Scene Setting Characters Plot 1‚1 Battlefield‚ thunder and lightning Three witches The three witches arrange to meet with Macbeth when the battle is oover 1‚2 King’s headquarters King Duncan‚ Malcolm‚ Donaldbain‚ Lennox‚ Ross‚ Angus King Duncan hears good news of the battle; Banquo and Macbeth have fught valiantly against his enemies and the king rewards Macbeth with the title Thane of Cawdor 1‚3 The heath‚ thunder three witches‚ Macbeth‚ Banquo‚ Ross‚ Angus The witches meet Banquo and Macbeth:
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Enter Sampson and Gregory: Sampson and Gregory‚ servants of the house of Capulet‚ go out looking for trouble. Enter Abraham and Balthasar: Sampson and Gregory almost pick a fight with Abraham and Balthasar‚ servants of the house of Montague. Enter Benvolio:Seeing a Capulet kinsman‚ Sampson and Gregory start to fight with Abraham and Balthasar. Benvolio tries to stop the fight‚ but Tybalt enters and attacks Benvolio. The citizens of Verona attack both the Capulets and Montagues. Capulet and Montague
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Major Themes in Hamlet The Mystery of Death In the aftermath of his father’s murder‚ Hamlet is obsessed with the idea of death‚ and over the course of the play he considers death from a great many perspectives. He ponders both the spiritual aftermath of death‚ embodied in the ghost‚ and the physical remainders of the dead‚ such as by Yorick’s skull and the decaying corpses in the cemetery. Throughout‚ the idea of death is closely tied to the themes of spirituality‚ truth‚ and uncertainty in that
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Shakespeare expresses his perspective on death‚ God and inaction through Hamlet‚ a character who represents the dichotomy of the Elizabethan and Renaissance eras. He is initially torn between action and inaction echoing the tensions of the transitional phase between the two eras - He wonders if “’tis nobler in the mind to suffer / The slings and arrows of outrageous fortune‚ / Or to take arms against a sea of troubles”. The warlike imagery used serves to elevate his desperate indecision to an epic
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Narrator: The Merchant of Venice is set in 16th century Italy. Venice‚ a city of canals‚ at that time was a famous cultural and trading centre. Antonio is a leading merchant in the city. The scene opens on a street in Venice. (Enter Antonio‚ Salerio and Solanio from left side of stage. They walk up to the centre) Antonio: Truly‚ I don’t know why I’m feeling sad; It’s tiresome; you say you’re tired of it too. But I have no idea why I started feeling this way. And this sadness makes me lose
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As the pair approach the performance‚ Solonia begins to understand Allessandro’s awe of the puppet master Sergius‚ for unlike the family’s performance‚ what she sees now seems a spectacle‚ and the squeeze of people who are gamboling to get to the stage front before the show commences‚ verifies that his is a respected one. She takes note that the staging is more professional‚ and the area surrounding it resembling a small arena rather than the curbside wagon which allessandro and family works from
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everything that was going on. Throughout the play‚ Hamlet unravels what was thought to be a natural death of his father turn into a murder and since then he has faced trials where the betrayal that Hamlet perceived ignited his madness. Betrayal is portrayed in Hamlet as one of the main themes. Hamlet’s first experience of betrayal was instantaneous. Shortly after his father’s death‚ Queen Gertrude and the newly reigning King‚ Claudius‚ married while Hamlet was still in mourning. “But two months dead—nay
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Original Text | Modern Text | | Enter ANTONIO‚ SALARINO‚ and SOLANIO | ANTONIO‚ SALARINO‚ and SOLANIO enter. | 5 | ANTONIOIn sooth‚ I know not why I am so sad.It wearies me; you say it wearies you.But how I caught it‚ found it‚ or came by it‚What stuff ’tis made of‚ whereof it is born‚I am to learn.And such a want-wit sadness makes of me‚That I have much ado to know myself. | ANTONIOTo be honest‚ I don’t know why I’m so sad. I’m tired of it‚ and you say you’re tired of it too. But I have
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The opening scene usually serves the purpose of an exposition and truly‚ what Coleridge pointed out‚ strikes a spiritual key-note. Shakespeare’s “Macbeth” is a tragedy of the triumph of evil: we are in a world of moral anarchy‚ symbolized by the withered beings‚ to whom " foul is fair ". In a drama‚ first impressions are lasting‚ and Shakespeare contrives to put the spectator in the right mood at once. The first scene‚ other than being expositional‚ establishes a mood or an atmosphere for the action
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Scene 1.1 In the beginning of this scene it starts off with Orsino who is Duke of Illyria‚ and he listening to music‚ he then talks about how the music gets him in the mood for love. Right after he is saying how music gets him in the mood‚ he tells the musicians to stop playing and to get lost. Curio who is a gentleman attending to Orsino asks him if he wants to go hunting for deer‚ but Orsino explains to Curio that the thought of killing a deer reminds him of the time he first met Olivia. Valentine
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