hidden motives. The main way the author builds suspense and gains the interest of the reader is through the characters’ dialogue and actions. The dialogue and actions help the reader understand the characters’ hidden motives. In the passage “The Red Scooter” the author personifies The Red Scooter to help the reader better understand its hidden motives‚ one of these ways being dialogue. In the passage “The Red Scooter” it states‚” Eventually‚ his friends became quite jealous. They were upset because
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SPEAKING SKILLS STRESS AND INTONATION: While speaking a word‚ we use extra force in uttering some syllable or syllables in that word. This extra force is called stress and the syllable is called stressed syllable. In the following words‚ the syllables in bold letters show stress. father | fa-ther | First syllable is stressed | insult | In-sult | Second syllable is stressed | TWO TYPES OF STRESS: There are two types of stress.
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The employment of dialogue has the power to add a sense of realism to the story by integrating the dimension of speech to the characters. This in turn adds depth‚ power and authenticity to ones’ work. The play ‘the club; written by David Williamson‚ the film ‘Meet Joe Black’ directed by Martin Brest and the lyrics “Father and Son’ by Cat Stevens all allow the audience to connect with the characters effectively through the composers’ use of language techniques and themes of dialogue. The
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RECOGNIZING EMOTIONS FROM STUDENT SPEECH IN TUTORING DIALOGUES Diane Litman Kate Forbes University of Pittsburgh Learning Research and Development Ctr. Pittsburgh PA‚ 15260‚ USA University of Pittsburgh Department of Computer Science Learning Research and Development Ctr. Pittsburgh PA‚ 15260‚ USA ABSTRACT We investigate the automatic classification of student emotional states in a corpus of human-human spoken tutoring dialogues. We first annotated student turns in this corpus for negative
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and opened a school of philosophy to deepen people’s meanings of Christianity‚ during these years he addressed the emperor Antonius Pius his first Apology‚ and this was a classical work of genre‚ some years later he wrote the second apology. The dialogue of the trypho was then written‚ this was a discussion which Justin had with trypho about 135. The first apology was by far the longest; the first part of the apology is negative and refutes the anti-Christian calumnies of impieity and civil enmity
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conflicts that continue to develop throughout the text with the use of literary techniques such as external dialogue‚ internal dialogue and figurative language. Marlow‚ the protagonist‚ tells his story and is listened to by the first person narrator‚ creating external dialogue that illuminates Marlow’s internal conflict. The narrator himself then alludes to his own conflict of fear through internal dialogue. Figurative language‚ too‚ contributes to the introduction of conflict‚ this time between the Imperialists
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RADIO DRAMA by TIM CROOK Here are some horrible truths: Most radio drama is very badly written. Radio drama is an endangered species. It has never taken a hold of mainstream programming on commercial radio in the UK. It used to be the mainstream in the States and Australia but lost out to TV in the middle to late fifties. It is under threat within public radio services including the BBC because of the pressure of monetarist ideology and the fact that authors and radio drama directors have been
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1. Description of type of observation example (where‚ date‚ timing‚ how selected‚ method‚ if observation is focused‚ then on what is it focused? Etc.) Information will be found in a condensed format at the top of the cover page. Use a similar consistent format for the subsequent exercises‚ so the material can be readily referenced. Number pages. Please note that the video/audio recorded session involving was conducted on or about early January 2017. This occurred during residency of cohort 10 at
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In plays‚ dialogue is often relied upon in order to reveal the morals‚ and values of its characters. Dialogue also plays a very important role in establishing the nature of the society the place takes place in. In Oscar Wilde’s satire Lady Windermere’s Fan‚ the dialogue is effective in doing just this‚ giving the reader the opportunity to make great incites regarding the inner workings of the three characters who speakOne of the characters with dialogue in Lady Windermere’s Fan is Lord Darlington
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important comic elements of the play. This can be observed through the varying representations of characters‚ the film’s lack of contextual jokes‚ the more prominent sub-plot between Dr Chasuble and Miss Prism‚ the addition of music and the way in which dialogue‚ while remaining true to the play‚ has lost meaning in the film. In the play‚ Wilde achieves most of his humour through the wonderfully satiric characters‚ however in the film Parker represents them as being far more farcical. Throughout the Wilde’s
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