In this article‚ I am going to compare and contrast the narrative structures‚ generic codes and conventions of film noir with more recent neo-noirs; the films I’m going to use to do this are Double Indemnity and Pulp Fiction. I’m also going to investigate the relationship between original film noirs and the Hollywood studio system and contemporary production contexts in the North American Film Industry. The first film I’m going to be looking at is Double Indemnity‚ a classic noir film which follows
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John De Cleene English Harris Due: December 2‚ 2010 Horror and Tension Within The Tell Tale Heart Edgar Allen Poe is most famous for his remarkable gothic fiction stories. In fact‚ some would almost consider him to be the father of them. One of his most recognized pieces is The Tell Tale Heart. This particular tale tells the story of a man who in the end turns out to be insane when he hears the beating of a dead man’s heart. The narrator kills an old man who did nothing wrong. The only thing
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OSCAR WILDE’S GOTHIC: THE PRESENCE OF EDGAR ALLAN POE IN THE PICTURE OF DORIAN GRAY A Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts with a Major in English in the College of Graduate Studies University of Idaho by Peter Stegner August 2007 Major Professor: Gary Williams‚ Ph.D. ii AUTHORIZATION TO SUBMIT THESIS This thesis of Peter Stegner‚ submitted for the degree of Master of Arts with a major in English and titled “Oscar
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One of my favorite aspects regarding Tarantino style is how he chooses to exclude characters or their faces from shots. This can be seen in several times in Pulp Fiction as well as Kill Bill vol 1. In Pulp Fiction we don’t actually see Marcellus’s (Ving Rhames) face till late in the movie all we see is the back of his head with a single Band-Aid on it. Ultimately the effect of this shot is building up Marcellus and giving him an intimidating aura. Tarantino does a similar style of shot when introducing
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monsters and letters from both Elizabeth and Frankenstein’s father but also many extra-textural references‚ most notably Samuel Taylor Coleridge’s The Rime of the Ancient Mariner and Milton’s Paradise Lost. As noted in D. Punter and G.Byron’s‚ The Gothic‚ these are texts the novel can both be related to‚ the first being “another tale of an alienated individual‚” and be used to understand the characters “changing situations” as detailed in the second. However one of the most significant of these is
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The author and the title | Somerset Maugham‚ Louise | Type of text | Short story | Outline of the story | This is a story about woman that told by author‚ who is also main character in the story. It’s about relationship between them and about relationship between the woman and her husbands‚ daughter. | Setting of the story | Enigmatic‚ gloomy‚ sarcastic | Complication | The story has dynamic complication. In the beginning of story Louise is alone‚ but during the story she outlived
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Genre and Science Fiction Genre‚ as defined by the Oxford dictionary (2010)‚ is “a style or category of art‚ music‚ or literature”. It is a term that is easy to define but hard to understand. The mere division of what one genre is compared to another has been problematic for academics and scholars for centuries. As noted by Robert Allen‚ genre study has become “the division of the world of literature into types and naming of those types”. This has led the study of genre to become a more scientific
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FRANKENSTEIN AND BLADE RUNNER Introduction to text Frankenstein by Mary Shelley About the author * Published Frankenstein in 1818 Type of text- novel under the Board’s Prose Fiction category Context * Galvanism * Luigi Galvani (18th century) used electric current to case a frog’s legs to twitch. * Theories- current could reanimate human corpse’s brain‚ also caused by chemical reaction * Shelley used these theories to create monster * Genesis * Story of
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basic features of gothic fiction is the critical portrayal of religion’1 in Christabel and The Rime of the Ancient Mariner by Samuel Taylor Coleridge‚ The Bloody Chamber by Angela Carter‚ and Dracula by Bram Stoker? The Christian attachment to Gothic emerged from its connection to Gothic and Gothic Revivalist architecture‚ though from the nineteenth century the Romantics gave an appraisal of Christianity that differed from its previous depiction. As Minghui remarks‚ ’...Gothic authors themselves
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published a new form of literacy; the gothic novel. The Castle of Otranto‚ known as the first gothic book takes place in Italy during the twelfth century. It is a book containing a fundamental plot with ghost‚ knights‚ damsels in distress and the continuous battle for the love of a wo66man encompassing many twists and turns along the way. The family that resides in the castle is haunted by an ancient prophecy which no one understands. Manfred‚ the stories gothic villain is an arrogant prince who makes
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