"Hegemony and graffiti" Essays and Research Papers

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    addressing hegemony‚ and uses personal anecdotes to explain Trenholm’s definition of hegemony and to portray the views of Stuart Hall’s ideas of production and circulation in a way that stresses the inherent connections in society. As defined by Trenholm‚ hegemony is the idea that the dominant viewpoints “reflect and reproduce only those ideas‚ meanings‚ and values that uphold the interests of the power elite and that they silence opposing views” (Trenholm 284). Davis approaches hegemony in a similar

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    Liam Eifert English 802 October 12‚ 2014 Graffiti in Urban Society Defining what is or is not art is difficult. Another concept that is difficult to define is what constitutes a crime and why something is considered a crime. In the case of graffiti and street art‚ both of these difficult concepts collide‚ creating a very controversial subject. Since the beginning of simple hip hop graffiti in Philadelphia during the 1960s‚ graffiti has evolved into many different forms and has developed a subculture

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    Although the amount of atrocious graffiti that has increased throughout the years‚ it could all be put to a halt. Graffiti is something that should never be done to anything such as schools‚ memorials‚ tombstones‚ the city property and many others. Graffiti may look really pretty on trains and on walls‚ but it is against the law. You could put a halt to graffiti by making numerous people watch the hallways and stand outside during school hours. If there were more people standing in the hallway or

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    Graffiti has been an issue that generates concern to the modern society throughout the world and originating a controversy of it being classified as a legitimate art form or vandalism. For the purpose of discussing this issue‚ it is essential to understand the terms of graffiti‚ art and vandalism. Graffiti can be described as the act of marking by the use of spray-paints‚ markers or other tools on a surface‚ usually a visible spot‚ with the intention to attract attention from the general community

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    To understand counter-hegemony one must first all have a clue what hegemony is. Well‚ according to Gramsci (1971)‚ hegemony is that cultural leadership that is usually exercised by the ruling class. In this essence‚ the dominants order is sustained by the intellectuals. This is done by popularizing and creating a world view to convince the oppressed that their live in subordination arena is inevitable‚ just and appropriate. So with that idea‚ counter-hegemony can be explained as that attempt to dismantle

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    Kassandra Morales English 1010 Paper 2 10/26/14 Graffiti art People argue back and forth for years about graffiti art intensely. But it is art through illegal vandalism Graffiti is still art. The artwork on graffiti is brought out wrongly from different point of views. The complexities of the different forms of artwork used are used in many different ways. Graffiti has a certain ‘appeal’ to many people. It gives an unknown person a chance to speak through art. The textures and shadowing they

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    Next‚ graffiti is acknowledged by many people and it causes no harm to people. The first place that graffiti receives acknowledgement from is other graffiti writers. In “Documenting Illegal Art: Collaborative Software‚ Online Environment and New York City’s 1970s and 1980s Graffiti Art Movement” by Rachel Masilamani‚ she talked about the social movement of graffiti. She wrote‚ “At its heart‚ graffiti is about documenting presence; it is a way of saying ‘I was here‚’ but up until the early 1970s writers

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    Consider the characters of Stanley‚ Blanche and Stella and their behaviours in Scene 1. Using your own words‚ describe whether you think is reinforcing or challenging hegemony in “A Streetcar Named Desire”. I think Tennessee Williams is not challenging hegemony in the play “A Streetcar Named Desire” and it’s maintaining the cultural and social topics of the time. To start off‚ the characters of Stella‚ Stanley and Blanche are showing prejudices and discrimination by their actions‚ behaviour

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    to release a film in the early 1970’s‚ just before all this would change. George Lucas did just that‚ with his 1973‚ released of the nostalgic move American Graffiti. Classic custom cars‚ friendship‚ and fear of what the future holds are classic interplays between social and cultural tensions in American Graffiti. In the film American Graffiti‚ George Lucas sets out to make a nostalgic film‚ which would play into his own life‚ and what was on everyone else’s mind at that time in society (Dewitt 47-50)

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    various tools on any makeshift canvas they can find. The word that we use to identify this so-called art is graffiti and I believe that graffiti is somewhat of an epidemic. Graffiti has been around since the times of ancient Egypt and it doesn’t look like it’s going to disappear anytime soon. Graffiti can be used in many different ways depending on which country you’re in. Since graffiti has been around since the times of ancient Egypt‚ ancient Greece‚ and the Roman Empire‚ it has spread all over

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