Theme 1 - Lesson 1: TEXT: Clash of civilization? Salman Rushdie: Fighting the forces of Invisibility. From: Washington Post‚ October 2‚ 2001. Phase of presentation Ethos: Rushdie starts out referring to a newspaper column that he wrote in January 2000‚ here he makes clear that his predictions came true and that the worst case scenario might be to surrender all liberty rights for security and temporary safety. The main point he presents is fear of an invisible democracy after the terror
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write in the English language and whose native or co-native language could be one of the numerous languages of India. It is also associated with the works of members of the Indian Diaspora‚ such as V. S. Naipaul‚ Kiran Desai‚ Jhumpa Lahiri and Salman Rushdie‚ who are of Indian descent. It is frequently referred to as Indo-Anglian literature. As a category‚ this production comes under the broader realm of postcolonial literature-the production from previously colonised countries such as India. With
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Ghosh can be seen as the flag bearer of the fearlessness and freedom that the contemporary Indian writer in English embodies. Although Salman Rushdie is the pioneer who put the post colonial scene on the literary map‚ yet Amitav Ghosh has become one of the central figures to emerge after the success of Rushdie`s Midnight`s Children. Yet when compared to Rushdie‚ published criticism on Ghosh is not very substantial. Most of the critical essays are limited to his more popular fictional works like
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These abortions occur in order to guarantee that a male is brought into the family‚ in order to avoid the dowry system‚ and to ensure that there will be more career opportunities for the offspring. In his essay‚ “Abortions in India” (281)‚ Salman Rushdie opines‚ “Fundamentally‚ it’s the result of modern technology being placed at the service of medieval social attitudes.” Here‚ he is suggesting that although the technology of today has a neutral purpose‚ the society of India has not progressed
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Post colonialism should be referred to as the legacies of colonialism and not the end of colonialism. British interests in Indian languages arose from the necessity to cultivate the medium of intercourse between the government and its subjects. Lord Macaulay minute on Education 1835 very clearly signifies his agenda that is the Dissemination of the English language and English culture. The Englishmen wanted a class of persons who can act as interpreters between them and their subjects. People
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Midnight’s children.Links to other texts. “The Arabian Nights” In Salman Rushdie’s Midnight’s Children‚ the narrator repeatedly compares his own tales of his life to Scheherazade’s‚ and mentions that he can’t "count on having even a thousand nights and a night" (page 4) in which to tell them. The Arabian Nights‚ like Midnight’s Children is an example of what might be called a self-conscious text or a Metafiction: it is a story about telling a story. Midnight’s Children contains many metaphors
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quarter of IRDA: Hyderabad Head quarter of National Insurance Co. Ltd: Calcutta Biggest private General Insurance Company: ICICI lombard Union Cabinet Minister for Railways: Mr. Pawan K. Bansal Union Cabinet Minister for External Affairs: Mr. Salman Khurshid Worlds highest mountain peak: Mount Everest Capital of Sikkim: Gangtok Central Minister for Petrolium and Natural Gas: Mr. M. Veerappa Moily Largest Indian State (Population wise): Utter Pradesh Longest Railway route in india: Jammu
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Midnight’s Children by Salman Rushdie (A Study On Postcolonial Innovations) A Thesis Presented to the Department of Literature College of Nursing In Partial Fulfilment of the Requirement in Literature 101 World Literatures Tan‚ John Ryan N. March 2012 TABLE OF CONTENTS Dedication………………………………………………………………………………………..2 Acknowledgement………………………………………………………………………………3 CHAPTER 1 The Problem and its background A: Introduction………………………………………………………………………
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great fan-following and are respected for their work. Indians from the literacy circles have got the Nobel Prize‚ the Man Booker Prize and have won the other accolades. Some people think that the banning of books like ‘The Satanic Verses’‚ by Salman Rushdie‚ ‘Lajja ’ by Taslima Nasreen may throttle the freedom of
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as it surely is in the final thirty or so pages. When it drags‚ stylistic tics become annoyingly apparent‚ the narrative too slender to support even a novel this short‚ and this talented author’s indebtedness to other writers‚ from Narayan and Salman Rushdie to Italo Calvino‚ Jerzy Kosinski and Gabriel Garcia Marquez the sign not of postmodern play but of youthful
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