zone by saying it is “social spaces where cultures meet‚ clash‚ and grapple with each other‚ often in contexts of highly asymmetrical relations of power‚ such as colonialism‚ slavery‚ or their aftermaths as they are lived out in many parts of the world today” (319). What this means to me‚ is that there is classrooms in which there are many differences‚ which creates a difficult learning
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Response to Question 1 According to Mary Pratt‚ “contact zone” is a term “to refer to social spaces where cultures meet‚ clash‚ and grapple with each other‚ often in contexts of highly asymmetrical relations of power‚ such as colonialism‚ slavery‚ or their aftermaths as they are lived out in many parts of the world today” (Pratt 487). In Pratt’s speech “Arts of the Contact Zone‚” she uses terms‚ such as autoethnography and transculturation‚ to help demonstrate the reasoning of her ideas. The main
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In Gloria Anzaldua’s Borderlands/La Frontera‚ she discusses the people who are in between – how people can’t be put into boxes. Anzaldua (1987) talks about embracing the in between and getting past cultural tyranny‚ which is where the culture forms what we believe about these certain identities. These identities‚ or boxes‚ that culture gives us consist of a number of different labels: male‚ female‚ white‚ black‚ Mexican‚ gay/lesbian‚ and straight. The list goes on and on. People are given these labels
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Gloria Evangelina Anzaldúa is a notable Chicana feminist‚ cultural theorist‚ and activist because of her many contributions to social movements regarding minority women. Not only did she impact this “renaissance” for Chicana literature through her own writings‚ but she also encouraged other aspiring minority artists and writers to help expose the diversity that was rapidly growing in the United States. Personally‚ Anzaldúa interested me because of her efforts in promoting feminism‚ so I wanted to
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Arts of the Contact Zone Q2R#3&4 In “”Arts of the Contact Zone” Pratt gets the point across that cultures should recognize the “contact zone.” By giving examples like Poma’s writing and a homework assignment that her son had‚ Pratt defines the contact zone as the “meeting of cultures with asymmetric power.” (p 487) The word “cultures” refers to every type of group in my eyes‚ groups such as sports teams and even classrooms. A classroom can be defined as a contact zone because the Teacher and
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The term of “contact zone” seems pretty simple to understand at the first look but what does it truly means? Mary Louise defines this term as “… social spaces where cultures meet‚ clash‚ and grapple with each other‚ often in contexts of highly asymmetrical power” (Pratt 575). In a “contact zone” a person meets with two different cultures‚ going through a struggle to maintain a certain identity. As for me‚ I have faced this contact zone when I left my country to study abroad in United States. I have
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hustling to provide for her family inside and outside this economically poor household. These images and symbols that the Latina woman has had to deal with have been transferred into the social and educational sphere‚ limiting her opportunities. In Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza she discusses the various elements of her life up to adulthood and the adversities she had to overcome because of being an educated‚ gay Latina. Her journey is highlighted through the historical
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