strophic songs set syllabically to music in four parts. The frottola was secular and the lauda was sacred. A True B False | 2. The most important secular form in France in the 16th century was the___________. Pierre Attaingnant published about 1500 of these pieces. A chanson B madrigal C lute song D frottola | 3. Secular songs in 16th c. France often used sounds that were descriptive of bird calls‚ street cries‚ battle sounds‚ etc. One of the most famous composers of this kind of music was: A Perotin B
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tobacco. But once the servants had served their terms of indenture‚ they became free men and women‚ and were given fifty acres of land. Their indenture was usually seven years. The supply of indentured servants slowed down by the end of the seventeenth century‚ and planters slowly began to shift to slave labor. Virginia planters started to get involuntary slaves. They imported large numbers of African slaves. The majority of blacks that lived in Chesapeake worked on tobacco plantations and large farms.
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The Daily life of the French in the 16th Century differs greatly from the daily life of the 21st Century. Back then‚ society was led more by the group rather than the individual; now‚ society is led by individuals rather than the group. The people were more influenced by church as a whole than we are now. The village priest was a part of everybody’s life‚ from birth to death. Weddings were a big deal‚ to not only the people getting married‚ but also to their families‚ and the village as a whole;
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Basse danse- also known as the low dance. People used dancing as a way to meet their mate in the 15th and 16th centuries. This particular dance was one of their favorites. Canzona‚ canzon- type of music written in the 16th century for instrumentalists Clavecin- harpsichord who’s name originated in France Clavichord- smaller version of a stringed keyboard that would be used as a solo instrument. Consort- an English instrumental ensemble containing four to seven instruments Crumhorn- similar to bagpipe
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The eighteenth century was an extremely influential and important time in history for Spain. It was the midst of the Spanish Inquisition and great change was rapidly overtaking the country. Milos Forman’s film GOYA’S GHOSTS‚ portrayed in the year 1792‚ beautifully highlights this progressive era. It is seen through the eyes of a great spanish painter named Francisco Goya‚ played by Stellan Skarsgård‚ who constantly watches the harsh realities of the Catholic church throughout the entire film.
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Throughout the span of the 15th and 16th century‚ it is no secret that the arts‚ architecture‚ philosophy‚ and wars were important parts of history. One topic that is not widely talked about among European history is the importance of beauty‚ hygiene‚ and appearance standards “They were of course limited by the technology of the time and the challenges associated with disposing of the sewage and rubbish of a growing population but this does not mean that they did not try to keep themselves and their
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One word that is often utilized to portray the Fourteenth century is “calamitous.” This characterizes the time period as disastrous and cataclysmic. Three events that justify the description of the Fourteenth century as calamitous are: the Hundred Years’ War‚ the decline of the Catholic Church‚ and the Black Death. The Hundred Years’ War was a series of wars between the feudal societies of France and England. The decline of the Catholic Church was mostly the result of two events. The first event
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were very little opportunities for women in education in the eighteen century. "Women were considered to be incapable of abstraction‚ generalization‚ or the mental concentration necessary to comprehend such subjects as mathematics and the physical sciences‚ "(Osen pg51). There have been women who have made significant contributions to the mathematical and science world. The first of the five women in the eighteen century is Emilie du Chatelet. She was born on December 17‚ 1706. Her father
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Church modes were used by composers starting in the 16th century. Jupiterimages/Photos.com/Getty Images Sixteenth-century church music consists of seven different modes based on the C major scale. Each mode has different characteristics and had a specific purpose in 16th-century religious music. Each mode starts on a different degree and creates a different sound. Early composers felt that each mode could evoke specific emotions within the listener. For instance‚ the sixth mode had characteristics
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-Women view each other as kindred souls‚ not as competition. -Dependent‚ affectionate‚ benevolent‚ self-sacrificing‚ pious. -Pure and lacked sexual desire. -This cult of domesticity opens up a cultural divide between men and women in the 19th century -Most education even still was reserved for male‚ not female. -Women overly educated were seen as more masculine mentally…too much education would make them unsuitable for marriage. -Women were wanting to emerge from traditional roles‚ but society
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