When you look at Richter’s Abstract Painting‚ you see the resemblance of a landscape that is portrayed within Altdorfer’s painting as well. I believe that Richter mimics the type of painting that Altdorfer created because not only are the same colors used‚ but the idea of the specific landscapes had to have been similar to create these paintings. I like to think that just because Richter’s painting does not seem realistic and natural; his painting is still the idea of a landscape
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of Painting Modern art was a reaction to the rigid style set by traditional French institutions. Modern styles emerged starting in the 1860s and continued through the 1970s. This type of art refers to styles of painting that eschewed realism and past traditions. Instead‚ its focus is on experimentation with various materials and styles. The following are some of the popular styles that reflect the spirit of the modern art movement. 1. Abstract Art Abstract art refers to a style of painting that
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Three paintings depicting mental illness and how society tried to rid the people of these illnesses before modern time are Hieronymous Bosh (Flowers of Folly/Stones of Madness)‚ Brueghel’s Stone Operation‚ and Girolamo Di Benvenuto’s painting of Exorcism. In Bosh’s painting‚ there are four individuals: a man with a funnel hat‚ attempting to cut open the second man’s brain to extract the stone of madness‚ there is also a man who is holding a vase and a woman who is watching the event‚ while she balances
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Description An expressionist figure painting of a nude woman using oil paint on linen Head leaning back and sitting comfortably in her arm-chair‚ the woman’s left arm is slung over her chest and her right arm supporting her leaning into the armrest. She has her right leg relaxed and her foot gently touching the floor. Her left leg is folded up‚ pushing hard against the edge of the seat. There are no recognizable objects other than the woman and the arm-chair. The artist uses a primary color scheme
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Dan Rebok Art History 100 3/2/2010 Compare/Contrast Paintings at Palmer The Sacrifice of Jephthah’s Daughter 1650 by Pietro Vecchia is a rather unusual painting. The premise is that he must sacrifice his own daughter because of a deal with God. In the painting she has her arms across her chest covering her naked self and is bent over almost in a ball. This cowering is a stark difference to‚ Giovanni Baglione’s St Sebastian healed by an Angel 1603. Sebastian is in repose with his hands behind
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For this painting Johannes Vermeer used charcoal‚ chalk‚ tempera‚ white lead‚ red and yellow ochre‚ vermillion and oil paints in various tones most of which he grinded up himself daily. No one knows how Johannes Vermeer made the initial drawing for this painting but it is thought that preliminary drawing on the canvas was to act as a guide during the painting and also intended to fix the significant contours of the composition. Once the initial outline drawing was finished he began the underpainting
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Thesis statement: Whereas there is no proven connection‚ in my opinion the lone white Iris flower in the “Irises” painting represents the need for individuality in Gogh and even people in society‚ given that there is no other white iris flower like it in this powerful painting. In "Irises‚" there is a war being pursued: one of franticness competing with quietness. Writhing and anguished lines in the leaves firmly stand out from the peaceful‚ etched brushstrokes found in the petals. Dispossessed of
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Masters painting for the pose of the figure. Kehindes paintings are very realistic. His paintings often blur the boundaries between traditional and contemporary modes of representation.
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and fantastical dreams of romance. Fragonard‘s the oil painting‚ "The Swing" has created in 1766. It is located in the Wallace Collection‚ London‚ United Kingdom. The image has shown as a major masterpiece of the Rococo style. The painting‚ "The Swing" was originally commissioned by a wealthy patron to keep in homage to his mistress. The medium of this art piece was oil on a canvas and stands at a height of 31 7/8 x 25 ¼. In this painting‚ Fragonard depicts a scene of scandal and flirtation‚ suggest
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the subject and iconography of the work. The materials used in this work appear to be sheet gold‚ feathers‚ and amatl on wood. Feather painting (amantecayotl‚ in Nahuatl) was a traditional medium in precolonial Latin America‚ and the primary medium that indigenous artists utilized to replicate European styles and iconography in the viceregal time. Feather painting was a style mostly employed in New Spain during the 16th century.
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