"Governess" Essays and Research Papers

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    Jane Eyre Class Issues

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    couldn’t earn her own living without losing caste. Yes‚ as governess to a high family‚ but this placed her in a difficult position of not being quite a servant (horrors) nor yet on the same level as the family. Read the passages about the house party and the way Blanche Ingram and her mother talk of governesses‚ knowing full well that Jane is sitting right there. For a gentleman to marry a governess‚ let alone his household’s governess‚ was unheard of. Marriage was her only way to better herself

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    Screw there were many mysteries‚ but the biggest mystery was how did Miles die in the arms of the Governess after saying the name of the ghost‚ “Peter Quint- You devil”. This mystery illuminates the meaning of the work as a whole because the reader can conclude many ways of how he had died. For example‚ we can say that he had died since the evil spirit of the ghost left the body of MIles‚ the Governess was holding him to hard‚ or that he died in shock and fear. The death of Miles contradicts the whole

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    Can something be true‚ even if it isn’t? Yes‚ something can be true even if it isn’t. In the “Turn of the Screw” the governess was witnessing paranormal/supernatural occurrences. She would see clear images of two

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    Charlotte Brontë ’s outcry might seem exaggerated to us‚ but Victorian novels and paintings mostly do not picture the position of a governess in a positive way. Even if it might seem unusual‚ as the governess is a servant‚ a mere shade in the house of a family‚ she has yet caught the attention of artists. Maybe it is precisely her inconspicuous but obstinate presence that attracts the attention. Although she has an acknowledged status‚ she does not completely fit in her environment. She is different

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    author depicts a supernatural event that two characters‚ the governess and Miles‚ experienced‚

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    a vast spectrum of critical opinions which make a definitive solution an impossibility. James’s masterful use of uncertainty truly supports‚ if not promotes‚ the ability of readers to discover numerous meanings to the tales mysteries. Does the governess really see the ghostly figures of Quint and Miss Jessel? Are the apparitions merely figments of an overactive imagination? Are the children accurately perceived as angelic innocents‚ or are they willing participants to possession

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    monologue and to the reader‚ who attempts to decipher the true monstrous image of such a nastily-described being. This quite sudden and swiftly-advanced transition towards an atmosphere of fear‚ before the story even begins to switch to the governess’ perspective‚ is done so by James with the intention of catching the reader off-guard and causing them to garner exceptional concern for the sheer sinisterness of the circumstances in which

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    Mr Sommers - Drama Gcse

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    freedom and were working happily with the white people. Governess and Mr Sommers We had to create a role play of Mr Sommers interviewing the Governess about her taking the responsible role of being his daughter’s governess. I chose to play the Governess and Dan chose to play Mr Sommers. Firstly‚ I considered how the Governess would react to being confronted with a man of such ‘high status’. I chose to represent the Governess as being shy and overly considerate of her actions and the way

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    In this essay‚ the author starts his argument with the focus on the term “homelessness” with relation to the “treatment of property” in the text (Davidson‚ 455). A seemingly rootless life of Henry James is projected on the description of the governess in the The Turn of the Screw; that is‚ he intends to reflect his own experience of homelessness in the light of metaphorical aspect through the book. Then‚ he further discusses about how “homelessness” can also be interpreted in terms of cultural uncertainty

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    Oscar Wilde’s The Picture of Dorian Gray and Henry James’ The Turn Of the Screw are key examples of the way in which gothic texts use and adapt the conventions of the genre. These changes occur due to the author’s own personal context and values. The inexorable link between text‚ context and values is expressed through the way in which both authors choose to manipulate‚ redefine and introduce new conventions to the gothic. Oscar Wilde’s first and only novel‚ The Picture of Dorian Gray‚ was written

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