Publishing‚ 2004. SHOWALTER‚ Elaine‚ "Speaking of Gender"‚Routledge‚ 1989. SINFIELD‚ Alan‚ "Shakespeare‚ Authority‚ Sexuality‚ Unfinished business in cultural materialism"‚ Accents on Shakespeare‚ Routledge‚ 2006. SMITH‚ Bruce R.‚ "Shakespeare and Masculinity"‚ Oxford University Press‚ 2000. WAYNE‚ Valerie‚ "The Matter of Difference‚ Materialist Femnisit Criticism of Shakespeare"‚ Harvester Wheatsheaf‚ 1991. WELLS‚ Stanley/ORLIN‚ Lena Cowen‚ "Shakespeare‚ an Oxford Guide"‚ Oxford University Press‚ 2003
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Innate ← Context-specific ← Preference Gender: ← Biological or role ← Complex and changeable Stets and Burke ← “Femininity and masculinity - or one’s gender identity - refers to the degree to which persons see themselves as masculine or feminine given what it means to be a man or woman in society. Femininity and masculinity are rooted in the social (one’s gender) rather than the biological (one’s sex). Societal members decide what being male or female means (e.g.‚ dominant
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audience of Nick and Honey‚ the use of ellipsis reflecting the almost breathless excitement with which she recounts the event. Her repetition of ‘POW!’ punctuates the narrative‚ highlighting her role as the deliverer of the knockout blow to George’s masculinity. Her observation that the event was both funny and awful simultaneously is perhaps an apt description of their marriage – a comedy that is excruciating to witness. Martha’s observation that the event has ‘coloured our whole life’ shows how the
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that is standing beside you. From 1954-1975‚ the Vietnam War would instill specific ideas of masculinity. The male gender developed an acceptance of violence and silent endurance of burden. Writer and Vietnam Veteran‚ Tim O’Brien‚ captures these social constructs in his version of “fictional-non-fiction”. Obrien stated that his literature is “for getting at
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Although hegemonic masculinity subordinates other masculine and feminist‚ it can be challenged by them for example‚ it shows in most Western societies on how hegemonic masculinity is associated with heterosexuality‚ In lecture we discuss about emphasized feminity as an important addition to hegemonic masculinity‚ because it adapts to helpful the importance and needs of men hyper sexualized‚ heterosexual and to "look"
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Live by Your Rules Gender can de defined as a range of characteristics of feminity and masculinity‚ but is there really a manacle to what someone can or can’t do? The essays “About Men” by Gretel Ehrlich‚ “Uniforms” by Paul Fussell‚ and” Being a Man” by Paul Theroux amalgamate the pre- conceived idea that men and women are obligated to play this delusion of roles each sex should maintain. The media is a big influence in modern society; therefore being different would make the person incongruously
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are placed on men to be masculine and they are enforced and perpetuated by both men and women. At first glance‚ the only victims of these unattainable expectations seem to be men‚ but the character that suffers the most from these stereotypes of masculinity is Margot. While Francis is shamed for not fulfilling his role as a man‚ he has a solution to his predicament. Margot‚ on the other hand‚ is caught in a paradox. If her husband does not live up to masculine expectations‚ she loses her own status
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activities such as school where children are constantly mimicking what they see. Such as dad’s telling there son’s not to be “sissy’s” or watching their older siblings become aggressive. These actions mold the youth into a senseless‚ deformed version of masculinity‚ even
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In the time period when Macbeth and Speech to the Troops at Tilbury were written‚ women had no distinct role in a society ruled by men. Lady Macbeth in Macbeth and Queen Elizabeth in Speech to the Troops at Tilbury differentiated themselves from the regular‚ submissive women by veering from their traditional role. Although both Lady Macbeth and Queen Elizabeth demanded our attention with their unbridled ambition‚ femininity and choice of words‚ the way they did so was different. With unbridled
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best years of your life with everyday shaping and molding you from a feminine boy to becoming a respectable masculine adult‚ in truth its surviving everyday without being called a fag. In C.J. Pascoe’s ethnography she examines the dynamics of masculinity carefully exploring gender conformity that’s extracted from a collection of humiliations‚ fears and anxieties among high school boys. Within the eighteen months that Pascoe tediously studied the students of River High‚ she opened my mind to reminisce
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