Movie Analysis Introduction Music is like a book that can bring you everywhere‚ anywhere and anytime. It can describe what you feel inside. It can change or influence you. You can be a princess or you can be the beast. You can be the charming or you can be the frog. You can be the instrument or you are the musician. Music can make fairytales and a happy ending story but in reality how can this thing change a person’s heart? How can it heal a broken heart? How can it make two people whose lives
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take to a institute that will take care him and can heal the scar from the past at first he came there he was amazed to the beautiful sound he heard from the hut‚ he saw many children watching and try to disturb they called them “Mamang baliw” it was Ariel who play violin he’s kind of man who wants to be always alone cause he think that everything could change or back even it’s already passed by playing violin alone. Onyok become interested to play violin cause he feels comfortable and with his mother
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As a visual learner‚ movies always have a way of assisting me in figuring ideas out. While reading The Tempest‚ I had a vision of a paradise where Prospero and Miranda had landed and made their home; also‚ I envisioned Prospero as the victim of his brother and the King of Naples. Although‚ experiencing Julie Taymor’s version of The Tempest is quite different from reading lines without colors and facial expressions. The emotion and images within the scenes made me uneasy and truly disturbed a small
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Screenplay: Froi Medina‚ Rody Vera Original Compositions and Score: Jourdann O. Petalver Musical Direction: Coke Bolipata Sound Supervision: Allan Marcelo Hilado Production Designer: Bianca Gonzalez Editor: Orlean Tan Casts Alfonso “Coke” Bolipata: Ariel Julian Duque: Onyok Ricky Davao: Marcelo Cherry Pie Picache: Amanda Meryll Soriano: Ariel’s Girlfriend Carl John Barrameda: Enteng Tala Santos Mailes Kanapi Soliman Cruz Roence Santos Chromewell Cosio Joseph Valdes Jourdann Petalver
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The Tempest William Shakespeare‚ one of the greatest play writes of all time‚ often uses the struggle for authority as a central theme within his plays. In his final and possible one of his greatest plays‚ The Tempest‚ the protagonist Prospero is the character plagued with this struggle. The play tells the story of a father and his fifteen-year-old daughter who through cruel fate have been marooned on an island. Suffering the hardships of his past tragedies Prospero becomes addicted to power
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313 December 21‚ 2013 The Role of the Supernatural in "The Tempest" From the very start of Shakespeare ’s play‚ "The Tempest"‚ magic is used to mesmerize the audience. The entire plot of this play is very reliant on the supernatural. Prospero‚ Ariel‚ and Caliban all have magical powers. Magic lets these characters‚ mainly Prospero‚ manipulate the other characters and make them do their bidding. Magic also maneuvers the plot‚ relationships‚ love and themes of the play. Magic is the motivation behind
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Master-Servant Relationships in ‘The Tempest’ and ‘Dr Faustus’ Prospero‚ in ‘The Tempest’‚ resides on the island with his daughter Miranda and two mythical creatures; his favourite being Ariel who performs magic for him and is a trustworthy servant- this would cause controversy with the audience as magic was a concept both feared and believed in at the time this play was performed. The other is Caliban‚ son of Sycorax- the witch who used to ‘own’ the island; he is more suited to the role of
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The article‚ “Too Poor to Parent?” by Gaylynn Burroughs really caught my attention in so many ways. I never looked at foster care how I look at it now. Many women children are being taken away from them from poor parenting. Although‚ there are mother who try their hardest to provide for their children and they still have to get their children taken away from them due to one mistake that they have made. That one mistake can lead them to never seeing their children or even having custody to their children
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Prospero comes across as violent when he threatens Ariel with a further twelve years of imprisonment‚ this time wedged into an oak tree. Prospero says‚ “If thou more murmur’st‚ I will rend an oak and peg thee in his knotty entrails till thee hast howled away twelve winters.” This shows that Prospero will threaten Ariel until he does what is asked of him. “Murmur’st”‚ in this context‚ means to utter a word in defence or to argue back. If Ariel does this then Prospero will carry out this cruel punishment
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The Tempest: Analyze the moral development of Prospero’s character in the set scene with particular reference to his use and misuse of power. It is clear that Prospero’s character develops significantly throughout the course of the play; it seems that he becomes reconciled with the idea of not controlling everything and so events begin to un-fold before him. It seems that his own morals start to overtake his needs to take physical revenge on his enemies‚ he becomes more sympathetic and humane
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