Barbara Strozzi was an Italian composer and performer during the seventeenth century. Between the years 1644 and 1664 she published eight volumes of vocal music. In these publications Strozzi most frequently wrote for solo soprano and basso continuo. Six of these volumes include only secular vocal music including vocal styles such as madrigals‚ ariettas‚ arias‚ and cantatas for solo voice. One cantata in particular‚ L’amante Segreto: Voglio Morire‚ was part of her second collection of secular vocal
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He composed the first four sonatas in the Romantic style‚ then he explored more complex‚ chromatic harmonies. The last five sonatas were actually written without a key signature‚ and can be said to be atonal works. The most conspicuous thing is an innovation of mystic chord. He used this mystic chord to express his feelings‚ and evolved the whole composition out of this one extended harmony. Especially the fifth sonata is considered as a landmark of modern composition in its atonality and
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HARMONY- use of the tritone - augmented 4th‚ creates tension and something bad is about to happen despite love story Gives edgy unpredictable feeling Jazz harmony‚ ordinary chords have added blue notes DYNAMICS- -tony starts singing PP‚ breathless and excited‚ impatient -crescendos to f during 2nd theme -theme 3 is softer and quieter TEXTURE- lots of different layers makes music exciting TONALITY- D major‚ happy key to reflect mood of song INSTRUMENTS- -solo tenor voice -accompanied
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this taxonomy. Each of the three movements were initially viewed as separate‚ self-contained entities since a link between thematic materials could not be easily established. Each thematic idea seemed radically different from the last‚ both in harmony and harmonic rhythm‚ texture and melodic temperament. But‚ with retrospect‚ this was a naïve assumption: this work can be viewed as a fantasia since all three sections share a commonality in motivic ideas and pitch gestures‚ proving that not even
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Bangladeshi society From Wikipedia‚ the free encyclopedia [hide]This article has multiple issues. Please help improve it or discuss these issues on the talk page. The neutrality of this article is disputed. (November 2012) This article relies largely or entirely upon a single source. (June 2013) This article possibly contains original research. (June 2013) This article needs attention from an expert in Bangladesh. (June 2013) Bangladesh did not exist as a distinct geographic and
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Caklempong traditional music is said to have brought to Malaya by the Minangkabau people of West Sumatra settled in Negeri Sembilan as early as the 14th century. Minangkabau society call the caklempong as talempong. (Source: Abdul Samad Idris‚ 1970) In the earlier tradition‚ other than the purpose for fun‚ caklempong was also played as an important role in everyday life‚ such as integrating the Minang community residents besides being played during the ceremony of the coronation of the Sultan.
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monophonic‚ then it has only a melody line and no harmony. Much of the medieval music was monophonic. If the music is homophonic then there is only one melody line‚ but it may be played by two or more instruments. Many of the songs that were originally monophonic were easily transformed into homophonic by add extra voices or instruments. Polyphonic is the type of music we hear today. Polyphonic is when there is a melody line accompanied by harmony. A considerable amount of Adam de la Halle’s polyphonic
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Bibliography: A. Schoenberg‚ Theory of Harmony (London‚ 1983) O D. A. Lee‚ Masterworks of 20th-Century Music: The Modern Repertory of the Symphony Orchestra (New York‚ August 2002)‚ 1-7 Watkins‚ 572 John Adams‚ quoted in Michael Steinberg‚ “Harmonium‚ by John Adams‚” program notes for the San
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What does studying in the Knowledge Society mean? Nowadays people deal with much more information than ever before in human history. For this reason today’s society is called the Knowledge Society or the Information Age. The process of globalization and its “children”-increasing integration of communities‚ rapid pace of life‚ the global network of exchange and innovation of new technology‚ revolutionizing all aspects of our daily lives‚ creating new models and values‚ whose development has
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rhythmically complex‚ and so on)‚ but the formal terms that are used to describe texture all describe the relationships of melodies and harmonies. Here are definitions and examples of the four main types of texture. For specific pieces of music that are good examples of each type of texture‚ please see below. Monophonic Monophonic music has only one melodic line‚ with no harmony or counterpoint. There may be rhythmic accompaniment‚ but only one line that has specific pitches. Monophonic music can also be
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