Musicals have been a form of entrainment for many years‚ in many different formats‚ either in the form of a theatre production or as a form of films. A musical has always been a form of escapism and entertainment‚ from the classical and now the post –classical versions of musicals. Over the years‚ many conventions of musicals have changed in the transition from theatre to film‚ but many fundamentals that make up a musical have stayed the same. In this essay‚ I will be commenting on these changes
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A CRITIQUE OF A FRAUD DETECTION MODEL: A MUST FOR AUDITORS BY MARIA KRAMBIA-KAPARDIS This article was published in March 2002. It addresses a fundamental issue in financial regulation-that of auditors ability to detect material irregularities. The paper provides a critique of existing fraud aetiology models and then describes the ROP fraud Risk-Assessment Model constructed by the author in a study of convicted serious fraud offenders in Australia. The main concern of this of the paper is with the
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I have always been drawn to music. As a child‚ I had a fond attachment to music. Music was always being played in my household‚ whether it was on the radio‚ the television‚ or through an instrument. Music has always given form to my feelings. As a child I remember I would turn on the radio‚ sit on my bed and just listen to random music stations. Although I never had dreams of becoming a singer‚ dancer or any sort of musician‚ I have always been fascinated by music. I have been captivated by rhythm
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of the most popular musicals in history. The Wizard of Oz‚ Mary Poppins‚ and Fiddler on the Roof‚ are just
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Playing Musical Instruments The Chinese philosopher Confucius said long ago that “Music produces a kind of pleasure which human nature cannot do without.” Being able to play any musical instrument is extremely satisfying. This includes everyone from the person who has mastered her instrument right down to the beginner who knows only a few chords. I personally believe that if there’s one thing you should learn in your lifetime‚ it’s how to play an instrument. Learning to play a musical instrument
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Critique – “How Customers Can Rally Your Troops: End users can energize your workforce far better than your managers can” Table of content Introduction Body Introduction This is a critique about a research article that is called “How Customers Can Rally Your Troops: End users can energize your workforce far better than your managers can”. The author of this research article is “Adam M. Grant” and he is a management professor at the University of Pennsylvania’s Wharton School. This research
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Mahir Syed Intro to Theatre Working the musical Working‚ the musical‚ portrays the struggles that many workers have to deal with in a capitalistic society. The musical attempts to show it’s viewers that all people‚ no matter if they make minimum wage or two hundred thousand dollars a year‚ have made significant contributions to their society. The City College rendition of Working does a great job of conveying the message that this play attempts to send. They do this by having phenomenal acting
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SAXOPHONE AND MUSICAL EDUCATION Table of contents Introduction 3 Adolphe Sax 4 Anatomy of the saxophone 5 Saxophone and Jazz 6 Saxophone in Other Music Genres 7 International Adolph Sax Contest 7 Contest for Young Saxophonists 8 The ‘Mise à Sax’ 8 Musical Education for Students from Elementary School to High School in Belgium 9 Musical Education in the United States 9 Point of View 10 Conclusion 12 Bibliography 13
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the placing of emphasis on an un-emphasized beats. Ska‚ reggae‚ rap‚ jazz‚ and some forms of metal use syncopation 4. Three forms of music is a concerto which is a musical piece in which one solo instrument is accompanied by an orchestra. A sonata which is a musical composition for a solo instrument. A symphony which is a musical piece that has been scored for a full orchestra. 5. Form in music is the framework that a composer uses to create a piece of music. Critical Thinking Questions
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Lion King: The Musical The original Disney cartoon of a lion cub blamed for his father’s death has been remade into a Broadway musical acclaimed all over the world. Seen by over twenty five million people in over 15 thousand performances this intricately designed wonder has taken over 37 thousand hours just to build the puppets and masks. Julie Taymor the director and costume designer was faced with a problem of whether to create humans or animals playing the part and she decided to make masks
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