The Stony Brook Symphony Orchestra and Fady Deeb Saturday‚ October 6‚ 2012 Lontano by György Ligeti This piece has an eerie and dissonant aura throughout the piece‚ without having much musical resolve in its sounds. The entire orchestra was included in this piece‚ except for the percussion section. These polyphonic sounds of this piece were played extensively‚ reflecting no noticeable tempo or rhythm‚ therefore creating ambiguous sounds. However‚ the dynamic range was wide enough to create
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last movement of the Drum Roll Symphony. How was the piece received at its first performance? Haydn wrote Symphony 103 (nicknamed the Drum Roll Symphony due to the long roll on the kettle drums at the start of the 1st movement) in the winter of 1794/1795 during his second visit to London. The success and popularity Haydn experienced in London during his first visit made him eager to return‚ along with the demand from Salomon that he should compose 6 new symphonies that Salomon himself would conduct
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since the composer decided not to continue the work on this piece while he was still alive. James M. David: AUTO ’66: for Solo Clarinet and Wind Ensemble I. Lamborghini Miura; II. Mini Cooper S; III. G.T.O. This clarinet concerto is scored for Piccolo‚ 2 Flutes‚ 2 Oboes‚ 2 Bassoons‚ Contrabassoon‚ 4 Clarinets in B-Flat‚ Bass Clarinet‚ B-Flat Contrabass Clarinet‚ 2 Alto‚ Tenor and Baritone Saxophones‚ 3 Trumpets in B-Flat‚ 4 Horns‚ 2 Tenor Trombones‚ Bass Trombone‚ Euphonium‚ 2 Tubas and 5 Percussions
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The Moran Woodwind Quintet was on Tuesday‚ November 17. The performers included John Bailey‚ William McMullen‚ Diane Barger‚ Jeffrey McCray‚ and Alan Mattingly. Bailey played the flute‚ McMullen played the oboe‚ Barger was on the clarinet‚ McCray played the bassoon‚ and Mattingly played the horn. The first piece was called Quintet in g minor‚ Op. 56‚ No. 2. It was by Franz Danzi. The first movement was an Allegretto. It was in a major mode and in triple meter. It started with polyphonic texture
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Set in D major with a duple meter‚ traditional ricerare-type alla breve fugue‚ with a step by step ascending and descending repeated note pattern‚ the movement has a Baroque like nature within its ornate‚ chant-like‚ modal‚ conjunct‚ harmonic and tonal characteristics. Strangely‚ “Gratias agimus tibi” does not document any sort of dynamic qualities; therefore‚ Bach has left the dynamics up to the performers to differentiate their parts in a way that reflects both the music and its text. Much of the
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Spectacular at the Sioux City Symphony Orchestra. I have thoroughly enjoyed each and every event I have attended at the Sioux City Symphony Orchestra. They seem to always do an excellent job. I come from a small town in eastern Iowa‚ so it is incredible to have such amazing resources to enjoy from such a short drive away. To see a symphony like this from my hometown‚ I would have to drive over an hour‚ and the symphony still would not be as high quality as the Sioux City Symphony Orchestra. I think more
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“Utah Symphony and Utah Opera: a Merger Proposal” Financial Strengths and Weaknesses of the Utah Symphony Before the Merger The financial state of the Utah Symphony before the merger was grim. It was understood by the symphony’s chairman of the board‚ Scott Parker‚ that the situation was getting worse. This was aggravated by the downturn of the economy and the event of 9/11. However‚ even before the economic downturn and 9/11‚ the symphony was very close to a deficit situation (Delong & Ager‚
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Utah Symphony and Utah Opera: A Merger Proposal The Utah Symphony (USO) and the Utah Opera (UOC) Merger was a union that was brought forth by the leadership committee at the USO in Salt Lake City. The proposal was an opportunity to strengthen a struggling symphony with a financially sound opera company. Although mergers between opera and symphony companies in the United States had been successfully in the past‚ the merging of a two major companies had yet to materialize (Delong & Ager‚ 2005‚ p
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Nicole Music 122 Dr. December 5‚ 2012 Beethoven and Tchaikovsky’s Final Symphonies: Comparative Analysis Although from different eras‚ embracing different styles‚ Beethoven and Tchaikovsky can both be identified as two of the most influential‚ emotional composers. As men they were alike in the profound emotion put into everything they did. They both had emotional issues though Beethoven was angrier‚ and frustrated while Tchaikovsky was quite depressed and always had feelings of guilt
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together they will each need to feel valued and know that their value will not decrease. The equity theory discusses six different aspects of motivating employees. First‚ managers need to understand the employee’s perceptions of the idea. The Utah Symphony and The Utah Opera are struggling as separate entities. The arts are trying to save both by merging the two together. Both are very strong in their beliefs that they can function on their own and that if they merge they will lose their individuality
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