After listening to this pieces‚ I decided it was composed in the Baroque period of music. When I listened‚ it sounded as if there were two separate pieces but the radio personality did not announce a new piece or a change. For this reason‚ I assumed they were movements. The first movement sounded dark and frantic. It reminded me of sitting down to take a test and being filled up with anxiety. The mood of the piece changed and became lighter. It was not necessarily happy but rather soothing and romantic
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Tchaikovsky’s piece (movements one and two) had many long lines of melody and very intricate harmony parts. These two things helped move this legato piece along throughout these two movements. The first movement started out very legato and slow with the strings playing piano‚ and the woodwinds playing the melody perfectly. This melody then went to the violins and violas. The melody then got traded from the strings to the woodwinds and then back to the strings. Towards the middle of this movement
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‘The Shoe-Horn Sonata’ The play ‘The Shoe-Horn Sonata’ composed by John Misto‚ is primarily focused on the incarceration of women and children in P.O.W (Prisoner Of War) camps located in the jungles of Japan in World War Two‚ rather than the most common factors of the male soldier wartime stories and other masculine hardships dealt with at the time. As the play unfolds Misto presents the audience with various theatrical components to convey the relationship of two women being interviewed to reminisce
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Distinctively visual texts use a variety of techniques to convey the experiences during the war. In John Misto’s 1996 play ‘The Shoe-Horn Sonata’ which is about women nurses enduring Japanese POW camps‚ such distinctive experiences as power and survival are shown through techniques like lighting‚ projecting image‚ sound‚ symbols‚ dialogue and body language. In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways
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Music in the nineteenth century saw the creation and evolution of new music genres such as the piano miniature‚ short expressive piano pieces. During this time raw emotion and expressionism prevailed as the focus of music during this described "Romantic" movement. Robert Schumann’s "Grillen"‚ from Fantasiestucke‚ Opus 12 was written in July 1837 contains several virtues of music during his time period. Schumann’s uses various qualities in his music such as form‚ pitch‚ rhythm and meter‚ and texture
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Executive Summary This essay will focus on the process of technological accumulation of Nissan (Japan) and Hyundai (Korea) in shaping their competitive advantage. Technological capabilities can be achieved from leveraging multinational corporations via external or internal modes. Government should also play an active role in providing institutions and supportive industrial policies to enhance the economy. Last but not least‚ a good adaptive strategy is required in order to compete in the ever-changing
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I can still remember the first time I heard those first 4 beats of Beethoven’s fifth symphony. I was a little girl watching the original Parent Trap. A Disney movie that focused on twins reunited at summer camp. Sharon was the classically trained one and she chose to play this piece of music for the family. I remember thinking that it matched her personality well‚ the music sounded strict and serious. The dramatic tone in this piece can be explained by the composer’s personal struggles as he attempts
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Use the character Nathan to discuss the ways in which Forbes presents the theme of Silence. In the book ‘Songs of Silence’‚ the character Nathan is man of simple pleasures. His kind of silence as pertaining to the book was one of never knowing what to expect or what his true intentions were. It was a silence of pure evil yet with purposeful good intentions. This is seen when he seeks revenge after his kite was broken by his brother earlier that day. Before going to bed‚ he performed his bedtime
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Symphony No.5 in C minor‚ Op.67 Tempo - Beethoven has a sort of obsession with the metronome and used Maalzel metronome markings for all his compositions. The first movement‚ "Allegro con Brio" ‚ is very fast paced. The second‚ third‚ and fourth movements ("Andante con Moto"‚ "allegro"‚ and "Allegro") are also very fast paced. But the fourth movement is a little bit slower than the others. The tempo in the traditional symphonic performance is much slower than the tempo in the contemporary performance
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Set in D major with a duple meter‚ traditional ricerare-type alla breve fugue‚ with a step by step ascending and descending repeated note pattern‚ the movement has a Baroque like nature within its ornate‚ chant-like‚ modal‚ conjunct‚ harmonic and tonal characteristics. Strangely‚ “Gratias agimus tibi” does not document any sort of dynamic qualities; therefore‚ Bach has left the dynamics up to the performers to differentiate their parts in a way that reflects both the music and its text. Much of the
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