together in harmony‚ the relationship between them creating chords. This is distinct from polyphony‚ in which parts move with rhythmic independence‚ and monophony‚ in which all parts (if there are multiple parts) move in parallel rhythm and pitch. A homophonic texture is also homorhythmic[1] (or uses a "very similar rhythm").[2] However‚ in melody-dominated homophony‚ one voice‚ often the highest‚ plays a distinct melody‚ and the accompanying voices work together to articulate an underlying harmony.[3] Initially
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the youth which use their strength and aptitude in helping in the dissemination of harmony in every country. And also the adults‚ who continuously teaching‚ guiding and facilitating their children to be a catalyst of peace. As we can observed in the clippings‚ in whatever corners of this world peace is always needed‚ that is why people form every area are making their own moves in order to maintain peace and harmony. Just like in sports‚ no sports player can win the game if there is no peace in his
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Barbara Strozzi was an Italian composer and performer during the seventeenth century. Between the years 1644 and 1664 she published eight volumes of vocal music. In these publications Strozzi most frequently wrote for solo soprano and basso continuo. Six of these volumes include only secular vocal music including vocal styles such as madrigals‚ ariettas‚ arias‚ and cantatas for solo voice. One cantata in particular‚ L’amante Segreto: Voglio Morire‚ was part of her second collection of secular vocal
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He composed the first four sonatas in the Romantic style‚ then he explored more complex‚ chromatic harmonies. The last five sonatas were actually written without a key signature‚ and can be said to be atonal works. The most conspicuous thing is an innovation of mystic chord. He used this mystic chord to express his feelings‚ and evolved the whole composition out of this one extended harmony. Especially the fifth sonata is considered as a landmark of modern composition in its atonality and
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HARMONY- use of the tritone - augmented 4th‚ creates tension and something bad is about to happen despite love story Gives edgy unpredictable feeling Jazz harmony‚ ordinary chords have added blue notes DYNAMICS- -tony starts singing PP‚ breathless and excited‚ impatient -crescendos to f during 2nd theme -theme 3 is softer and quieter TEXTURE- lots of different layers makes music exciting TONALITY- D major‚ happy key to reflect mood of song INSTRUMENTS- -solo tenor voice -accompanied
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this taxonomy. Each of the three movements were initially viewed as separate‚ self-contained entities since a link between thematic materials could not be easily established. Each thematic idea seemed radically different from the last‚ both in harmony and harmonic rhythm‚ texture and melodic temperament. But‚ with retrospect‚ this was a naïve assumption: this work can be viewed as a fantasia since all three sections share a commonality in motivic ideas and pitch gestures‚ proving that not even
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monophonic‚ then it has only a melody line and no harmony. Much of the medieval music was monophonic. If the music is homophonic then there is only one melody line‚ but it may be played by two or more instruments. Many of the songs that were originally monophonic were easily transformed into homophonic by add extra voices or instruments. Polyphonic is the type of music we hear today. Polyphonic is when there is a melody line accompanied by harmony. A considerable amount of Adam de la Halle’s polyphonic
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Bibliography: A. Schoenberg‚ Theory of Harmony (London‚ 1983) O D. A. Lee‚ Masterworks of 20th-Century Music: The Modern Repertory of the Symphony Orchestra (New York‚ August 2002)‚ 1-7 Watkins‚ 572 John Adams‚ quoted in Michael Steinberg‚ “Harmonium‚ by John Adams‚” program notes for the San
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rhythmically complex‚ and so on)‚ but the formal terms that are used to describe texture all describe the relationships of melodies and harmonies. Here are definitions and examples of the four main types of texture. For specific pieces of music that are good examples of each type of texture‚ please see below. Monophonic Monophonic music has only one melodic line‚ with no harmony or counterpoint. There may be rhythmic accompaniment‚ but only one line that has specific pitches. Monophonic music can also be
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Examples of diatonic harmony b) Unison c) Disjunct and conjunct melody d) Ostinato e) Phrasing and articulation Candidate number: 2199931 Word count: 432 In the Brandenburg Concerto no 2 in F Major 1st movement allegro‚ there is use of diatonic harmony‚ disjunct and conjunct melody‚ phrasing and articulation‚ ostinato and unison. To begin with‚ diatonic harmony means that the notes being used all come from the key assigned (F Major). All the notes regarded as diatonic harmony should be formed
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