homepage: www.elsevier.com/locate/socnet Tastes‚ ties‚ and time: A new social network dataset using Facebook.com Kevin Lewis a‚∗ ‚ Jason Kaufman a ‚ Marco Gonzalez a ‚ Andreas Wimmer b ‚ Nicholas Christakis a a b Department of Sociology‚ Harvard University‚ United States Department of Sociology‚ University of California‚ Los Angeles‚ United States a r t i c l e Keywords: Internet Network data Facebook Culture Race/ethnicity Higher education Tastes i n f o a b s t r a c t Scholars have
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the extract our house. We will discuss and analyse the context of the whole musical‚ the audience reaction the characters and other things that may make this musical unique. We will also analyse 2 songs and look in depth as to why they are popular. We will also look at the cultural influences that Madness have in their music. The musical that has been chosen and cut down for an hour long performance is our house. The musical looks at different themes and issues throughout the show giving you a story
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Lion King: The Musical The original Disney cartoon of a lion cub blamed for his father’s death has been remade into a Broadway musical acclaimed all over the world. Seen by over twenty five million people in over 15 thousand performances this intricately designed wonder has taken over 37 thousand hours just to build the puppets and masks. Julie Taymor the director and costume designer was faced with a problem of whether to create humans or animals playing the part and she decided to make masks
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Richard Bach made a very powerful statement in the book Illusions: The Adventures of a Reluctant Messiah that has always resonated well with his audience and it was “Rarely do members of the same family grow up under the same roof.” This concept has created the profound thought that family does not need to be related‚ and in fact you can meet members of your family in every stage of your life. When you imagine a family; race‚ age‚ and sexuality are not determining factors. However‚ a family is a
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In American musical history‚ thousands of composer‚ musician‚ singer‚ and songwriter contribute its life for music. Two names must be mention in early this earlier history‚ one is John Hill Hewitt‚ and the other is Stephen Foster. They were born at the same era‚ they both leave many great musical works even they have different life. John Hill Hewitt was born in 1805 within a wealthy family. His family was full of musical atmosphere. His father James Hewitt was a music publisher‚ composer‚ and musician;
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Executive Summary Objectives: - To identify the success of Ferran Adriàin by putting the creative and innovative idea in the cuisine Major findings: - “If you want to create something‚ then you cannot copy‚” as per Adriàin’s belief. - Adriàin created a system to control the design process from conceptual stage till final stage with hundreds of trial testing before the final product was done. - Adriàin’s creative idea is not only inspired from the sharing with the members in elBulli but also
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Eggplant Couple days ago‚ I went to visit a friend in Virginia. Every time we meet‚ we like to decide and cook together what we are going to eat. However‚ when I got to her house‚ she was already waiting for me with all the ingredients to make an eggplant pastel. An eggplant pastel? I have heard the word eggplant every time people talk about vegetable‚ but I have never even seen one. I was wondering how I was going to help her to cook that. Lucky me‚ it was not a complicated dish to cook. The ingredients
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Reading Response #3 – “The Hipster in the Mirror” In “The Hipster in the Mirror‚” the author presents the notion that hipsters use taste to obtain social currency. Hipsters‚ these seemingly trendy leaders in what is cool‚ are motivated by their superior taste. The article claims that there is three distinct types of hipsters: college educated upper middle class types‚ wealthy hipsters‚ and couch surfers. The differences seem to exist due to the nature of taste for hipsters. Rather than “stable and
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Historical Timeline of Musical Theatre Renaissance The antecendents of musical theatre in Europe can be traced back to the theatre of ancient Greece‚ where dance and music were included in stage comedies and tragedies during the 5th century BCE. The 3rd-century BCE Roman comedies of Plautus included song and dance routines performed with orchestrations. The Romans also introduced technical innovations. For example‚ to make dance steps more audible in large open air theatres‚ Roman actors attached
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Levinson defines a musical work as a dual structure‚ sound and means of performance (S/PM)‚ as "indicated" by a person at some time. An "indicating" takes the form of the creation of a score by a composer. He writes that certain attributes of musical works are dependent on more than the sound structure they contain‚ this is what makes musical works different from each other. Musical works are not only sound structures but rather they are an integration of sound structures and performance. Levinson
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