movements with very distinctive qualities. Cann delineated the movements dramatically‚ as she would take a long pause and turn her sheet music as one movement transitioned into another. The first movement was very repetitive‚ as Cann layered the same harmonies and repeated them rapidly in a serialism that Cann likened to the work of Phillip Glass. It has a quick tempo that seems like an ever-flowing stream of arpeggios where no two notes are ever played simultaneously. The second movement was somehow more
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Suite No.1 Prelude in G minor; performed by Georg Mertens‚ this piece of music was created in the Baroque time. The music played‚ without any sheet music‚ the rhythm starts out slow and then speeds up then repeats. The melody is very precise. The harmony is very stern‚ to calm back to stern. The texture in this piece of music is goes from a very low note and played there for a long while and then works up to higher notes towards the end of the piece I liked this piece of music; it was very catchy
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technique. • The harmony used in no. 151 is quite dissonant (e.g. bar 32). but it becomes very complex and hard to follow towards the end • Grace notes are used in no. 148. I have used a grace note in my music in order to alter the motif variations. Messiaen: “Quartet (learning central for the end of time” audio and score) (1941) • In Mvt. VI‚ Messiaen uses added values‚ augmented and diminished rhythms along with non-retrogradable rhythms. I have used added values (4/4 to 5/4) • The harmonies used in Mvt
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is a format used in many of Aeschylus‚ Euripides‚ and Sophocles plays. Usually the tragedy will begin with a monologue from a character or the chorus telling the audience what will happen. When the events unfold to be true a sense of irony unveils. An awesome example of irony is in Aeschylus’ Agamemnon. Cassandra has prophetic powers; however‚ the Chorus does not listen to and understand anything she is saying because of her curse. Cassandra sings‚ “Oh the pain! The agony of my fate. It is my pain
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The metre is ¾‚ although sometimes it has cross rhythms which create irregular accents and syncopations‚ this makes it sound like the metre is 6/8. The tempo is a fast one-in-a-bar tempo of 176 crotchet beats per minute. The piece has a jazz based harmony in which conventional chords have “blue” notes and other dissonances. Tritone chords are used which is also called an Augmented 4th or “diabolous” which means devil. There is a tritone in the first chord used‚ the tritone gives sound awkward and help
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violas and cellos playing the same notes but augmented in a syncopated rhythm. After the second time the motiv is repeated‚ the choir enters all together at mezzo piano creating homophony. The dissonant harmonies continue to add darkness‚ and somberness to the music. Then both strings and the chorus have a subito piano. With the addition of brass‚ the orchestra crescendos on accented notes creating the first climax and ending in a timpini rumble. After the timpani rumble there is another subito piano
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(Chorus) We are one but we are many And from all the lands on earth we come We share a dream and sing with one voice I am You are We are Australian I came from the dream time from the dusty red soil plains I am the ancient heart - the keeper of the flame I stood upon the rocky shore I watched the tall ships come For forty thousand years I’d been the first Australian I came upon the prison ship bound down by iron chains I cleared the land‚ endured the lash and waited for the rains
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Sunday‚ January 10‚ 2010 was an eye opening experience for me: our children’s Pastor preached and his topic was “Ambushed”. At hearing the topic my mind was reeling and still is with how the enemy deceives us. The enemy’s job is to steal‚ kill‚ and destroy. And most times we think death and that is it‚ but there is so much more! The word Ambush means to attack an enemy; it’s a military term; concealed attack An ambush is a long-established military tactic‚ in which the aggressors (the ambushing
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song. In the chorus the main singer states‚ “I want you to loosen up my buttons baby.” In these lyrics‚ the women are highlighting nothing but their bodies and hypersexualizing themselves to appeal to men. Before the chorus‚ in the first verse‚ the band states‚ “Hardly the type I fall for… Don’t leave me asking for more.” This is harmful because it’s telling women to throw themselves at any man‚ even if that man is not up to their personal standards. In contrast in 2015‚ Fifth Harmony dropped their
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Unit 3 – Music of the Baroque 1. Name two important visual artists (such as painters) and also two important writers of literature (such as poets) from the Baroque Period. Do not name musicians. (Visual Artists) - Peter Paul Rubens & Artemisia Gentileschi / (Writers)- John Fletcher and Francis Beaumont 2. Write a paragraph about “The Baroque Style”. The baroque style was very well suited to the wishes of the aristocracy‚ who were enormously rich and powerful during the seventeenth and eighteenth
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