A Gender Bias Approach to Antigone Just as one stone removed can break a bridge‚ one flaw can bring a man to ruins. The flaw of one man cannot bring down an entire kingdom‚ but rather one outlook of the king can lead to the demise of the whole. In Sophocles ’ epic tragedy‚ Antigone‚ a strong gender bias is present throughout the tragedy‚ and is partially responsible for the downfall of the king. To Sophocles the king is not always representative of the people‚ but acts on his own personal desires
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Antigone In Sophocles’ Antigone‚ the main conflict is civic authority versus natural law. Creon‚ the king of Thebes‚ is faced with the decision of standing by the laws he has enforced or to make the people of Thebes happy. Antigone‚ the protagonist of the play‚ countered Creon by breaking his law to not provide a burial for her brother‚ Polynices. The fundamental struggle between the protagonist and antagonist is developed according to a set pattern that theater audiences have come to recognize
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English a lang & lit writtent task 2 Awethu Kakaza DP2 If Antigone had been written in a different time or place or language or for a different audience‚ how and why might it differ? The adaption of the play Antigone by Jean Anouilh is proof that works of literature can successfully be altered for a new purpose. By taking a solid story that possesses merits that the author requires and melding them with new attributes‚ an author can craft a new tale that can display their message by using
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MEG 2 Assignments Ans. 2 Shakespeare’s “Midsummer’s Night Dream” is interwoven with supernatural elements such as fairies‚ elves‚ unrealistic dreams that have been used as a tool to create confusion and therefore comedy within a dream about romance. Like the witches in Macbeth‚ the fairies in “A Midsummer’s Night’s Dream” are very much a part of life and interact with men and this can be clearly seen when Oberon accuses Titania of having an affair with the mortal Thesus. Dreams within a
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This group gave us lots of quotes but not always the context to fit them into. This should help: In tragedy‚ Fate usually has the last say‚ showing the limitations of humans when they go too far. The characters cannot be completely responsible for their actions. The ancient Greeks believed that their gods could see the future‚ and that certain people could access this information. Independent prophets called “seers” saw visions of things to come. Oracles‚ priests who resided at the temples
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Option 2 The Burial at Thebes What is the main contribution made by the Chorus in The Burial at Thebes? Answer with specific references to the text of the play. A chorus is a common element to Greek tragedy’s and in ancient theatre consisted of a group of people who provide a number of different contributions to a play‚ providing a historical perspective‚ acting as counsellors and advisors to the plays characters and at times representing various groups such as villagers or a jury. Within
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puts her in jail. His son Haemon‚ as it turns out‚ is Antigone’s soon to be husband. He does not agree with Creon’s tactics‚ but doesn’t do anything to go against him at first. Over time‚ Creon still does not have any intention of letting Antigone go nor does he think that he is wrong. A prophet comes to him and tells him he should probably let Antigone go unless he wants to live a miserable life. He still does not let her go‚ and it ends up that she kills herself. Haemon sees this‚ and also kills
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Celone Verna English 101.2652 Professor. Van Slyck October 4‚ 2011 To Break or Not to Break? All through the play of Antigone‚ written by Sophocles‚ Antigone believes in the supremacy of religious law and tradition. Although Creon has proclaimed to the city that the traitor‚ Polynices‚ should not be buried‚ Antigone insists on following the religious law requiring that females bury the deceased of their family. Antigone’s pride ensures that she will die rather than renounce her beliefs
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Antigone: Protagonist or Misinterpreted Innocence? A literal “age old” argument that has sparked intelligent conversation since the BC era is still as potent as ever in Sophocles’ Greek tragedy‚ Antigone. Since the play’s origin‚ there has always been a toss-up as to who the true tragic hero‚ or protagonist‚ is. A popular misconception is that the character Antigone must be the protagonist due to her direct name being the title. Sophocles intends the play to highlight Antigone and her soon to
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Since the inception of Sophocles’ Antigone‚ there has been an argument regarding the true tragic hero of the play. It is a commonly held certainty that Antigone must be the tragic character merely because she and the drama share the same name. This is‚ of course‚ a very reasonable supposition. Surely Sophocles must have intended her to be viewed as the protagonist; otherwise‚ he would not have given her the name as the play’s title. However‚ analytically speaking‚ Creon seems to fit the category
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