classic. 12 Angry Men‚ starring Henry Fonda‚ E.G. Marshall‚ and Lee Cobb‚ is the story of twelve jurors who determine the fate of a teenage Puerto Rican boy charged with murdering his own father. In the wake of a week-long trial‚ twelve men‚ who remain nameless throughout the movie‚ convene in a small‚ sweltering room in a New York City court building. They begin their deliberation with a preliminary vote. Eleven of the men vote guilty‚ and one‚ Juror #8 (Henry Fonda)‚ votes not guilty. The eleven
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12 Angry Men (1957) is the gripping‚ penetrating‚ and engrossing examination of a diverse group of twelve jurors (all male‚ mostly middle-aged‚ white‚ and generally of middle-class status) who are uncomfortably brought together to deliberate after hearing the ’facts’ in a seemingly open-and-shut murder trial case. They retire to a jury room to do their civic duty and serve up a just verdict for the indigent minority defendant (with a criminal record) whose life is in the balance. The film is a powerful
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community can be found in John Stinebeck’s novel "The Grapes of Wrath" and the new film presented by John Ford. Although the basic stories deal with the same issues‚ they also are different. In the film‚ Ford’s main character‚ Tom Joad‚ played by Henry Fonda‚ is a man just released from prison who finds his former life style as a simple farmer‚ has been turned upside down by depression‚ natural geological disaster‚ and economic changes. His views on life are manipulated by his prior society. Tom encounters
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deliberating and deciding the fate of a teenage boy accused of murdering his father. Although it seems to the jurors that the boy is unquestionably guilty‚ one juror (Juror 8) speaks out against the comfortable groupthink of the other jurors. Juror 8‚ Henry Fonda‚ approaches the issue from a teamwork point of view‚ and over and over again gains acceptance his views as he calmly and realistically discusses what he believed are inconsistencies in the case. This movie is an excellent example of how one person
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be there by 6pm! • 08 Mar* – YOUTHSpeak dialogue on budget 2015 – Those who signed up‚ please be there by 12noon! *Applicable to those who signed up. Class on E-learning Week - 10 March • You are to watch the movie “12 Angry Men” featuring Henry Fonda (a black & white movie filmed in 1950s) in your groups. • Submit a reflections on Negotiations from the movie: – How would you frame the legal situation as a matter of negotiation? – Who would you identify as the leader at the start of the movie
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objective law‚ but at the same time glorifies heroic individualism through Juror # 8‚ Henry Fonda. Typecast as another liberal‚ he is a truth-seeking hero‚ who doubts the obvious. Throughout the movie‚ he stresses the idea of "reasonable doubt"‚ and slowly chips away at the jury‚ who represent an all white male society‚ exposing the prejudices and preconceptions that directly influence the other jurors’ snap judgments. So Henry wants to talk the case out. He’s not 100% sure that the guy is guilty. He isn’t
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it speaks powerfully to our belief that one individual with a conscience can make a real difference in the world‚ and that’s a genuinely uplifting message that people do right to embrace. Only a stone-hearted soul could fail to be moved watching Henry Fonda slowly‚ methodically sway 11 other jurors‚ one by one‚ employing only reason‚ compassion‚ and common sense as weapons. Should
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deliberating a murder trial. An 18 year old has been accused of murdering his father and the jury has retired to determine his fate. The jury performs a preliminary vote and the results came out to be eleven for guilty and one‚ the architect played by Henry Fonda‚ for not-guilty. The rest of the jury then begins to persuade the architect that the accused is actually guilty. Each member of the jury played a key role in the development of the group and the task at hand. The foreman played a major task
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non-guilty. He instead encouraged his fellow jurors to simply discuss the case in an open-minded manner. “I don’t know if I believe (the boy’s story) or not‚ maybe I don’t” (Brown‚ 2000‚ 94; Film‚ 12:40). This non-committal position serves to shield Fonda from much of the hatred typically directed at lone dissenters. Studies have shown that such acquiescences gives subsequent legitimacy (Hollander‚ 1958‚ 113) and lends credit to his emergence as a
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longer they talked about it‚ the more clear the picture became. The only person that didn’t vote the boy guilty was a man by the name of Henry Fonda. He was an architect‚ a stout man with good posture. He was the “voice of reason” for the sake of making an honest decision. He knew the magnitude of the decision they had to make‚ and wanted to talk it out. Mr. Fonda was rational‚ analytical‚ and became the information and opinion seeker during the proceedings. His characteristics were synonymous with
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