their homes. The Hindu believes that the Goddess of wealth (Laxmi) would not enter their homes if they are kept unclean. Hence‚ they make their houses a fit place for the Goddess by decorating them with pictures‚ festoons and buntings. The sight of the evening is more beautiful. Not only the houses but the whole market looks bright and charming. The sweet shops give a very charming look. The sweets are put in an attractive manner. People worship the Goddess Laxmi and pray for their prosperity. Traders
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They have held a reputation of being pure and angelic. Hindu followers pray to different goddesses depending on their circumstance. A few that are well known to the public are Sarasvati who is in charge of learning of the arts and sciences‚ Laksmi Goddess of good fortune and financial reward‚ and the list goes on. These women are all understood to bring great treasures and knowledge to their admirers. The trouble with having such high standards for the goddesses is that one flaw can create a bad image
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talent‚ ambitions and dreams for her family.... mother’s are also very supportive. they‚ while playing the role of a wife behave as a pillar of strength and courage for their husbands. in Hindu mythology the are considered to be avatar of goddess laxmi that is the goddess of wealth. but at the same time in Hindu mythology the woman is considered weak and inferior to their male counterparts. the mother is the driving force that forces her child to go to school and makes sure her child is well educated.
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Gender Bias in Hindu Myths The concept of the Goddess‚ myth and dance is truly a tool which empowers for women of our culture. Although women are at times portrayed as inferior‚ they possess many strong qualities which break this stereotype. Women are beautiful‚ strong‚ and courageous‚ they are mothers and sisters and daughters‚ and without them this world would not exist. Women‚ since the time of the Vedas and Upanishads have been looked to carry their traditional heritage from generation to
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WOMEN IN ANCIENT INDIA The sub-continent of India is both diverse in its history and geography. It was not until the Mauryan Empire in the third century b.c.e. when most of India was brought together under one ruling dynasty. Before the Mauryans there was the ancient era known as the Indus Valley or Harappan civilization‚ and then the invasion and settlement of the Aryans along the Ganges River plain. The Ganges and Indus Rivers are known as the mother and father of India. Other rivers traverse
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parts of India‚ a Navaratri festival is celebrated in the spring as well as the fall (Fuller) and is a nine night‚ ten day festival‚ in which the Mother Goddess and her various forms are celebrated each day (HEB). “During these nine nights and ten days‚ nine forms of Shakti/Devi are worshipped‚ [and are said to] signify various traits that the goddess influences us with” (Navratri). This festival is observed in most parts of India‚ particularly in northern India‚ eastern and western India‚ although
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Navami; and on the fourth day‚ the Dashami‚ the image is immersed in the water of a tank or a river. The image is worshipped along with those of other deities like Lakshmi‚ Saraswati‚ Ganesh and Kartikeya. The frame‚ on which the said images are installed‚ contains also the image of Asura (demon) and the lion‚ the vehicle of goddess Durga. There is also a rat at the feet of Ganesh. There is a chal-chitra which is a circular canvas of mat containing paintings of heavenly scenes placed at the back
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entryways that have the capacity to withstand India’s compelling atmosphere. Headquartered in Gurgaon‚ Fenesta has own business and administration vicinity in almost 50 urban areas with about more than 150 business relates‚ 16 business workplaces‚ 6 production lines and about 100 showrooms. With Fenesta‚ client is guaranteed of end to end administration beginning from selecting right outlines‚ site overview‚ creation‚ conveyance and establishment. As window specialists‚ Fenesta takes pride in its
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symbolising goddess Durga often with her image embossed on the side is placed in the prayer room. The kalash is filled with holy water and covered with cowdung on to which seeds are sown. A small rectangular sand block is made and the kalash is put in the centre. The surrounding bed of sand is also seeded with grains. The ghatasthapana ritual is performed at a certain auspicious moment determined by the astrologers. At that particular moment the priest intones a welcome‚ requesting goddess Durga to
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The Thousand Faces of Night was structured around the sexual and marital experience of Devi‚ Sita‚ and Mayamma. The strategy adopted by Gita Hariharan was to highlight Devi’s experience by interspersing it with events related to Sita’s and Mayamma’s personal life. These alternative points of view explored the position of woman entrapped in typical male power structures. It portrayed women as vulnerable individuals craving for love and understanding‚ while all the time being victims of their own gender
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