Two of the earliest examples of German Expressionism in film‚ The Cabinet of Dr. Caligari and Nosferatu are classics remembered as some of the best horror films of all time. These two films‚ directed by Robert Wiene and F.W. Murnau respectively‚ share several key aspects in common‚ while still retaining their own uniqueness that has left people debating which film is paramount‚ even nearly a century after their releases. This paper will examine these similarities and differences‚ and will seek address
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Stephen King’s presumptuous article‚ "Why We Crave Horror Movies"‚ inspects the inner‚ mentally psychotic adaptation of human beings‚ and explores our obsessive attraction to gruesome and tantalizing horror movies. He believes that we are all secretly morbid and insist on using scary films to produce our psychotic relief from the demanding civilized society we live in; King states‚ " I think we are all mentally ill; those of us outside of the asylums only hide it a little better ". He values the
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A Craving for Horror: Based on the Works of Stephen King Stephen King’s work asserts macabre and grim moods to support that we are intrigued by horror films because ‘we’re all mentally ill’ (King‚ “Why We Crave Horror” 1). King uses “Strawberry Spring” to provide the reader a rush to show “that we are not afraid” of whatever grim scenes are to follow (King‚ “Why We Crave…” 1). He opens the story with a narrative of Gale Cerman’s death in which the narrator describes the unusually spine-chilling
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Devonne Waters Ron Guthrie EH-101 5 Dec 2012 Attracted to Terror Horror movies are known as adrenaline boosters. People go to see the movie just to boost their heart rates. For example‚ a couple arrives at the movie theatre ready to see the newest Michael Myers movie. At the beginning of the movie tension is built to get the movie viewers ready to meet the main attraction‚ Michael Myers. When he finally comes into the movie the movie viewers’ heart rate starts to rises‚ because they are either
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Many things come to mind when people allow themselves to think about horror movies. Most may experience the feeling of butterflies in their stomach for fear or just pure excitement‚ but where does that fear or excitement come from? One might say that it is the anti-social instincts of horror that we all have hidden and festering deep down inside. A great horror author Stephen King once said‚” that watching a horror movie helps us control the anti-social instincts we all have inside”. Some people
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Marisa Bell Patrick McKercher Writing 1 10 March 1998 Scream: Not Your Typical Horror Movie Dracula. Frankenstein. Godzilla. These monsters no longer strike fear into the hearts of viewers as they once did. Formerly the villains of the classic "monster movie‚" these relics‚ who now represent all that is archaic in horror film history‚ move aside to make room for the newcomers. The monster movie of the past makes way for the thriller or slasher movie of the present‚ while the monster
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interactions of and between Conradin; his cousin and mentor‚ Mrs. de Ropp and Conradin’s Ferret and God: Sredni Vashtar. It can be described as a horror story because of its character’s description‚ themes and setting. It shows the religious downfall of the protagonist‚ the death of the antagonist and the lack of coherence in society. Saki emphasises the horror in the main characters‚ including both the protagonists and antagonists. "Conradin" is described as a "ten years old" boy‚ skinny and sick who
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Title: Little Shop of Horrors Type: Musical Script Author: Howard Ashman The story of Little Shop of Horrors is about a young man named Seymour Krelborn who is a nerdy orphan working at Mushnik’s flower shop in urban Skid Row. He has a big crush on fellow co-worker Audrey. One day Seymour comes across a strange mysterious unidentified plant which he purchases and names Audrey II. Seymour later discovers that the plant feeds on blood and soon it begins to sing for its supper. Audrey has a cruel
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Halloween 1‚ scene 1 John Carpenter 1978 Directors name above the film title at the beginning As the first of the Halloween series the film has low values wih amateur like filming. Loud piano and low key strung music with a dark background creates intensity and anxiety‚ with the names of cast and crew appearing one by one in orange writing with a pumpkin next to the names representing the name of the film and hinting at the theme‚ dark background are usual for this genre. Music gradually gets
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The Representation of Women in Horror Films Traditionally‚ women in horror films are portrayed as damsels in distress that need to be rescued by male dominant characters in order to survive or live. They are weak‚ innocent and fragile that have absolutely no strength to fend for themselves. Women in horror films are also portrayed with no initiative – they always have to follow some kind of male dominant leader – and don’t have much personal perspective or opinions. Throughout the years since the
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