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    Olsen’s I Stand Here Ironing‚ the constraints of oppression were alive in her thoughts. Olsen’s fa’ade was being a housewife‚ she would have rather had other choices in her life and wanted more for her daughter as is told by the last quote in the story: In summary‚ all three women had no choice in their lives or they chose not to have a choice but to follow society’s way of thinking. "It was the only way we could be together‚ the only way I could hold a job" (Olsen 225). They did what they could

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    King’s "The Man in the Black Suit" and Oates’s "Where Are You Going‚ Where Have You Been?"‚ fears related to family are exploited by antagonists in young and vulnerable protagonist. "The Man in the Black Suit" presents a young boy‚ who after the traumatic loss of his brother‚ has an encounter with the Devil. In this short story‚ the fear that the antagonist plays upon is the loss of the young boy’s mother. Oates’s "Where Are You Going‚ Where Have You Been‚" also plays with the protagonist’s family

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    At first glance‚ the story “Where Are You Going‚ Where Have You Been?” by Joyce Carol Oates seems like a regular story where a girl just has home problems like every other teenager. However‚ by looking more into the story you can see that the locations of where Connie is at‚ mean something different. In my opinion‚ I believe that the setting plays a significant role in the way Connie alternates her personality around her family and friends. When she is out with friends and not at home with family

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    saturday morning in “Where are you going. Where have you been’’ by Joyce Carry Oates. It started with an unfamiliar car bouncing along Connie’s long drive way. When she first heard the car she rushed to the window excitedly‚ frantically fixing her hair. Making sure she looked good‚ seemed to be an insecure habit for Connie. She saw an uninvited boyish looking man who was situated in the car parked now in her driveway. There was a tension of unease about the boyish man‚ he acted if he was supposed to be

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    story‚ “Where Are You Going‚ Where Have You Been.” Oates recreates an event that took place in the mid-1960s‚ where a grown man‚ who had shaggy black hair and a boyish charm‚ would lure teenage girls into his car‚ rape and murder them‚ and then bury their bodies in the desert. The fate of the main character in “Where Are You Going‚ Where Have You Been” lies between Oates’s wavering suspense. From the beginning Oates shows the reader that the story is a flashback. “Her name was Connie.” “She was fifteen

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    short story‚ "Where Are You Going‚ Where Have You Been?" Oates depicts Arnold Friend as the Devil; we can see this through his physical description‚ strange seduction‚ and his supernatural knowledge of Connie. The bodily features of Arnold Friend suggest he is the devil in disguise. During the whole event‚ Connie recognizes the way Arnold Friend "wobbled in his high boots" (196). She believed that he may have been a drunken stumbling man until she identifies "one of his boots was at a strange angle

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    side of town to the other. While at other times‚ a change can be as major as transitioning from childhood to adulthood. For much of the 20th century in America‚ the dynamics of communication among parents and their children was not fundamental. “Where Are You Going‚ Where Have You Been‚” written by Joyce Carol Oates introduces these “ills” of the 20th century to be examined in a more psychological depth. This ominous literal piece unfolds the story of protagonist Connie‚ a self-absorbed‚ disoriented

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    Joyce Carol Oates’s “Where Are You Going‚ Where Have You Been” conveys the theme of good vs. evil through Connie and Arnold by creating a sympathetic character and using symbolism‚ creating a fine line between the protagonist and the antagonist. In this short story‚ the antagonist Arnold Friend is a seducting creep that seduces young‚ innocent girls to “go on a date with him”. While he is at the protagonist‚ Connie’s‚ house‚ he is persuading Connie by telling her all about herself‚ including his

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    In Joyce Carol Oates’ "Where Are you Going‚ Where Have You Been"‚ Oates used figurative language to show the evil in Arnold Friend and how he as a Fiend tries to pull Connie into his corrupted world. The harsh reality that Oates includes in her story is that there are fiends that may seem like a friend around us like Arnold. By using figurative language Oates can create a fiend from what Seem to be a Friend. There are many hints that Joyce left to show that Arnold Friend is not a friend at all

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    English 30-1 Personal Response Often in life‚ it is the choices we make that shape our identity. Our behaviors‚ and actions determine the outcome; ultimately becoming a part of our character. In the poem “Where Have You Gone?” by Mari Evans the author reveals the consequences of a tragic ending to an overly reliant relationship. Evans suggests that when in a relationship‚ often one individual chooses to rely too much on the other without realizing; building a heavy dependency‚ causing the loss

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