Alyssa Auch Professor Grover ENG 314 November 17‚ 2012 A Victimized Villain in Venice What makes a villain? When introduced in films‚ the antagonist is often given tell-tale‚ gloomy music and shadowed lighting. They scowl and sneer and laugh in derision‚ and we know they are the opposition. In William Shakespeare’s plays‚ the villains often introduce themselves as such‚ stating their macabre intentions or hateful jealousies. From a psychological point of view‚ their thoughts are simple enough
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the villains/ nemesis play within the Bond novels isn’t unique per say‚ but without them‚ there would definitely be no Bond novels. Each villain Bond faces shapes who Bond is as a character. They test Bond’s limits and they provide him with the tools to make himself look good within the novel and films. Every good guy has a bad guy to fight type situation is what we see in the Bond novels. Though Bond is tortured and put to the test by these villains‚ he always comes out on top. The villain will
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centered around Mr. Heathcliff and his vengeance after losing his true love because of segregation‚ social class‚ and jealousy. Mr. Heathcliff was introduced in Chapter One as a mysterious man whose secretive past and rude behavior captured the interest of Mr. Lockwood. Segregation was the first noticeable hardship that Heathcliff endured because of his appearance and education. When Hindley returned to Wuthering Heights‚ Hindley’s jealousy was an additional obstacle that kept Heathcliff and Catherine
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reading the Merchant Of Venice. Is Shylock really a victim or a villain? At first‚ we weren’t quite sure about the answer as throughout the play Shylock is portrayed as being both victim and villain. However‚ after reading and analyzing the book and getting enough evidence to prove our point‚ we finally made up our minds and decided which was the most suitable adjective for Shylock. On the one hand‚ Shylock might be considered as a villain as he is a miserly moneylender who delights in the prospect
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Right when the family sees Heathcliff‚ they react by saying‚ “put him in the cellar‚” and stereotypes him as a thief because of his lower status (Brontë 53). They also say that he is “quite unfit for a decent house” and then kicks Heathcliff out of their house (Brontë 53). They view him like a servant that is dirty and not worthy of anything. However‚ their treatment towards Catherine is completely different. They treat her like a princess by pampering her‚ and Heathcliff notices the “distinction between
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Iago’s role as the ultimate villain. Handelman states “Iago is a relentless and witty villain…” Iago ultimately causes the deaths of Othello‚ Desdemona‚ and himself. Killing Othello and Desdemona alone‚ would not have quenched his thirst for evil‚ he had to destroy the lives of his victims before he killed them (Handelman 1). In agreement with the idea of Iago being the ultimate villain‚ Samantha Markham of Suite101.com Inc.‚ wrote the article “The Brilliant Villain of Othello‚” which states
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The definition of a villain is “A character whose evil actions or motives are important to the plot.” There’s a certain villain that happens to be so cruel‚ and actions affect this movies plot so much that you can’t help but wonder how he portrays himself. The characteristics of a villain tends to be devious‚ mischievous‚ and never up to any good. In the past few years‚ there was a book and movie series called “The Hunger Games.” This section is about two people from each “district” get randomly
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The villain Magneto killed millions of people‚ Loki the great trickster god who managed to kill over 80 people in his first 2 days on earth and Khan opened fire on unarmed Captains of Starfleet during a meeting. All three are seen as classic super villains out for blood. Can their actions be justified though? Can we truly justify the actions of a great super villain by their past experiences‚ by their perspective or even by their personality traits twisting their morals into something more? We will
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kind of fucked up story does the bad guy win? In what kind of story does the victim end up in disbelief that she never got the justice she deserved. That’s when you realize you’re the villain. But no‚ the other person’s not innocent either‚ they’re the villain too. They’re worse than you‚ but you’re still the villain‚ because you let it get this way. Everything’s your fault. And you hate everyone. And you hate yourself. And you hate everything. And your so filled with hate that you just want to end
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In both works‚ the authors of Beowulf and Tolkien also assigned their society’s negative traits to their stories’ villains. In Beowulf‚ Grendel was swamp-dwelling son of Cain‚ the exiled killer of Abel and father to all evil spirits (102 – 110). Grendel’s swampy home is easily accessible to the Anglo-Saxon audience as dark and dangerous. On top of this‚ Grendel’s home exists on the outside edges of King Heorot’s lands: not central but still inside (103). This location represents the marginalities
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