Erving Goffman is hailed by many as ‘one of the twentieth century’s most remarkable practitioners of social science’ (Smith‚ 2006:1). Smith goes on to further remark that Goffman‘s work is ‘enough to signify not only a subject matter but also a highly distinctive attitude and analytic stance toward the social world’ (Smith‚ 2006:1). This claim is perhaps justified when noting the alternative direction Goffman headed in his development of sociological theory in comparison to the founding fathers
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Power: the capacity or ability to direct or influence the behavior of others or the course of events. While this is the dictionary definition‚ power can be viewed in several different manners. Michel Foucault took a different approach on this concept by developing his own theory on the phenomenon of power through his observations on subjects ranging from school discipline to administration systems. A writer named Jonathan Gaventa described Foucault’s work stating it “marks a radical departure from
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Erving Goffman defines dramaturgical analysis as a way to describe human social interactions throughout everyday life. He believed that human played roles like being on a theater stage acting he discusses that our activities that are displayed to the public are front stage‚ and also created the idea that the backstage is when individuals can be themselves away from the public and the role they play for others the way we dressed would be our costume and the objects we use or carry is our props. In
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and pervasive’ (Jones & Porter‚ 1994). In the riots CCTV did act as a Panopticon in regards to it allowing for identification after the riots had ended‚ although Foucault stated ‘the major effect of the Panopticon: to induce in the inmate a state of conscious and permanent visibility that assures the automatic functioning of power’ (Foucault‚ 1977). This was not necessarily the case in 2011 as it did not deter people away from partaking in the looting and rioting even though they knew CCTV was
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Modern Architecture‚ London: Thames & Hudson‚ pp. 256-75. 720.108 FOR Koolhaas‚ R. (2001) Junk space: The Debris of Modernization’‚ in C.J. Chung et al. (eds)‚ The Harvard Design School Guide to Shopping‚ Köln: Taschen‚ 408-21 POWER / POLITICS Foucault‚ M. (1995) ‘Panopticism’‚ in Discipline and Punish‚ New York: Vintage‚ pp. 195-228. Forty‚ A. (1995) 364.60944 FOU Being or Nothingness: Private Experience and Public Architecture in Post War Britain’‚ Architectural History‚ vol. 38‚ pp. 25-35
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(In)balance of power‚ exploitation‚ crime‚ murder‚ probation and prison are only some of the issues Alice Goffman writes about in her book‚ On the Run. Her 6-year research examines the lives of young black men; Mike‚ Chuck‚ Reggie‚ Alex and Tim‚ amongst others‚ growing up in West Philadelphia on what she refers to as 6th Street and their daily interactions and coping mechanisms when confronted with these issues. She describes the trials and tribulations the main characters of her book are faced
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On the Run an ethnographic study by Alice Goffman offers an authentic and appalling view on the lives of black individuals who lives within the streets of Philadelphia‚ specifically young men. These young men struggles to hold on to their dignity and sanity by constantly being on the run from law enforcements due to their illegal acts in order to acquire a livelihood. Goffman spent six years with the 6th street boys gaining her own personal insights‚ experiences‚ and challenges of this issues. The
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Foucault and Nietzsche share similar genealogies regarding the relationship of body and power in “modern” humans. However‚ Foucault adapted Nietzsche’s concepts as stepping-stones for different genealogical theories. Largely in regard as to how moderns were made through the training and discipline of bodies. According to Foucault‚ the individual is a modern concept‚ that whose origin‚ or genealogy was constructed from institutions power. For Nietzsche‚ the individual is an effect of social relationships
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Goffman: The Presentation of Self in Everyday Life Goffman dissects the meaning and practice of direct interaction‚ using “dramaturgical” tools and claims that “The entire world is a stage‚ and we but merely players". Introduction Goffman lays out the basic elements of the argument. In micro-interactions‚ every person sends two signals: those they "give" and those they "give off" "The expressiveness of the individual appears to involve two radically different kinds of sign activity: the
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Rhetoric 103b 7 April 2015 Essay 2‚ Prompt 2: Foucault and Freud on the Autonomy of the Individual Both Foucault and Freud developed theories of the subject which describe individuals as influenced by repressive powers in their autonomy. Freud‚ in Civilization and its Discontents‚ represented the individual as restricted in their behaviors and pursuit of happiness by civilization‚ a faculty which had been developed to secure human happiness. Foucault credits the confession of sexuality to the repression
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