accented rhythm. ✓ Overture: An instrumental composition intended especially as an introduction to an extended work‚ such as an opera or oratorio. ✓ Waltz: A ballroom dance in triple time with a strong accent on the first beat. ✓ Sonata: A composition for one or more solo instruments‚ one of which is usually a keyboard instrument‚ consisting of three or four independent movements varying in key‚ mood‚ and tempo. ✓ Aria: A solo vocal piece
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Beethoven MUS HST 70 Mindy LaTour O’Brien Listening Journals #1 Ludwig van Beethoven String Quartet No. 1 in F Major (1st movement) I enjoyed listening to this piece. All throughout the first movement‚ I constantly felt tension rising and relaxing (tension rising because of the repetitive melodies with crescendo and changing the melody key to a minor key and tension relaxing when it has descend or a key changes to a Major); I think this was Beethoven’s intention to have the audience
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Music Performance – Unit Three Outcome One and Two: Criteria One: Knowledge of Work Selected for Performance. WORK: | Piano Quartet in Eb major Mvmt’1 Op.47 By Robert Schumann | <Instrumentation: Violin‚ Viola‚ Cello and Piano> Robert Alexander Schumann was a German Romantic composer and music critic who lived from 8 June 1810 to 29 July 1856. He composed this piece in 1842‚ also known as his ‘Chamber Music Year.’ Schumann had never written a chamber work until this year except an early
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customer‚ stay ahead of customer and at the same time attract them to royal to the company. To doing these Hyundai company should satisfying and fulfilling their customers need first. Such as by doing new design‚ upgrade the existing product likes the Sonata‚ add more safety in Hyundai cars and more quality in the product. For attract customers‚ Hyundai is by doing offer more value than other competitors at a lower price and understood consumer concerns .Others than that the company
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In this assignment I will look at how adaptable the form of the classical concerto was to the compositional aspirations of composers of the Romantic era. I will do this by outlining the form of the classical concerto and looking at the changes between the Classical era and the Romantic era in music. I will then discuss a composer who changed from composing in the classical style to composing in the Romantic period (Romanticism) and why they changed to it. The composer I will look at is Ludwig van
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In my performance of Mozart’s sonata no. 12 movement II‚ I took inspiration from both Fazil Say and Maria Jao Pires’ performances of the piece. Each performance has different but not dissimilar interpretations and there is a sense of historical accuracy as well as innovation in both. One could argue that Say takes a more innovative approach whereas Pires plays more traditionally in a classical style. The use of pedal‚ tempo‚ dynamics and ornamentation are all major contributing factors to how each
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sharp contrast from the dominant piano dynamic. The tempo is not to slow and the piece is very expressive‚ as the piece transitions to the second movement the pace quickens and becomes “livelier”. The second movement‚ “allegretto molto vivace’ is a sonata form that is based on a single melody or theme. It is similar to Francesco Landini’s piece Ecco La Primavera in it’s that it’s beat is danceable. In comparison to the first movement‚ the second movement is faster and invokes happier emotions than
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he Ghost Sonata does not take place in the real world; or at least not in a world most people would recognize as reality. Strindberg originally subtitled his play "Kama-Loka‚" the name of a mystical dream world through which some mortals have to wander before reaching the kingdom of death in the afterlife. Accordingly‚ the characters in The Ghost Sonata speak‚ move and act as if they are part of a dream—or a nightmare. One sees glimpses of the future‚ another embodies tragedies from the past. There
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many common features at the same time. Haydn’s solo keyboard sonatas show striking diversity in type and style. They often could be categorized by their style periods and each of them reflects a corresponding social background. Sonatas composed from 1773 to 1784 were intended as "public" works from the very beginning‚ with a clear conception of the taste‚ preferences‚ and instruments available to the musical public of Vienna. The Sonata in F Major‚ Hob. XVI: 23; L38 written in 1773 for solo harpsichord
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Fantasy in C Major (“Wanderer” Fantasy) in 1822. This fantasy became a milestone in music history because it was the first time when a composer “integrated a four-movement sonata into a single movement.” Schubert did so by matching the sequence of a traditional four-movement sonata (Allegro‚ Adagio‚ Scherzo‚ Finale) to one big sonata form (exposition‚ development‚ recapitulation‚ coda). This exploration opened a new era of composing romantic music because it created an expanded form with more freedom
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