TMU302H1 Harmonic & Structural Analysis of Marcel Bitsch‚ concertino pour basson et piano Marcel Bitsch composed his Concertino pour basson et piano in 1948 prior to accepting the position of teaching counterpoint at the Paris Conservatoire from 1956 to 1988. It is an exciting piece written using the chromatic scale containing two movements. The piece in its entirety is very animated and neotonal‚ often using non-functional chord progressions and
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anarchy‚ rebellion and disorder of a society. As we compare these two opposite society types‚ there are two books that are the poster child of utopia and dystopia. Those two books are Kurt Vonnegut’s "Player Piano"‚ and Anthony Burgess’s "A Clockwork Orange". In Kurt Vonnegut’s "Player Piano" we follow the hero Paul Protues through his utopian society. Where in his society they have just recovered from a ten year war and now has been built up and ran completely by machines. Furthermore a super
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between people are just another indicator of our individual uniqueness. This factor was personally intriguing in the business aspect‚ as it provided an unique analysis of the customer market when I fundraised for school organizations and created my own piano business. Furthermore‚ knowing how to develop and maintain positive relations even with people with different backgrounds is vital in business‚ where customers and employees alike can originate from all around the world. I hope to continue this observation
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Sight-Reading: Factors that Affect Piano Sight-Reading and Practice Methods Introduction The definition of sight-reading is “the ability to read and perform music at first sight‚ i.e. without preparatory study of the piece” (Apel‚ 1962‚ p.679). Lowder (1983) surveyed college faculty members and in-service teachers to find out what they believed were the most important piano skills. The survey found that sight-reading ability was ranked second (“cadence” was first)‚ followed by score-reading
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A Comparison of Manze and Szigeti’s recordings of La Follia from Corelli’s Sonata for Violin Op. 5‚ no 12. Andrew Manze‚ an English violinist‚ and Joseph Szigeti‚ an American violinist are both internationally renowned for their Baroque playing1. I am going to take a look at each of their recordings of Corelli’s La Follia‚ the difference being however‚ that they are playing from separate scores and interpretations of the piece. Manze’s recording has been done from an earlier‚ more original copy
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Claude Debussy: Piano Preludes - La fille aux cheveux de lin Lucinda Nicholls‚ 10.1 Part 1 La fille aux cheveux de lin is the eighth piece in Book 1 of Debussy’s Preludes. It is a typical example of his impressionist composition style‚ impressionism in this case meaning a type of program music which aimed to evoke moods and impressions through tone colour and harmony. Impressionism also relies on allusion and suggestive understatement to convey its subtle meaning. La fille aux cheveux de lin
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Summary of scene 7 This Scene starts off with the male journalist asks Bridie about conditions in the camp. Explaining how the women were weighed regularly and outlining the contents of a will she drew up at this time‚ Bridie mentions a caramel. Questioned further about this caramel‚ which she and Sheila would suck on every Sunday night‚ Bridie explains how it came to be consumed. At Christmas 1943‚ to the amazement of the women‚ a group of male Australian POW’s managed to get to the barbed-wire
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“Half-past Two” and “Piano” both have the theme of childhood. There are some similarities in these two poems. “Half past Two” is about a young child who has done something naughty. His teacher punishes him by making him stay behind until half past two. However‚ being cross‚ she forgets he has not yet learnt to tell the time. Thus‚ his concept of time doesn’t yet include numerals. He knows he is punished but cannot understand why. During his detention‚ he recalls the time modules he knows
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J.S. Bach Flute Sonata in B minor (BWV 1030): the development of the Baroque Flute‚ the flautists and the music Johann Sebastian Bach (J.S. Bach) is no doubt one of the greatest composers of all times. He composed many works for flute including works for solo flute‚ flute with harpsichord and/or continuo and‚ two flutes and harpsichord. However‚ there has been a controversy‚ over the flute works‚ whether they were composed solely by the composer‚ assisted by someone or under the guidance of J.S
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Poem at thirty-nine by Alice Walker and Piano by D.H Lawrence in my opinion are both poems which share the same theme of memories and nostalgic remembrance. The two poems contain many similarities but at the same time also have many differences between them. The essay will concentrate on nostalgia‚ for an idealized past‚ remembrance of a loved one or the missing of the unconditional love between a parent and child. It will also evaluate to what extent they are similar regarding the tones‚ the language
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