Middleton Comp I 25 Sept. 2011 Hip Hop’s Betrayal of Black Women The Hip Hop music industry is infamous for being controversial. In the article Hip Hop’s Betrayal of Black Women there’s a debate on whether the exploitation and constant verbal slander of women should be acceptable just because it sales records. It presents the question that why is it that male poverty breeds sexism? Even though women may have lived in the same environment males still see women as the enemy in their music in an
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Cheyenne Gaines Dione Sibley Freshman Comp 12:30- 1:50 Hip-Hop’s Betrayal of Black Women Analytical Summary In Hip-Hop’s Betrayal of Black Women published in Z Communications online magazine July 1‚ 2006‚ Jennifer Mclune responds to Kevin Powell’s Notes of a Hip Hop Head by vividly expressing to feminist and African American women that “Hip Hop owes its success to the ideology of woman hating. It creates‚ perpetuates‚ and reaps the rewards of objectification.” In Powell’s quote he begins
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especially for black women. Even with many new genres arising from the contemporary music scene ‚ hip-hop has maintained it’s leading popularity. In Jennifer McLune’s “Hip-Hop’s Betrayal of Black Women”‚ Hip-Hop is portrayed as a negative contender in the advocacy of female activism. Through the argument in this article‚ it can be understood that hip-Hop music more often that not‚ degrades women and what it means to be female. Any person who has taken time to listen to more than one Hip-Hop‚ or rap song
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February 2012 Rhetorical Analysis of “Hip Hop’s Betrayal of Black Women” In “Hip Hop’s Betrayal of Black Women”‚ McLune addresses the influence of hip hop’s choice of words towards African American women and females. McLune’s article is written in response to Powell’s opinions in “Notes of a Hip Hop Head”‚ along with various other hip hop artists‚ that black females are the leading cause of poverty and racism why black men undertake racism and poverty‚ as if women do not face these struggles from day
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World” In her essay “Hip-Hop’s Betrayal of Black Women” Jennifer McLunes states that “Hip-hop owes its success to the ideology of woman-hating”(222). She states that hip-hop condones an attitude of objectification‚ sexism‚ and homophobia. That rarely does an artist break the mold of rampant sexism. While she is right that some lyrics may be interpreted as chauvinistic and perhaps even sexist‚ this is not majority of the music. McLunes argument is not valid because hip-hop’s artists‚ the environment
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“Black Women VS Hip-Hop” Crystal Smith once wrote that “Images of black women in hip-hop culture make it more likely for them to be viewed as targets to be defaced and abused.” This statement is confirmed true there are many African American women in the hip-hop culture that are disrespected or abused in some type of way during the making of a video or even the lyrics of a song. There are many ways African American women of the hip-hop culture are being abused and disrespected. Some video women
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Hip Hop is a musical and cultural genre that has become prominent over the last three decades. It was a way of allowing individuals to express themselves through music‚ dance‚ and dress to assist in finding their own identity. Hip Hop has more recently gathered a negative image on how women are portrayed in the industry. Hip Hop music videos in particular are said to objectify women‚ specifically black women in a hypersexual manner. This portrayal of the black women has arguably had an effect on
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on a situation that many people consider not being relevant. “Celie’s Revenge: Hip Hop’s Betrayal of Black Women” written by Jennifer McLune relates to the feelings of many women in today’s society. Being referred to as bitches and hoes in the music that we hear every day‚ on the radio‚ TV‚ etc.‚ is a disgrace to all whether they feel so or not. This article is a response to Kevin Powell’s article “Notes of a Hip Hop Head”. In his article‚ Kevin states “just as it was unfair to demonize men of color
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“Woman in Hip-Hop” Although hip-hop generally contains male emcees‚ there has been a plethora of female emcees in the earlier hip-hop days that have made a positive impact on the hip-hop community and the culture itself. Hip-Hop started in 1970 by DJ Kool Herc‚ but it wasn’t until 1979 that the first female emcee emerged. Her name was Wendy Clark A.K.A “Lady B”. She began spinning hip-hop records on WHAT 1340 AM in Philadelphia. She expanded hip-hop outside of New York to Philadelphia.
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A Rhetorical Analysis of “Hip-Hop’s Betrayal of Black Women” Divan Ealy September 25‚ 2013 ENGL 1123 9-9:50am The article “Hip-Hop Betrayal of Black Women” was written by Jennifer McLune and appeared in Z magazine Online in the July 2006 issue. McLune argues that sexism in hip-hop’s culture is a big part and has helped make the industry what it is today. This article can be divided into 5 different sections. In the first section‚ she talks about Kevin Powell and how he
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