A ZESTFUL INQUISITIVENESS Everything in the universe is made up of entities and their attributes. We individuals are made up of entities‚ which is why we are what we are today. If you are reading this try to list all those entities that make you‚ all those which constitute in shaping your personality. What are those? ....You name?‚ your place?‚ your family?‚ your country?‚ your caste?‚ your friends?‚ your money? Your education?‚ your possessions? Your culture? Your job? Or your RELIGION?.... your
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perturbed‚ My algebra was superb. (chorus) Let’s party! Let’s have a pizza party‚ How many should I buy? (I don’t know.) A small one feeds 15‚ A large‚ 25. I don’t like these cell phone people‚ They have too many plans‚ They try to make me pay a lot‚ What kind of fool do they think I am? So I drew some graphs before I bought‚ Decided how many minutes I ought To use each day‚ each month‚ and then I thought Algebra helps me a lot. (repeat chorus twice) Adding Signed Numbers
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In Oedipus the King‚ lines 1477-1484 form the conclusion of the play. After Oedipus is banished from Thebes‚ the Chorus addresses the people with this passage‚ explaining Oedipus’ success and downfall. This passage also indicates to the reader how throughout the play‚ the people’s perspective of Oedipus shifts from respect to shame. In the beginning of the play‚ the people of Thebes regard Oedipus with respect and envy. On line 14‚ a priest calls Oedipus “my country’s lord and master”‚ a title that
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things as gift from You I’ll go out and testify and shout to the world Chorus: I will lift Your name on high I’ll forever worship You I’ll serve You with all of my heart coz You are my God‚ I’ll forever be Grateful Refrain: When trouble comes my way You are there to stay and everything will be alright Now I know is true that this love is You and i will live each day and say “Chorus” Heaven By Kirby Llaban and Mike Serapio Intro: G – C – B/G – C – D
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women to make a sacrifice upon. Koryphaios of Men - The Koryphaios of Men‚ a stubborn and rather grouchy fellow‚ leads the Chorus of Old Men around Athens. Chorus of Old Men - The Chorus of Old Men live up to their title; the chorus is made up of twelve old men who teeter around Athens attempting to keep the women in line. Although‚ unsuccessful in their civic duties‚ the Chorus of Old Men strike up some fantastical misogynistic melodies and are a generally comedic element of the play. Koryphaios
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MU Medieval Period * Hildegard von Bingen: Columba aspexit * Genre = plainchant * Text = sacred‚ Latin * Texture: monophonic throughout * Performance practice: responsorially‚ that is‚ the performance alternates between a single singer (soloist) and the larger choir‚ which “responds” * The piece becomes more melismatic as it continues. * Ensemble: female vocal soloist‚ female vocal choir‚ droning
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Explain the importance of the chorus to Greek Theatre The structure of tragedy in Greek Theatre is determined by the chorus. The chorus is an instrumental feature which carries various important functions which engages the audience‚ in Greek Theatre. Some of these functions include: maintaining a grasp of ceremony and ritual‚ constitutes a lyric mood through rhythmic chanting and dance‚ strengthens the passion of the dramatic action‚ interact with the audience and actors by posing questions and
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the tempo and contour of the piano. This adds harmony to the instrumental and helps establish the mood of the song. After the spoken exposition‚ the sung musical number begins and the piano number picks up tempo again‚ this time in a more jazz sounding melody. The song returns the first melody‚ but this time accounts for the added voice and the piano accommodates cadences with variation in the pitch and melody. The singer is then joined with a chorus‚ provided by some side characters‚ but the melody
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‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. For the A sections of the first chorus he bases phrases around the minor pentatonic scale. He develops his opening motif (bar 2 of A1) in bar 4-7 returning to the root (E) in between each ascending then descending phrase going up to the 7th (D) in the final variation of the motif. The phrase lengths are irregular; Davis
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Renaissance and Baroque composers were faced with the task of creating complex pieces that express both human emotion and ideas. While this is primarily one of the main purposes of all forms of music itself‚ including genres today‚ in the 15th through 18th centuries‚ this was largely done through the musical composition of a piece rather than the lyrics. Composers utilized several different techniques in order to portray to the listener the purpose and meaning of the piece. Renaissance composers
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