From the time of the Ottoman Empire through the twenty-first century‚ people have worn clothes. Although styles have come and went‚ clothing still defines your status‚ personality‚ and origin. Clothing still has‚ essentially‚ the same concept to it—to cover what is not to be seen. Clothing has grown throughout the ages in styles and developments‚ such as the fit and the process in purchasing clothes for both men and women. The style of clothing for men during the Renaissance was more extravagant
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Over the years clothing has gone through many changes and adjustments‚ from the uncomfortable and unfitted clothes of the Middle Ages to the natural‚ flowing look of modern clothes. Clothing started off quite simple and basic but over time began to grow in importance and represent many things such as what kind of people wore it‚ what group they were affiliated with and how wealthy an individual was. During the Middle Ages‚ a person would make their own attire to suit their lifestyle‚ usually this
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Ebonie Sydnor Mr.Mulhern Freshman English 6 October 2014 Ready-Made Clothing Informative Essay The style‚ the fit‚ and the fashion of clothing has varied from different periods of time. The development of clothing evolved due to the American Civil War. As the war matured‚ manufacturers fabricated factories that would eventually meet the growing demand of the military‚ quickly and efficiently. The Civil War‚ the Industrial Revolution‚ and the Renaissance‚ all have impacted the meaning of clothing
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Fashion constantly changes‚ its always altered one way or another. Clothing always has a reason to change‚ particularly‚ attire from a different time era. Either to reveal character and personal tastes‚ to show status or the time period when they were born. A prime example of such fashion being the Victorian Era of clothing. Garments in this time period ranged in many styles as the years pass‚ all of which unique in its own way. Men‚ women‚ and children specifically. To begin with‚ women’s appearance
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Describe and Explain State of Fashion and Haute Couture in the 1960s By the 1960s the ‘Golden Age of Couture’ was over‚ Christian Dior (1905-57) never lived to see the demise of haute couture and the rise of ready-to-wear fashion. Cristobel Balenciaga (1895-1972)‚ however‚ did and he did not survive the transition‚ just one of the couturiers who‚ in failing to adapt to the new fashion atmosphere‚ therefore failed financially. During the 1950s the Parisian couturiers were the dictators of fashion
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1. Introduction: 1.1 Venture Overview: Campus Couture Inc. was conceived on the Western campus in the Fall of 2011‚ after listening to endless complaints from girls having ‘closets full of clothes and yet have nothing to wear for that special night out. We knew there had to be a solution‚ which led to the creation of Campus Couture. Campus Couture provides rental services of high-end apparel for the Western University and London community. Our company aims to provide access to students and young
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ELIE SAAB Lebanese designer Elie Saab has long been a leading name in haute couture in the Middle East‚ where his romantic‚ crystal-encrusted gowns attracted princesses to his Beirut atelier‚ opened in 1982 when he was just 18 years old. His ready-to-wear line‚ which launched in 1998 in Milan‚ heralds the same feminine aesthetic as his couture dresses‚ with brightly colored silks‚ chiffons‚ pearl beading‚ and embroidered lace. With their Middle Eastern detailing and European sensibility‚ Saab gowns
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today the company designs and retails ready-to-wear‚ leather goods‚ fashion accessories‚ footwear‚ jewelry‚ timepieces‚ fragrance‚ make-up‚ and skincare products while also maintaining its tradition as a creator of recognized haute-couture (under the Christian Dior Couture division). While the Christian Dior label remains largely for women’s offerings‚ the company also operates the Dior Homme division for men and the baby Dior label for childrenswear. Products are sold throughout its portfolio
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and middle ground stance between Romantic and Classical technique. Couture was primarily but not wholy commited to the practices of Classical and Ancient masters; he employed a mixture of both conformation and challenge to the expecatations and adhereances of the Academics by commenting on contemporary society through the medium of history painting. In his written manifesto advertising the opening of his new studio in 1855(?)‚ Couture pledges alleigance to “the great art of ancienct Greece‚ the Renaissances
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Sophie Gimbel‚ Fashioning American Couture By Beth Dincuff Charleston Aronson Gallery at the Sheila C. Johnson Design Center Visit Tiffany Felix LIM College Fashion Fundamentals 105-01 Professor Hargroves Sophie Gimbel‚ Fashioning American Couture With interest piqued by the Sophie Gimbel windows at Saks‚ I stop by 66 Fifth Avenue Tuesday afternoon February 11th‚ 2013. The garments on display reflect the classic sophistication and timeless elegance of their creator. Though the gowns were
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