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    Spikes | 1  Spikes | 2  Alias Grace  Margaret Atwood  Dialectical Journal  Date  Text  7/21/14  p. 5 “Out of the gravel there are peonies growing. They come up through the loose grey pebbles‚ their buds testing the air like snails’ eyes‚ then swelling and opening‚ huge dark-red flowers all shining and glossy like satin. Then they burst and fall to the ground.” 7/21/1 4 p. 5 “It’s 1851. I’ll be twenty-four years old next birthday. I’ve been shut up in here since the age of sixteen. I am a

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    Gilead takes environmental control to an extreme‚ and controls almost all aspects of it ’s inhabitant ’s lives. The handmaids are controlled within society by means of the self worth lowering ignorance‚ de-humanizing abasement‚ and the fear instilled by strict consequences to illegal actions. ’Control ’ is a major theme throughout the novel - whether it be by the regimentation of life‚ the strict communication laws or the way in which people are stripped of their individuality. The whole environment

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    Handmaid's Tale Power

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    that rests on each of them and seeks in turn to arrest their movement. (Foucault 1978‚ p. 93) Margaret Atwood’s novel The Handmaid’s Tale gives a classical example of this all-encompassing nature of power. Set in the late-20th-century future‚ Atwood pictures a male-dominated‚ theocratic totalitarian society‚ set on the geographical territory of the (former) United States‚ called the Republic of Gilead. Due to the impact of several unspecified ecological disasters‚ most women have been found infertile

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    Both the novels ’1984’ and ’The Handmaids Tale’ provide warnings of how each author sees certain problems in society leading to dystopian states. Dystopian genres exist in both novels‚ but arise for different reasons. Resulting from Atwood’s concerns about political groups and aspects of feminism; ’The Handmaids Tale’ illustrates how declining birth rates could lead to a state where women are forced into bearing children. In contrast‚ ’1984’ depicts a terror state where poverty is rife and tyrannical

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    The Year of the Flood

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    alongside advances in scientific knowledge. Our new pessimism no longer depends on a deity to wipe out this wicked world. Since the Manhattan Project‚ we have learned to do these ourselves. That end is also the end of “The Year of the Flood.” Here Atwood has brilliantly re-told her own tale‚ through other mouths and focusing on different details‚ showing us how the kids Jimmy and Glenn become the Snowman and Crake‚ (from “Oryx and Crake”) and how an end-- or the End-- can happen in the name of new

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    His task is to throw old books out and decide which ones will be digitalized. He soon loses this position‚ because he cannot convince himself to dispose of any books (Atwood 283). This again shows Jimmy’s appreciation for language‚ since he cannot decide which book is more worthy of staying a part of the cultural memory. For him‚ all books are worthy of that. After being temporarily unemployed‚ Jimmy is employed at Anooyoo

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    Endings” by Margaret Atwood‚ she describes five different scenarios in which a man‚ John‚ and a woman‚ Mary have different lives and situations in each one. Each story is described and then always ended the same. The characters are happy and then they die. Atwood makes this point when she says‚ “John and Mary will die. John and Mary will die. John and Mary will die.” Using this method of repetition gives the reader thoughts about each scenario on its own. Throughout the scenarios‚ Atwood is very curt and

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    Anup Kumar Dey Assistant Professor Department of English Assam University‚ Diphu Campus Diphu‚ Karbi Anglong‚ Assam‚ India - 782460 deyanup1@gmail.com Woman‚ Land and Nation: An Ecocritical Reading of Margaret Atwood’s Poetry The word "ecocriticism" was probably first used in William Rueckert’s essay "Literature and Ecology: An Experiment in Ecocriticism" (1978) and was subsequently accepted in critical vocabulary when Cheryll Glotfelty‚ at that time a graduate student at Cornell‚ revived

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    is reveal. In The Penelopiad by Margaret Atwood‚ Penelope faces this exact scenario when she is left behind in Ithaca as Odysseus leaves to fight in the Trojan war‚ losing the only person she can trust. In the absence of Odysseus‚ Penelope’s complex character is revealed. Atwood effectively uses diction‚ point of view‚ syntax and tone to characterize Penelope as a skeptical‚ needy and loyal character. The first person perspective used by Margaret Atwood in The Penelopiad gives us valuable insight

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    Handmaids Tale

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    Margaret Atwood‚ lies not only within the author’s purpose but within its construction and the author’s ability to draw readers attention to these concepts through language. Atwood has carefully and decisively used language and structure throughout the novel to enhance our understanding of the purpose and message she is trying to portray. Atwood aims to caution us about the elements in our world that can give rise to a dystopic society and the dangers of oppression‚ particularly of women. Atwood challenges

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