Harvester Vase: Hagia Triada The Harvester Vase was found in Hagia Triada on the island of Crete. This vase is from the Late Bronze Age‚ dating from 1550 to 1500 BC. The vase was originally made in three parts and was fitted together. The face is oval shaped and has a vessel on the top. The vase was carved on brownish steatite. The vase was originally glided with gold and hammered to paper-thin thickness. This piece is decorated with low-relief sculpture and shows a unique scene. The piece has pictorial
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The Harvesters‚ painted with oil on wood in 1565 by Peter Bruegel the Elder‚ portrays a scenic harvesting and the people who are participating in it. The painting was part of a series of six‚ meant to display the seasons of the year and was commissioned by a merchant in Antwerp for his own personal collection. The Harvesters has a civic intention‚ being a part of a community‚ and uses artistic detail to create scenery a person can identify with and become a part of. Studying the painting helps identify
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Combine harvester [pic] [pic] A Lely open-cab combine. [pic] [pic] Harvesting oats in a Claas Lexion 570 combine with enclosed‚ air-conditioned cab with rotary thresher and laser-guided hydraulic steering [pic] [pic] Old Style Harvester found in the Henty‚ Australia region [pic] [pic] John Deere Combine 9870 STS with 625D [pic] [pic] John Deere 9870 STS underbelly [pic] [pic] Case IH Axial-Flow combine The combine harvester‚ or simply combine‚ is a machine that harvests grain crops
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customer satisfaction through quality products‚ timely delivery and competitive prices. OUR PRODUCTS: Flatware‚ Bowls Nautical products Artistic candle holders Candle trays Tea lights‚ Pillar holders Mesh baskets Flower vases Galvanized Party Tubs Lanterns Steel Planters Registered Address: K-94‚ Kamala Nagar‚ Lajpat Nagar‚ Moradabad‚ Uttar Pradesh‚ India. E-mail: artefactsinc@gmail.com Our product range are made of brass‚ aluminium‚ stainless steel‚ galvanized
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Prior to World War II American foreign policy was isolationist. We felt that other nations problems‚ particularly their wars‚ were their own business and we avoided getting involved unless we felt directly threatened. As a result of WWII though we decided that threats to peace and freedom elsewhere in the world did affect us‚ that if we ignored serious trouble in the world it would probably eventually find us. Thus after the war we became internationalist using our power and prestige to help and
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One of the finest relief sculptures that had been created around 1500 BCE was the The Harvester’s Vase. The vase structure was created out of black steatite and it had an appearance comparatively to an ostrich egg. The low relief vase depicts a group of harvesters in profile view‚ singing and walking with harvesting tools on their shoulders. One particular harvester‚ that was singing and shaking an Egyptian percussion instrument‚ ribs are exaggerated to an extent where scholars have hypothesized
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THESIS STATEMENT: In my paper I will focus on issues including the significant background of the Euphronius Vase‚ the reconstruction of the Greek vase itself‚ and Euphronios choosing a myth popular in Athens for half a century and transforming it in his own supreme style‚ which shed significant light on the complex history and ethnical issues related to this work of art. I will argue that a known literary model can be helpful in elucidating the details of a painted scene and a Corinthian fragment
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Funerary Vase (Krater) 1) A painted clay vessel showing an early style of Greek figurative art‚ also embodies some core Greek beliefs. 2) Grave Marker: a) A Krater is a wide-mouthed clay vessel for mixing wine and water. 3) Terracotta: a) The vessel is made from Terracotta (Terracotta‚ Terra cotta or Terra-cotta (Italian: "baked earth"‚ from the Latin terra cotta)‚ a type of earthenware‚ is a clay-based unglazed or glazed ceramic where the fired body is porous. Its uses include
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Figure 1 – Obverse View of the Terracotta Loutrophoros Terracotta Loutrophoros (fig. 1) epitomizes the distinctive style of funerary vases created in Apulia‚ a region located in South Italy. The vase is attributed to the Metope Painter and was created around the third quarter of fourth century B.C. South Italian vase painting has been the subject of “neglect [and] general disparagement” due to the “emphasis placed upon the study of Archaic and Classical Greek art.” South Italian art has been
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The Chinese Vase is a representative of trends in porcelain decoration during the reign of the Kangxi Emperor‚ the second ruler of the Qing Dynasty (1644-1911). The two scenes in this vase represent an interesting visual riff on the narrative technique (prof Besio). Both the top and the bottom scenes can be divided into 3 sections‚ with top and bottom paralleling each other: trees growing in a garden; human figures in a garden; and‚ contiguous and open to the garden‚ an interior of a scholar’s study
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